The Clearwater Inheritance: Blurb, Excerpt and Cover

The Clearwater Inheritance: Blurb, Excerpt and Cover

Today, I have an advance peek at the blurb, cover, and part of The Clearwater Inheritance, book ten in The Clearwater Mysteries series. We are aiming for publication around the 12th of June, so keep an eye on my Facebook page for more details.

The blurb

A book blurb is the text you find on the back of a book, the thing that tells you a little about the story you are about to read. For ‘Inheritance’ I didn’t want to give too much away, and it’s quite a complicated story. A blurb should be short and to the point, and they are often the most difficult things to write. I try to start with a ‘logline’, as they call it in the film world; a short statement that sums up the entire story. Here’s an example taken from ‘Game of Shadows.’ Detective Sherlock Holmes is on the trail of criminal mastermind Professor Moriarty, who is carrying out a string of random crimes across Europe.

That tells us who and what the film is about, though it doesn’t give details, nor does it spoil any surprises.

Here is what I have for The Clearwater Inheritance at the moment. You will notice I have also included a quote because that’s just something I like to do when I can.

Excerpt

Here’s an excerpt that doesn’t give away any spoilers, but, I hope, it will leave you wondering what’s going on. This hasn’t been proofread or formatted yet, and it may change slightly by the time of publication. It is part of chapter 30, and I have omitted the first part of the chapter so as not to spoil anything for you, but I have put the chapter heading.

Between Szeged, Hungary and Vienna, Austria

Saturday 18th January
Night

The locomotive steamed west from Budapest, its steel plough slicing snow and hurling it aside in swathes. Its pistons pumped an incessant pulse, while the chimney belched a constant stream of smoke that billowed from tunnels and trailed behind to hover above the sleeping countryside.
Cities fell away to become dense forests topped with silvery-blue moonlight that bathed the land from the hedgerows to the star-showered horizon. The Danube glinted beneath the cloudless sky until the train left the river to its meandering and sped away on its own path. The warm throw of yellow light from the dining car brushed banks and fields, the silhouettes of the wealthy rising and falling over cuttings in distorted shapes and vanishing as the carriages pounded across bridges. Firemen shovelled, stewards served, and passengers dreamt of elegance in gently rocking bunks, unaware of the rise and fall of the hills, and the urgent, shrill night-cry of the whistle.
The Orient Express kept its times, crossed the borders, and made its destinations. It saw its passengers on and off through a night that held the continent from Constantinople to Calais in an icy grip as brittle as the thinnest crystal. Night ferries crossed the channel miles from the locomotive and its precious passengers, and the same moon glowed as full over them as it did over Larkspur Hall. The same light bathed the moor, its rises and valleys a patchwork of grey and silver shadows, the countryside blanketed in a fine covering of pristine snow.
An owl swooped from an ancient, weathered oak to glide across a frozen stream. Alert for movement but finding none, it rose on silent wings to watch over the estate where Larkspur waited in the pensive darkness, shuttered and blind. The owl circled the tower and followed the parapet, passing rooms where footmen slept, and dormers under which maids turned in dreams of sweethearts and summer days. Attracted by a solitary light, the bird landed on a cornice washed by the throw from an oil lamp and twitched its head, intrigued by and concerned for what took place inside.
Beneath the sloping roof, a young man sat on the edge of an older woman’s bed, holding her hand, and mopping her brow. Her lips moved weakly, and her pale flesh was uncoloured by the lamp-throw which lit the man’s hair in shades of russet and bronze. Light caught the tears that dropped from his cheeks as, leaning closer to listen, he gripped the frail hand tightly, made promises, spoke comforting words and said thanks, until the life in her dulling eyes faded.
His head hung, and his shoulders heaved as he placed her hands across her chest. Wiping his cheeks, he closed her eyes before lifting the sheet to cover her head and said a final goodbye.
When the man approached the window and placed a candle there to flicker in remembrance, the owl dropped from the parapet and continued its flight. It passed the tower where a younger man slept beside a dying fire with a letter in one hand. Building plans, fallen from the other, lay on the floor abandoned to sleep.
The owl passed into the depths of night, while in the corridor beyond the tower, a butler turned down the gas until the passage was a monochrome path of dimly glowing glass and careful footsteps. Pausing at a door, he listed for sounds from within, but his master was sleeping, and he continued to where the two wings of the house met. There, with the grand hall in darkness, he slipped through the baize and followed the winding, stone steps to the ground floor, dimming lamps and securing locks.
The servants’ hall was deserted, but in a few hours, would begin another day as the hall boys laid the fire and stoked the ovens, swept the floors, and washed the tables long before the day considered dawning. The butler met his steward there and learnt his news. The men consoled each other, reminded themselves of their positions and responsibilities, and went their separate ways.
The steward took the path the butler had recently taken, along concealed passages, up the winding stairs, and emerged in the grand hall, there to pause for a moment to relive a memory before climbing to the first floor. Like his colleague, he stopped outside the master bedroom but didn’t disturb its occupant. Instead, let himself into his own room, there to mourn alone.
Throughout the Hall, bristles of moonlight investigated curtain edges and stole around them to play on rugs and furniture. Clocks ticked, and springs wound towards release. The considered chime of a grandfather clock struck regretfully from the library and echoed through the stillness, while the drawing room carriage clock tinkled, polite and distant. In the smoking room, the Wilard lighthouse tolled beneath its dome, and the brass spheres of the anniversary timepiece swung relentlessly back and forth.
In the study, soft ticking on the mantlepiece counted away the seconds, as the last of the embers shuffled through the grate to their rest. Gently, the hour passed, the echoes died, and Larkspur slept in darkness.
But not in silence.
At some time during the night, when clouds had put the moon to bed, and the owl had retaken its perch on the faraway oak, the wood and brass telegraph shocked itself into life. In the alcove beside the moon-forgotten desk, the steel pins snapped their delicate jaws in urgent rhythm, and the wheel turned.

Cover

And finally, the cover.
As you may know, I have been working with graphic designer, Andjela Vujic since publishing my first novel. She has designed all my covers, and some have been nominated for awards. Again, she has come up with exactly the image I had in my mind when I outlined the main elements of the story. What’s unusual about this one is that it’s the first of my covers not to feature a figure. If you look at the Clearwater covers, you can see Archer, Silas, Fecker, Jasper, Billy, and the assassin, Dorjan. There are too many main players in ‘Inheritance’ to single anyone out for the cover, and so I went for… Well, I shan’t tell you as you’ve not seen it yet.

When you’re ready, you can click the reveal image below, and the full front cover will open in a separate window.
But don’t do it just yet! I have one more piece of news. Next Saturday, I have a guest blog post for you. It is not from another author, and it’s not advertising anyone else’s books. It’s not even a character interview, though the man who will be writing it is something of a character. My husband, Neil, will be writing his thoughts about what it’s like to married to an author. I can’t wait. (I think.)
Okay, now click the reveal to see the cover, and remember to keep an eye on the blog and the Facebook page for more news of the release date for The Clearwater Inheritance.

Click to see the cover

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