Monthly Archives: August 2021

An interview with Mrs Norwood

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Mrs Frances Sarah Norwood first appears in The Clearwater Mysteries in chapter four of book four, Fallen Splendour. She and her husband, Isaac, are Clearwater’s retainers and have come to take care of the house while Archer and his men go to Larkspur for Christmas.

The second stranger swept into the room, and for a reason he couldn’t place, James was relieved. Mrs Norwood, only slightly younger than her husband, bustled in the manner of Mrs Baker, and, like her husband, exuded confidence, not only with how she greeted James but how she took to her surroundings.

‘We have met before,’ she announced with a smile, studying his face as she gave a curtsy.

James’ confusion deepened, but he half-bowed to her before saying, ‘We have?’

‘I thought it must be you when His Lordship said you were South Riverside,’ she continued, passing by and heading towards the kitchen. ‘I’ll pop on a pan and warm a pot.’

Later in the series, Mrs Norwood divorces her husband because he has been unfaithful, and she gains the position of permanent housekeeper at Clearwater House. She is one of the few major female characters in the series and is still with us when we reach the first of The Larkspur Mysteries in 1890. By then, things have changed at both houses. James and Silas are working as private investigators based in London, while Thomas and Archer spend more time at Larkspur. Mrs Norwood lives at the London house with ‘her boys’, as she calls them and their new assistant, Duncan Fairbairn.

Dalston Blaze’s portrait of Mrs Norwood

Dalston Blaze, the talented young artist we meet in Guardians of the Poor drew Mrs Norwood as a gift for looking after him.

Today, sitting in the servants’ hall at Clearwater House with a pot of tea, I am asking the housekeeper a few questions.

Mrs Norwood, thank you for taking the time to talk with me. May I start by asking what exactly is expected of a housekeeper?

You may, and the answer is quite simple. I keep house. This involves looking after the day-to-day work of the female servants, balancing the household account books, meeting with the mistress to discuss meals, and ordering all supplies.

And is that what you do at Clearwater House?

No, not entirely. For a start, there is no mistress, so I deal directly with His Lordship when he is in town, otherwise, I run the house for the boys. I do the ordering and the cooking, except on Sunday mornings when they fend for themselves. When Lord Clearwater is here, he usually brings Mrs Roberts, his cook, and Mr Blackwood, my assistant. Together, Jasper and I clean the house and keep it tidy, while either Mr Nancarrow or Mr Holt act as the butler. It depends on who His Lordship has with him. He has a large and diverse staff, and we are all happy to do whatever is needed. But, most of the time these days, it is just me and the boys, and the house runs very much as a normal house would, except it is bigger.

How did you come to be Lord Clearwater’s housekeeper?

It came about thanks to Mr Payne, who was then His Lordship’s young butler. My ex-husband and I had been retainers under the previous viscount, and I have known His current Lordship since he was quite young. When the family was away, we would live downstairs at the house, partly to guard it, mainly to ensure it was kept running and clean. At this time, we lived in rented rooms not far away in South Riverside. My husband worked in publishing as an editor. I had a part-time position as a schoolmistress, and I also helped with Sunday school, which I still do.

After the business with Mr Norwood, when the divorce proceedings had begun, Mr Payne suggested it wouldn’t be proper for me to return to our lodgings, and thus, let me stay on at Clearwater House until things settled down. A little while later, he offered me the position of housekeeper, and His Lordship agreed because Mrs Baker was required at Larkspur, leaving the London House unkept. I have been running it ever since.

You and James Wright had met before you came to the house, is that correct?

Ah yes, little Jimmy Wright, the brightest boy in his class. I taught him when he was young, and he was a good student. A little dreamy at times, often suffered from bullying, I discovered later, poor thing, but good at his reading and writing. He used to be a chubby boy, a cherub with golden hair and near-invisible eyelashes. (She smiles fondly.) And now look at him. Gallivanting about the countryside, chasing down assassins and poisoners, rescuing young men from all manner of trouble… And now he wears a moustache. How they grow up.

A more traditional Victorian housekeeper

You assist with the detective agency, I understand?

I look after ‘those boys,’ certainly. If I didn’t run around after them, I hate to think what a mess they would be in. I know Jimmy… Mr Wright is now nearing thirty years, and Mr Hawkins is over twenty-one, but honestly… Newspapers left lying around, the dishes poorly washed, towels on the bathroom floor… I even found Mr Wright’s revolver left casually on the servants’ hall table one morning and was forced to tell him off. But, I love the work, of course, as I have grown to love them, for all their faults. As for the detecting work, I have been known to solve a clue or a riddle now and then. Sometimes, you see, only a women’s brain will do.

Yes, you have something of a reputation for being a New Woman, as the newspapers would have it. May I remind you of the time Silas first saw you driving His Lordship’s trap?

‘Mrs Norwood?’ He greeted her, unsure whether to shake her hand or hand over his luggage. ‘What are you doing driving the trap?’

‘Hello, Mr Hawkins,’ the retainer replied, reaching for his portmanteau. ‘We got your telegram late yesterday evening, but Mr Norwood has to be at the publishing house today, so I thought I would come to collect you.’

‘But, you’re a…’

She had taken his bag and swung it into the back of the trap before he finished stating the obvious.

‘Yes, I know,’ she said. ‘And a woman who sees no reason why a lady can’t drive. Why, if I wasn’t teaching most other days, I might even take up being a cabbie. It’s quite thrilling.

Ah yes, the driving. Well, I am not the first woman to drive, and I shan’t be the last. Thanks to changes in archaic laws, women can be more emancipated these days, and so they should be. Last year, I taught myself to type on a new typewriting machine, and I am currently studying Pitman’s shorthand. It’s not such a far leap from there to Morse code, and I am nearly fluent in that too. These are small things. I intend to see what I can do about getting women the vote, but I do have to be careful not to upset His Lordship. Having said that, he, too, is in favour of women being given the vote, and I mean all women, not just a chosen few.

The servants’ hall

Does that mean you find the housework less of a challenge, or perhaps, dare I ask it, too much like ‘women’s work’?

Good Lord, no! Running the house, cooking and cleaning for the boys is a joy. As you know, Mr Norwood awarded me no children, so I can’t but help see the young gentlemen as, well, nephews at least. Lord Clearwater insists on a family-like atmosphere at his properties, even among the staff, and I suppose someone has to be the mother to the man now his own has passed away. I mean, he sees Jimmy Wright like a brother, Mr Andrej too, and we know how he is with Mr Hawkins, so it’s only right that I care for the gentlemen, but that doesn’t prevent me from bettering myself with what you might call more unusual pursuits. Morse code, Pitman, driving, and so on.

You alluded there to Mr Hawkins and His Lordship, and I think you will know what I mean when I ask how you feel about their relationship.

And what exactly do you ask about it?

Oh, well, how you feel knowing… knowing what it is.

Sir, of course, I know what it is, how it is, and why it is. A housekeeper should know everything that happens in her house, and I do. However, I am discreet, and His Lordship’s personal business is none of yours. Would you like more tea?

[Mrs Norwood is very protective about all of her ‘boys’, Lord Clearwater included.]

Joseph Tanner of the Larkspur Academy

One last thing, Mrs Norwood. What do you think about Lord Clearwater’s new endeavour, the Larkspur Academy?

I am thrilled, of course. His Lordship is a philanthropist, and this latest venture is a wonderful idea. I don’t have much to do with it, being in London for most of the time, but some of the young men the academy seeks to help have visited here. In fact, most of them, including Professor Fleet, came from London and have spent a night or two here before travelling to Cornwall. Recently, Mr Blaze was a guest after being rescued, and it is he who made this wonderful portrait which now hangs on the wall there. His deaf friend, Mr Tanner, also stayed for a couple of nights. So, I do at least get to meet some of the talented and unusual men before they move down to Larkspur to better their lives and chances.

Understanding that he cannot help everyone, Lord Clearwater strives to better the lives of the underprivileged and those who have fallen on hard times through no fault of their own. To offer them—even if only a few—the chance to discover themselves, develop their hidden talents and make a life for themselves is a wonderful thing to do, and I look forward to visiting Larkspur and seeing the house for myself. I have been to the Hall, of course, I was there last Christmas, but I would like to see the academy in full swing. I have heard it is quite a unique place, a little like Clearwater House, and I look forward to the day it takes young women under its roof as well as young men.

Thank you for taking the time, Mrs Norwood. Would you have a quote for our readers? Something that sums up how you feel about the world under Queen Victoria and your part in it?

I do, actually, although it is by no great author or person of learning, but my own thought.

If a woman follows the crowd, she will see only what the crowd sees. A woman who walks alone, however, will find places no one has seen before.

How Do I Publish So Often?

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How Do I Publish So Often?

A couple of weeks ago, my Saturday post was about Self-Publishing and how I do it. After that, I wrote a post about how I improve my manuscript. I wrote these in response to questions I’d received by email and on my Facebook page. Sitting outside our local kafeneion the other afternoon, I fell into conversation with someone who asked, ‘How do you write so many stories?’ or words to that effect. The answer was simple, ‘It’s my job.’

There is a simple answer: discipline and organisation.

This week, I thought I would give you an insight into my writing process.

It’s My Job

My typing station this morning.

I see writing and self-publishing as a job and one that I enjoy doing. That means I suffer most of what everyone suffers when they are work-conscious. If I don’t write, it’s like not turning up for work. If I am writing and I am interrupted, it’s like being disturbed at any workplace; someone else is paying for me not to be working. If I take a break, I am still thinking about work for when I get back. I have a mental in-tray and a to-do list. I deal with admin before I start writing. I put away the phone and its distractions until I have a break.

You see? Just like working in an office, except without being paid. I mean, if someone paid me even €1.00 per hour for my writing, I would be ‘As rich as Croesus by teatime‘ as Barbary Fleet says in The Guardians of the Poor.

My Daily Routine

And when I say daily, I mean seven days per week.

I’m an early riser, so I am usually up around four in the summer, a little later in the winter. Sometimes I’m up at 3.30, sometimes not until five, in which case I feel like I am late for work. I read the news, though I don’t know why, and I have a cup of tea, before commuting to work. This involves crossing the porch from the house to the ‘workhouse’, as I call our extra bit or property that houses our offices and laundry.

My other desk is where I research and make notes in books. Currently, there’s a rough map of part of the Larkspur estate, plus my ‘Clearwater Bible’.

PC switched on, tea by my side… First, I check my emails in MailWasher. Download and reply, or set aside for later.
Then, I turn on Firefox, check my overnight sales, have a quick look on Facebook in case there are any messages.
If I have any writing work for other people, I do that first. This can range from ten minutes to a couple of hours, and it varies.
5.45 in the morning, I go for a three-mile walk. Well, okay, so not every day, and it depends on when the sun comes up, but in Greece, in August, you need to be out early if you’re walking. Most days, I just have another cup of tea and try not to feel guilty.

However, when I do manage a walk, I am still working. I plan the day’s chapter in my head, telling myself the story like a first draft, and then, when I get back to write it down, it’s like an improved second draft.

So, admin done, walk done, real paid work done, I can then set about my story.
I try to write a chapter each day. Or, 3,000 to 4,000 words.
The best days are when I have no paid work because then, I have more time. Best for my creativity, but not for my bank, of course. Then, I start writing as early as four or five and blast through until I can do no more.

I stop for lunch at 11.00, although we don’t eat until 12.00. Bear in mind, I’ve usually done five or six hours by now, and that’s why I don’t go back to work until around 14.00. A three-hour lunch break? Of course, I have to get in an episode of Survivor and currently two of The Amazing Race.

Notes made during ‘Inheritance’, keeping track of the Riddington family tree.

Afternoons vary, but often I’m at the desk for another two hours or so, reading through the morning’s work, or sometimes adding more words.

At 15.30 (ish) in the summer, I go for a siesta, after which I’ll probably join the husband at his bar and relax. Sometimes, mainly in the winter, I’ll work through the afternoon until five, giving me a 12 hour day, but with a couple of hours off in the middle; so a 10-hour day is not uncommon.
Now and then, I take a day off, but even when I have to be away from the writing for a day, I get the admin done first.

That’s how I write between 3,000 and 4,000 words per day. More on a good day.

What do I do With all Those Words

Above is what I do when banging out a first draft. When working on a second, third, fourth etc., the route remains the same, but instead of writing, I am rewriting or editing. Later, I am checking, then double-checking, so no hours are wasted.

I keep notes as I go. I used to do this in a book, and sometimes, I still do, but recently, I’ve started putting my thoughts in another Word document. This is because there’s no room on my PC desk to put a notepad beside me. I have to put it in my lap, write the note, and then put it back each time, and that’s cumbersome.
So, I type, telling myself the story from head to fingers. I pause now and then to make a note. For example, the current WIP, the second Larkspur Mystery, is currently raising many questions which need to be answered. So, I have incorporated a table into my flow-sheet, my plot outline, or as I have labelled it, ‘Vow storyline’ because ‘Vow’ was going to be part of the title. This table is simply a list of questions to answer later or get rid of later if I don’t need them. An excerpt reads:

How does Dalston translate the symbols?With Fleet’s help
What do the symbols mean?

If the nine lines were a count, what did the other symbols mean?

They tell the story of the…

That won’t mean anything to anyone but me, and I’ve doctored it so there are no spoilers, but it’s an example of how I keep notes as I go.

Another thing I do is change the text to red when I have used the idea. Example:

Joe examines what he can of the 2nd stone within the ruin walls – at the altar end of the church, so very important.
Dalston translates the standing stone’s symbols according to Joe’s theory.

The red is an idea I have used, the black is yet to be done. I do this just to keep myself in check.

Be Organised.

From the Clearwater ‘bible’, a chart of main characters’ ages through the years.

Discipline is one thing, organisation is another.
I am lucky as I am semi-retired, but even if you only have one hour a day for writing, that one hour is for writing, and you need to be firm about that. Even if you’re only sitting and thinking, you are working. Even if you write rubbish, you are writing. Some days, I write a chapter, and the next, I put it in the ‘cuts’ folder because I thought it was no good. Later, I may take an idea from it or just a sentence. Never trash, always keep, because you never know…
I have a folder for each book, and within it, other folders for research, images, and drafts. The main folder soon fills up with individual chapters, and these, I name in detail.
Current WIP chapters are labelled:
01 Newspaper September 11th 1890
02 Joe and standing stones September 12th
03 Breakfast 12th
Chapter numbers keep the order, the text reminds me of what’s in each one, and the dates are there to remind me of the timeline.
When draft one is done, I put them all together, read through and make any find/replace changes. For example, if I decide to change a name. (Dalston started out as Clayton, but I changed his name halfway through writing ‘Guardians’, and it’s much easier to wait until the full draft is finished, and then use Find/Replace in Word to make the changes.)
That done, I put draft one in its own folder, and take the full draft apart, putting each chapter separately in the draft two folder. Then, I work through each chapter with ProWritingAid as I edit, improve, rewrite, etc.
Put draft two together. Read it over a couple of days for continuity, make any changes, pick up some typos, etc.,

And repeat… Until I am happy I have a final draft.

Eventually, I get to a stage where I am in danger of fiddling with the MS too much, and that’s when I send it to be proofed. By then, my designer will be working on the cover, and I would have finalised the blurb.
While the MS is off for proofing, I might start on the next book… And so it goes on.

Finally

Of course, the view fom the window helps.

So, when I am asked how I publish so many books, I can only say it is because I am disciplined and organised. Each time I write a chapter, I aim to improve my style. Each time I publish a book, I aim to make the next one better. After a while, you find you write better first drafts, and thus, have more time to spend on second and third drafts. You learn to pick up on your common errors and repetitions, and simply don’t write them.

I guess the bottom line is that you keep at it, and the more you write, the better you (should) be at it.
As for where the ideas come from, well, that’s a post for another day.

If you’ve not yet started the Larkspur series, book one, ‘Guardians of the Poor’ is now available on Kindle, and will be in paperback as soon as I get the full cover, which I hope to have this weekend.

Keep reading!

Jackson

Guardians of the Poor: Release and Cover Reveal

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Guardians of the Poor: Release and Cover Reveal

Hello everyone!

I have exciting news for you this week and a unique treat. ‘Guardians of the Poor’ will be available in a couple of days, and as soon as it is, I will put the links on my Facebook Page. I also have the cover to show you. This is the first time anyone has seen it, and we will get to that in a minute.

Guardians of the Poor

Guardians of the Poor is the first in a new series, ‘The Larkspur Mysteries.’ This series follows on from ‘The Clearwater Mysteries’ and concerns some of the original characters but introduces new ones as we enter the world of Clearwater’s new academy. The Larkspur Academy is not a school, college or any other kind of institution in the usual sense, it’s a place where young men with a specific talent can come and be safe. Clearwater identifies these men, all of whom have something in common, and invites them to start a new life under the tutorship of Professor Fleet, or, as he prefers to be called, just Fleet.

This is actually my husband, Neil, but the image inspired me to write Fleet.

Fleet is something of an eccentric but is also a genius, and he brings some humour to the story while mentoring his young men, edging them towards self-improvement and allowing them to come out of their various shells (and to come out). Fleet, however, is not the main character in this first story; that role falls to a young man called Dalston Blaze. Where Archer (Clearwater) is the protagonist, Dalston is the main character and his friend Joe Tanner is the second MC if you like, or as some would say the impact character. Dalston finds himself with a sidekick, the foul-mouthed but totally loyal Greek-Londoner, Frank, and comes up against the flirtatious Scotsman, Duncan Fairbairn, who we first met in ‘Negative Exposure’, book nine of the Clearwater series.

The Mystery

The mystery in ‘Guardians’ isn’t so much a mystery but a problem to be solved, although there is a mystery quest, ‘Where is Joe, and how can we find him?’ That falls to the detectives, James Wright and Silas Hawkins to discover, along with Duncan, now their researcher. James and Silas are based in London, where they are watched over by the motherly Mrs Norwood, who has a crucial role to play later in the story. Meanwhile, Archer is at Larkspur, working with Dalston to uncover the story of the villains, a workhouse master and his schoolteacher, two very nasty pieces of work.

The story moves from London to Cornwall and the academy on the Larkspur estate, back to London, and finally, back to Cornwall, and the ending leads into book two, which I have started writing.

Workhouses and Deafness

As you know, I like to include actual events, places and sometimes people with my fiction, and ‘Guardians’ was inspired by a newspaper report about two men accused of and tried for ‘unnatural offences’ (i.e., gay sex). The book opens with a version of that newspaper report, which I first put in word for word. Then, after reading it back, I realised how convoluted and confusing the report was, so I tidied it up to make it more readable. It concerned the Chelsea workhouse in 1890, but I moved my action to the Hackney workhouse, because I knew the area better, and was more easily able to research the actual workhouse. Much of what you will read in the book is based on an authentic account of a man living in such an institution, as well as other writings I have found from those who experienced workhouse life first-hand.

Larkspur in BSL fingerspelling (gif)

My second principal character, Joe Tanner, is deaf. I thought it high time we addressed some social issues in my mysteries, and I have long wanted to write a deaf character, and I mean one who has been deaf from birth. Joe is deaf and dumb (I am sure there’s a more PC expression, but we are dealing with 1890 here), and that presented me with all manner of interesting challenges when writing him. Even more so now I have started on book two, where Joe is the main character.
I have been researching what it is like to be deaf to the point of studying sign language (BSL) and am trying to get to the bottom of how to write from a deaf person’s point of view. As you may know, I tend to write my novels from the characters’ POV, rather than an all-seeing narrator, and part of that is writing the action using words and thoughts suitable for the narrating character. Archer, for example, has a slightly more educated narrator’s voice than James or Silas. But how to do it for Joe? Because he is deaf from birth, he doesn’t know what words sound like, so when he reads, he doesn’t have a voice in his head, but instead (as I understand it), visualises signs and images. There are only a few instances when we hear Joe’s point of view in ‘Guardians’ but there will be much more in book two. That’s currently untitled, but it will involve a mystery of standing stones and murder.

But I am getting ahead of myself…

Guardians of the Poor, cover reveal

As I said, I will let you know when the book is ready, and I’ll announce that on Facebook, and here, later. Knowing how these things work, you may get a notification from Amazon before I do. That often happens because of the time differences around the world. I am aiming to upload the files this weekend. I am just waiting for the full cover from Andjela, so the print version may be a couple of days later than the Kindle. As usual, the book will be available for Kindle, Kindle Unlimited and in Paperback and only from Amazon.

And now, I can reveal the cover. Beneath this image, I have put the blurb for Guardians and the new series, but before that… Click the image, the Kindle cover will open, and you will be the first to see it.

Guardians of the Poor
Jackson Marsh

“The greatest gift one man may give another is his trust.”
Barbary Fleet, 1890.

Standing stones, messages written in symbols, and the language of the deaf. It falls to Lord Clearwater to unlock the mystery of Dalston Blaze and his deaf friend, Joe Tanner, two young men arrested for committing ‘unnatural offences’ at the Hackney workhouse.

Dalston hopes for a prison sentence. It’s the only way to save his life. Instead, he is bailed to the Larkspur Academy on Lord Clearwater’s Cornish estate, where there is only one rule: honesty above all else. For Dalston, this means confronting his past, learning to trust, and admitting his secrets. Joe is the key, but Joe is missing, and his location is locked deep inside a memory seen in sign language, and clouded by eighteen years of workhouse life.

If Dalston remains silent, the immoral workhouse master and his sadistic schoolteacher will continue to inflict pain and suffering on all inmates of the Hackney workhouse. If he tells the truth, he and Joe will die.

The Guardians of the Poor is a combination of mystery, adventure and male romance, set in 1890. It draws on first-hand accounts of workhouse life at the time, and is the first of a new series of mysteries set in the Clearwater world.

The Larkspur Mysteries series

Beginning in 1890, The Larkspur Mysteries follow on from The Clearwater Mysteries series of 11 novels. It’s not necessary to have read the Clearwater books before you embark on the Larkspur series. However, if you enjoy mystery, romance, adventure and a mix of historical fact and fiction, then begin the journey with ‘Deviant Desire.’ (Or the non-mystery prequel, ‘Banyak & Fecks.’)

Lord Clearwater has created a unique academy for disadvantaged young men. The Larkspur Academy is, ‘A non-academic institution with the aim to provide deserving men the opportunity to expand talent, horizons and knowledge for the betterment of the underprivileged and general society.’ It’s not a school. There are no lessons, no teachers, no schoolboys and no rules. The series exists in the established Clearwater world of the late 1800’s where homosexuality is a crime everywhere but on Clearwater’s country estate in Cornwall.

The series is ongoing. Each story involves male bonding, bromance, friendship and love. Mystery, adventure and a little comedy play their parts, and every story is inspired by true events from the past.

An Author in August

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An Author in August

Today, I wanted to catch you up on general news, where I am with the new book, and what life is like in the Southern Aegean in August. Let’s start with that one…

Fires and Silence

It’s hot. We’re seeing temperatures in the 40s most days, we’ve not had any rain since May and then it was only a smattering, and we’re currently under a cloud of ash that is still hanging about following serious forest fires in Turkey. Turkey is just over the water from us, about three miles away at its closest point, and we can see villages and roads from our island. Last week, we could also see flames and masses of smoke as wildfires broke out along the coastline. There have been some on the island of Rhodes too, but I think they are all now under control. Wildfires are raging around Athens at the moment too. Fires are common at this time of year but have been made worse because of a heatwave.

The smoke that’s hanging around in the atmosphere covered the sun, which made for a strange, almost eclipse-like, light. Thursday was an unusual day because there were no sparrows chirping, and no cicadas grating, as if the wildlife thought it was dusk. They stayed eerily silent.

Luckily, our island remains safe, though hot, and we have a forest here, so the authorities are on guard, and everyone is being careful. Meanwhile, I am at my desk with two fans on me and towels where I rest my sweaty arms (otherwise they slide off). All the windows are open, everything is covered in a layer of ash, even where I hoovered and dusted the day before, and we’re getting on with summer life.

Sign Language

We’re also getting on with learning BSL (British Sign Language) as best we can online. I am on part four of a nine-part course, and about to start part five. So far, it’s been mainly learning nouns, alphabet, numbers and a few questions. Neil and I sit opposite each other when I go to visit him at work at the bar, and we practice our signs on each other. They’re not so hard to remember and do, but harder to recognise when someone signs back at you. It’s all about practice, and it’s proving useful research for my writing.

Guardians of the Poor

As I write, the final draft is with my proofreader, and I should get the MS back next week. Then, I will read through it for the last time and send it to have the interior laid out. That usually only takes a couple of days. I then check it again, and after that, it will be ready to publish. I imagine we’re looking at publication around the 20th of August if not slightly before.

Joe Tanner

‘Guardians’ is the first of the Larkspur series of mystery/bromance/adventure novels in the vein of the Clearwater Mysteries, but focusing on new characters who pass through the Larkspur Academy. That’s the institution Archer sets up at the end of the Clearwater series, a place where young men can come and, as he puts it, ‘better themselves.’ It’s an odd concept, but so far, it’s working. Through his London contacts like Jimmy Wright and Silas, Archer finds young men (18 years old and upwards, mainly), and gives them a place at the academy under the mentorship of the man he’s found to run it, Barbary Fleet. It’s not a school, it’s not compulsory and there are only four or five men there at any time. They all have special talents and deserve a chance in life, and mainly, they are gay. Of course, ‘gay’ wasn’t gay in 1890, but Archer knows when a man needs support and needs to come out, as we’d call it. The fact that they all get involved in some kind of mystery is, of course, what the stories are about; that and young men struggling with their sexuality, each other, falling in love, out of love, friendship and fighting hard to make a go of it.

As ‘Guardians’ is almost ready, I have turned my attention to the second in the series…

A Vow of Silence

‘Guardians’ features a character called Joe Tanner, who is profoundly deaf and has been since birth. I am keeping him and Dalston Blaze as the central pair of book two, ‘A Vow of Silence.’ Dalston is the main character in Guardians (along with Archer, the story is mainly from their point of view), but I want Joe to be the MC in ‘Vow’ because I want to write from a deaf man’s point of view, although there will be other characters’ viewpoints too.

‘Vow’ follows on from ‘Guardians’, and, like the first book, it is inspired by a real newspaper report and an actual event. I’ll say no more just now because I’ve only got as far as jotting down a basic plot, and anything can change.

And Finally

Make sure you keep an eye on this blog and on my Facebook page for the cover reveal of ‘Guardians of the Poor.’ It’s another corker from Andjela J, and the drawing (above) of Joe Tanner will give you a clue. Check back next week when more will be revealed…