Speaking in Silence
You may remember my to-do list last week looked like this:
- Finish the fine editing
- Reread for a final check
- Create the blurb
- Find images suitable to make a cover and open negotiations with Andjela
- Proofreading
- Layout
- Check everything and reread
- Upload to Amazon
- Hope for the best
I’m happy to tell you, I have completed the first four things on the list ✔✔✔✔, though I haven’t finalised the blurb yet. Neil has read my edited draft, and I have a little editing to do on the last chapter, which I will do in a moment. Andjela and I have the licence for a photo to be adapted for the front cover, and there will be a reveal of that nearer the release date, which is still estimated at the first week of August.
Check in next week for an update. Meanwhile, here’s the draft blurb.
Speaking in Silence
The Larkspur Mysteries Book Five
Jackson Marsh
“The quiet ones have the loudest voice. Them as say most by speaking in silence.”
Fiona Hawkins, 1881
March 1891. A parliamentary committee arrives at Larkspur Hall to assess Lord Clearwater’s suitability to become the Earl of Cornwall. Prince Albert Victor will announce their decision at a society dinner on Archer’s thirty-second birthday.
However, the MP with the authority to advance Archer to the title is the same man who caused Edward Hyde never to speak again. When the parliamentarians arrive to inspect the Larkspur Academy, Edward comes face to face with the man he had arrested for making unnatural advances. A man who was never tried for his crime.
Silas Hawkins and the academy men band together to ensure Edward sees justice done while protecting Lord Clearwater’s reputation and each other. Using their skills in chemistry, physics and deception, they embark on a game of secrets and subterfuge where the unspoken causes the loudest outcry.
Speaking in Silence is the fifth book in the Larkspur Mysteries series, and touches on themes of victimisation and suicide. Like all books in the series, it is inspired by actual events from the late 1800s. With themes of friendship, bromance, male love and revenge, the story is more of a ‘how dunnit?’ than a ‘who dunnit?’ and like all of Jackson’s mysteries, contains humour, while mixing fact with fiction.
