Update on Progress

I have just received the first draft cover for Grave Developments, plus, the character sketch came in as well. I will save that, and the full cover, for later, but for now, here is the title of Delamere Six:

Doesn’t give very much away, I know!

By my reckoning, I have two more chapters to finish, and the story should be complete. My aim is to complete this draft by Monday morning at the latest. This is because, on Monday afternoon, I am going to Rhodes and won’t be back until Friday evening. Neil gets back from Scotland on Tuesday, into Rhodes, and I have some appointments, plus, I need to do some shopping. Here, on Symi, we have a few shops, but nothing like H&M or Zara.

The timeline I’ve set for publishing for Grave Developments means we are probably looking at the week before Christmas as the publication week. I don’t know if that’s a good time to publish a new book or not, but when it’s number six in a series, I don’t suppose it matters. It’s not as if anyone will leap into an ongoing series at that point. I know with many detective novels the order you read them in isn’t vital. For example, you could pick up a Miss Marple novel (Agatha Christie) and not need to know what’s happened in her past, but my series work differently.

Are there character developments in this book? Yes. If we think that when the series starts, Jack Merrit is coming to terms with being gay, and that path to self-understanding continues in books two, and starts to settle in book three. By book four, he’s secure and by book five, he and Larkin are ticking along like a married but not living together couple. In book six, he comes across that well-known issue of temptation, and we see how he deals with that. Meanwhile, we’ve also got Baxter. He started out as the hired stable hand and is now fast becoming a detective in his own right. He’s turned his back on his slutty past (or has he?), is now 20, still madly in lust with Jack, the ‘Boss,’ and still as chirpy as ever, but now, he has more to do. So, Bax is developing, Will is settling down and is more able to control his anxiety and OCD. The occupants of Delamere House have also changed slightly, as Dalston and Joe have left and Nes, Sparks, Simeon and Ronny have joined, and, in book six, even the horses are different (Shadow is still with us).

As well as all that going on in the background, we have the mystery to solve, and I should have it wrapped up by Monday, ready for a beta read, and, in the first week of December, do the final drafting.

So, that is where I am, here is a view of where I am and how the weather is.

Yesterday afternoon while on a walk (wearing shorts and a t-shirt).

I will be away for a week or so, but will be on Facebook, and will be back here in due course. There will be a December newsletter soon too, with links to more promos for new titles and authors, and I’ll leave you with this one, in case you haven’t already explored it.

News and Updates

I was talking last Saturday about ‘A Case of Make Believe’ the working title of Delamere five which I am now working on. The update is that I am now over 22,000 words in and approaching the end of act one. I know how the story will end, I know certain things that will happen along the way, but I’m not yet sure how we’re going to get there. That’s the fun part as I wade through acts two and three before getting to the climax in act four.

Four Act Structure

Most of my stories are constructed this way, and a very rough outline would look like this:

Act one           Ordinary day, a case comes in, everything needed is gathered

                        Emotional story set up

Act two           We’re off into the case and encounter problems and friends

                        Emotional story develops

Act three         After a midway twist, the story picks up a little pace

                        As does the emotional through line (if it’s important)

Act four          We’ve hit a crisis which leads to a climax and denouement

                        Reflected by the emotional story tie up or make up etc.

That is a very, very basic outline of a classic four-act structure, and you will see it in about 75% of all films (I don’t know the real number, but it’s a lot). There are other structures, but this is the one I favour. The hard part is filling in acts two and three without it reading as though they are just filling. That’s why there’s usually an emotional line too. In ‘Where There’s a Will’ it was the relationship between Marisco and Newt, in ‘Finding a Way’ it’s Jack accepting he’s gay and starting to fall for Larkin. And so on.

Other Things

While I am beavering away on the typowriter, I am also promoting the books, and that’s what I have for you here. The 19th Century Historical Fiction promo has ended, and my readers contributed 40 or so hits to the page, so we may well have helped 40 books gain more publicity. There are three still running though, and they are on until the end of the month. I know I’ve mentioned them before, but that’s my part of the bargain. I participate with other authors, and we share each other’s work via these promo pages. As usual, they cost nothing to browse, and in some cases, all books are on KU while all are on Amazon.

Click the Pics

If you’re in the mood for some steamy MM romance you could try All The Feels:

If you want more crime and gritty stories from all eras, try All Crime July:

If you fancy something spooky and fantastic, then Riveting Reads is for you: