How Do I Publish So Often?
A couple of weeks ago, my Saturday post was about Self-Publishing and how I do it. After that, I wrote a post about how I improve my manuscript. I wrote these in response to questions I’d received by email and on my Facebook page. Sitting outside our local kafeneion the other afternoon, I fell into conversation with someone who asked, ‘How do you write so many stories?’ or words to that effect. The answer was simple, ‘It’s my job.’
There is a simple answer: discipline and organisation.
This week, I thought I would give you an insight into my writing process.
It’s My Job
I see writing and self-publishing as a job and one that I enjoy doing. That means I suffer most of what everyone suffers when they are work-conscious. If I don’t write, it’s like not turning up for work. If I am writing and I am interrupted, it’s like being disturbed at any workplace; someone else is paying for me not to be working. If I take a break, I am still thinking about work for when I get back. I have a mental in-tray and a to-do list. I deal with admin before I start writing. I put away the phone and its distractions until I have a break.
You see? Just like working in an office, except without being paid. I mean, if someone paid me even €1.00 per hour for my writing, I would be ‘As rich as Croesus by teatime‘ as Barbary Fleet says in The Guardians of the Poor.
My Daily Routine
And when I say daily, I mean seven days per week.
I’m an early riser, so I am usually up around four in the summer, a little later in the winter. Sometimes I’m up at 3.30, sometimes not until five, in which case I feel like I am late for work. I read the news, though I don’t know why, and I have a cup of tea, before commuting to work. This involves crossing the porch from the house to the ‘workhouse’, as I call our extra bit or property that houses our offices and laundry.
PC switched on, tea by my side… First, I check my emails in MailWasher. Download and reply, or set aside for later.
Then, I turn on Firefox, check my overnight sales, have a quick look on Facebook in case there are any messages.
If I have any writing work for other people, I do that first. This can range from ten minutes to a couple of hours, and it varies.
5.45 in the morning, I go for a three-mile walk. Well, okay, so not every day, and it depends on when the sun comes up, but in Greece, in August, you need to be out early if you’re walking. Most days, I just have another cup of tea and try not to feel guilty.
However, when I do manage a walk, I am still working. I plan the day’s chapter in my head, telling myself the story like a first draft, and then, when I get back to write it down, it’s like an improved second draft.
So, admin done, walk done, real paid work done, I can then set about my story.
I try to write a chapter each day. Or, 3,000 to 4,000 words.
The best days are when I have no paid work because then, I have more time. Best for my creativity, but not for my bank, of course. Then, I start writing as early as four or five and blast through until I can do no more.
I stop for lunch at 11.00, although we don’t eat until 12.00. Bear in mind, I’ve usually done five or six hours by now, and that’s why I don’t go back to work until around 14.00. A three-hour lunch break? Of course, I have to get in an episode of Survivor and currently two of The Amazing Race.
Afternoons vary, but often I’m at the desk for another two hours or so, reading through the morning’s work, or sometimes adding more words.
At 15.30 (ish) in the summer, I go for a siesta, after which I’ll probably join the husband at his bar and relax. Sometimes, mainly in the winter, I’ll work through the afternoon until five, giving me a 12 hour day, but with a couple of hours off in the middle; so a 10-hour day is not uncommon.
Now and then, I take a day off, but even when I have to be away from the writing for a day, I get the admin done first.
That’s how I write between 3,000 and 4,000 words per day. More on a good day.
What do I do With all Those Words
Above is what I do when banging out a first draft. When working on a second, third, fourth etc., the route remains the same, but instead of writing, I am rewriting or editing. Later, I am checking, then double-checking, so no hours are wasted.
I keep notes as I go. I used to do this in a book, and sometimes, I still do, but recently, I’ve started putting my thoughts in another Word document. This is because there’s no room on my PC desk to put a notepad beside me. I have to put it in my lap, write the note, and then put it back each time, and that’s cumbersome.
So, I type, telling myself the story from head to fingers. I pause now and then to make a note. For example, the current WIP, the second Larkspur Mystery, is currently raising many questions which need to be answered. So, I have incorporated a table into my flow-sheet, my plot outline, or as I have labelled it, ‘Vow storyline’ because ‘Vow’ was going to be part of the title. This table is simply a list of questions to answer later or get rid of later if I don’t need them. An excerpt reads:
|How does Dalston translate the symbols?||With Fleet’s help|
|What do the symbols mean?|
If the nine lines were a count, what did the other symbols mean?
|They tell the story of the…|
That won’t mean anything to anyone but me, and I’ve doctored it so there are no spoilers, but it’s an example of how I keep notes as I go.
Another thing I do is change the text to red when I have used the idea. Example:
Joe examines what he can of the 2nd stone within the ruin walls – at the altar end of the church, so very important.
Dalston translates the standing stone’s symbols according to Joe’s theory.
The red is an idea I have used, the black is yet to be done. I do this just to keep myself in check.
Discipline is one thing, organisation is another.
I am lucky as I am semi-retired, but even if you only have one hour a day for writing, that one hour is for writing, and you need to be firm about that. Even if you’re only sitting and thinking, you are working. Even if you write rubbish, you are writing. Some days, I write a chapter, and the next, I put it in the ‘cuts’ folder because I thought it was no good. Later, I may take an idea from it or just a sentence. Never trash, always keep, because you never know…
I have a folder for each book, and within it, other folders for research, images, and drafts. The main folder soon fills up with individual chapters, and these, I name in detail.
Current WIP chapters are labelled:
01 Newspaper September 11th 1890
02 Joe and standing stones September 12th
03 Breakfast 12th
Chapter numbers keep the order, the text reminds me of what’s in each one, and the dates are there to remind me of the timeline.
When draft one is done, I put them all together, read through and make any find/replace changes. For example, if I decide to change a name. (Dalston started out as Clayton, but I changed his name halfway through writing ‘Guardians’, and it’s much easier to wait until the full draft is finished, and then use Find/Replace in Word to make the changes.)
That done, I put draft one in its own folder, and take the full draft apart, putting each chapter separately in the draft two folder. Then, I work through each chapter with ProWritingAid as I edit, improve, rewrite, etc.
Put draft two together. Read it over a couple of days for continuity, make any changes, pick up some typos, etc.,
And repeat… Until I am happy I have a final draft.
Eventually, I get to a stage where I am in danger of fiddling with the MS too much, and that’s when I send it to be proofed. By then, my designer will be working on the cover, and I would have finalised the blurb.
While the MS is off for proofing, I might start on the next book… And so it goes on.
So, when I am asked how I publish so many books, I can only say it is because I am disciplined and organised. Each time I write a chapter, I aim to improve my style. Each time I publish a book, I aim to make the next one better. After a while, you find you write better first drafts, and thus, have more time to spend on second and third drafts. You learn to pick up on your common errors and repetitions, and simply don’t write them.
I guess the bottom line is that you keep at it, and the more you write, the better you (should) be at it.
As for where the ideas come from, well, that’s a post for another day.
If you’ve not yet started the Larkspur series, book one, ‘Guardians of the Poor’ is now available on Kindle, and will be in paperback as soon as I get the full cover, which I hope to have this weekend.