Guardians of the Poor
This week, I want to share with you some inside info on my work in progress. Don’t worry, there are no spoilers.
The Larkspur Mysteries
I have started book one in my new series, ‘The Larkspur Mysteries’, and it’s titled ‘Guardians of the Poor.’ This series follows on from The Clearwater Mysteries, starting a few months after the end of ‘The Clearwater Inheritance.’
Clearwater has set up his ‘academy’, a place where disadvantaged young men can develop their talents and skills. The men come from the streets, the Cheap Street Mission (for ex-rent boys), or from an impoverished elsewhere, but they have all caught Clearwater’s attention because of circumstance, ability or the ‘crime’ of being gay. Academy House, on the Larkspur estate, is under the leadership of a new character called Barbary Fleet, and if you thought Doctor Markland was bonkers, wait until you meet Fleet. At the start of the series, the House only houses four young men, and when we arrive there later in the book, two of them are already on their way to success.
So, it’s a low-key start for the Larkspur Academy (which is not a school), but my intention is to base each new mystery around either the House or someone living there. They won’t all be based on the Larkspur Estate, though. We’ll see.
Meanwhile, in Bow Street Magistrate’s Court…
The story starts with a newspaper article. In fact, it is almost a direct copy of the article that inspired the story, adjusted to fit my plot and character names. My main character is up in court and is being defended by Sir Easterby Creswell, assisted by James Wright. The strange thing, however, is that the main character wants to be sentenced because prison is the only way out of a life-or-death predicament.
He is called Dalston Blaze, and the story is about him and his friend from the workhouse, Joe Tanner. Joe is deaf, and although he’s not on stage much, he is, if you like, the protagonist. It’s him we are putting on the cover, and the lady who does my character drawings, DazzlingDezigns, drew me a portrait based on the model’s photo that Andjela is currently using to produce the cover.
You’ll have noticed that there are already two characters from the Clearwater Mysteries on stage, Cresswell and James. Also appearing in the line up for ‘Guardians’ are, in order of appearance, Silas, Mrs Norwood, Duncan Fairbairn, Archer Lord Clearwater, Jasper Blackwood, Nancarrow, Billy Barnett, Jonathan and Maxwell the footmen, Danylo and Andrej (Fecker) and, if you remember her, Mrs Flintwich, the original cook from ‘Deviant Desire.’
That looks like a big cast list, but some of our favourites only appear briefly because they are staff on the estate, and Dalston Blaze gets to meet some. The story is mainly told from Dalston and Archer’s points of view, though there are some scenes that involve Detective James Wright.
Who Were the Guardians and Why the Poor?
So, what does the title mean?
Dalston and his friend Joe are worker-inmates at the Hackney Workhouse. (Now both 18, they are employed as kitchen helpers, but they still live in the institution, thus, they are worker-inmates.) The workhouses were places funded by the ratepayers of the borough, where the destitute could go for shelter. It’s more complicated than that, but people could apply to become ‘inmates’ and if the board of Guardians approved their cases, could then expect to be housed and fed for as long as necessary. Some ‘indoor paupers’ stayed at the workhouse for years, while others, the ‘in and outs’, only stayed a few nights. Those who only needed a bed for one night, the ‘casuals’, were accommodated in a separate ‘ward’, and if you read ‘Banyak & Fecks’, you’ll get a decent account of what a night in the casual ward was like.
Joe and Dalston have been in the workhouse a long time. Dalston since birth and Joe since the age of 12. Living in a workhouse for so long was uncommon because children were usually sent to orphanages, children’s homes or fostered out, but it happened. If you want to know more about workhouse life, read one or all of the books by Peter Higginbotham, some of which I have been using for my research.
The Guardians were, in effect, the Board of Guardians, or if you like, the Workhouse oversight committee, the gentry and interested parties elected to see to the running of the institutions. Elected, because they were dealing with ratepayers’ money, and thus, the workhouses were accountable to the community.
And it is that accountability that is the catalyst in ‘Guardians of the Poor.’ You see, at my Hackney Workhouse, things are not as they should be. Someone has a whacking great dirty secret he wants covered up, but my protagonist, Joe the deaf guy (now aged 18), knows the secret, and he has the evidence to expose the scandal. Joe and Dalston had a plan, but now Joe is in hiding with the incriminating evidence, and Dalston is in court needing to go to gaol, otherwise, he will be killed for what he knows.
Enter Clearwater and the Larkspur Academy, and off we go into the story which I shan’t tell you about because I don’t what to spoil it for you. I will say, however, it involves the new academy, the Larkspur estate and house, but also symbols ancient and new, sign language, a fair amount of real history, a young man coming to terms with his sexuality, and an ending that leaves things open for book two.
So, in my story, the Guardians of the Poor are many. The workhouse board of guardians, the two characters who try to expose the nasty secret, and Lord Clearwater and his crew who guard disadvantaged young men who may also be ‘on the crew’ (his euphemism for being gay).
When will Guardians be Ready?
I can’t say just yet. I have finished the second draft at 106,000 words, and now need to go through it line by line for edits. I need to remove some repetitions and unnecessary ideas. When I write a first draft, I often put things into the story that I think will be useful later, or I write a dreadful sentence because I can’t think how to say something decently, and I’ll come back to it. Later, I have to go back to these and either get rid of them or improve them, and often by then, I’ve forgotten I put them there. So, I tread carefully through drafts two and three, which is what I am doing now, and when that is done, I will read the whole thing as one continuous story and make sure it works. Then, there may be more edits before I send it to Ann for proofreading, and after it is laid out, to Maryann for an ARC review. Meanwhile… Andjela is working on the cover.
That’s why I can’t say when the book will be released, but I hope to have it with you by the end of September. I also need to work out what book two will be about as I like to mention the next in a series at the end of the one before.
And that’s me for this week. It’s 40 degrees outside and humid. I have my godson coming for his piano lesson later, and before then, I still have 15 chapters to pick apart and put back together. So, I’ll leave you now and wish you a happy week to come, and hope to see you back here next Saturday.