Usually, on a Wednesday, I put up a work-in-progress post to let you know how the current writing project is going. Today, I’m doing that and adding a couple of random images I found in one of my files. First…
Follow the Van
The draft is complete. I am working through the MS tidying things up and checking my facts and tie-ups. Neil has read it and didn’t find anything missing or wrong in the mystery, which is good news, and he says he particularly liked the ending which leads into book four. I’ll start writing that soon. All I have of book four is a title, ‘Where There’s a Will.’
Follow the Van is going off to be proofread within the next ten days or so, and Andjela has her brief for the cover. All being well, you will be able to get hold of your copy before the end of the month. I am aiming to release it on my birthday, 26th, but we’ll see.
Random Millbank Prison
As for the random photos, I downloaded them a while ago because they show something that’s not there anymore. The place in question is Millbank Prison which used to stand where the Tate gallery now is, on the north bank of the Thames. The map pre-dates 1888, but I am not sure of its actual date. Sometime around the late 1850s or very early 1860s I’d say because the map shows the route of the proposed Lambeth Bridge, which was opened in 1862. The prison, the flower-shaped building, was closed in 1890, and in its place (along with other things) was built the National Gallery of British Art, now called the Tate.
If you read ‘Agents of the Truth’, you’ll be able to visit Millbank prison with Jimmy Wright and Dalston Blaze, as they visit there looking for clues to the whereabouts of a particularly evil character.
What’s fascinating about the other photo is that it is an aerial shot taken before 1897, because the building was no longer there by then. 1897 happens to be the year Dracula was published, and one year after my grandmother was born. It still fascinates me that until I was in my early 30s, I knew and talked to a woman born during the reign of Queen Vicotria. If only I’d thought to ask questions…
Anyway, that’s enough random rambling. I must get back to my editing, so I have this next book ready for you by the end of the month.
Hello! For the Saturday blog spot today, I thought I’d give you a quick catch-up on what’s going on over on my other blog. You might already know that I run two blogs. This one is for my Jackson Marsh antics, research discussions, book promotions, and writing, while my other one is about life here on a Greek island.
A lot has been happening here in the weeks since New Year. The weather has been mainly fine and the temperatures are in the mid-teens. It’s not always sunny in Greece, and it’s not always warm. I’ve known my office to take all morning to warm up to nine degrees, and we’ve had icicles on our rosemary bush before. There have been storms that have washed away parts of buildings, we rarely have snow, but we had that a couple of years back, and now and then we’ll get an earthquake.
Sometimes, there’s not a lot to talk about but I try and write something five days per week, leaving the weekends free so I can update this Jackson blog and have a day off from blogging. The most popular things on the Symi blog are the photos. I’ve put in a random selection here today. When there’s not much happening, as there isn’t in the winter months, the images tend to be of views, but they are pleasant enough. Right now, the greener parts of the island are in flower, and everything is starting to grow back. In the height of summer, everything will be dry and brown.
Recently, I’ve noticed a fair few travel enquiries on some Facebook pages, so the blog has been about where to stay on your way over to the island, what boats there should be for the summer, and now and then, I try and put up travel news, though I make it clear I’m not a news site. As I was in Rhodes recently, there are also posts about spending time over there (it’s our nearest bigger island), with some photos, and I put that up because travellers often have to spend time there before coming over here; it depends on the boats. I’ve also been blogging about day-to-day life at home, a friend’s birthday party we had here the other night, the models I am building with my godson, his piano lessons, my husband’s antics at the gym, walks and strolls, and anything else I can think of to a) publicise the island and b) publicise my books, as I have four books about moving to Greece and living here as we have done for the last 21 years.
If you want to know more about where Jackson Marsh lives and what I see from my window every day, then click over to Symi Dream. There, you will see the list of books in the side column. These were put together a long time ago, so long ago that I’ve lost the original files so I can’t even pop back in and update them or their typos (they were released before I invested in a proofreader).
Now, I am heading into the final chapter of Delamere Three (Follow the Van). I have a long list of ‘things to tie up’ to check and make sure I do indeed tie them up, and then I have a final read-and-fix before sending it to be proofread. There will be more of an update on Wednesday’s blog, so tune in for that.
Today, I am having a quick chat on Helena Schrader’s Historical Fiction Blogpost about why I write Historical fiction. My piece there explains my thinking behind the creation of the Clearwater Mysteries, and how I set out to write characters in a world where being gay was illegal, as, sadly, it still is in many countries around the world.
Dr. Helena P. Schrader is the author of 24 historical fiction and non-fiction works and the winner of more than 53 literary accolades.Click Here.
Current Work in Progress
At long last I am able to read through the first draft of Follow the Van. This has been a work in progress for some time now, thanks to various interruptions, such as putting together ‘1892’, Christmas, a trip to Athens, Covid, trying to find some work, but it’s here at last, draft one. Almost.
I have to write two more chapters to finish things off, but before I can do that, I need to go right back to the start to make sure the story works, everything ties up, the clues are there but not too obvious, and I know what I have to explain at the end. I have already started weeding out stray threads that I put in thinking they would be a good idea, only to find out they didn’t work, or they led nowhere. Once that’s done, I’ll have a clear second draft on which to work, will know exactly what the main story and emotional threads are, and I can start polishing the thing.
The best thing about writing every day is that I get better at first drafts. I often reach the end of one thinking the thing is terrible, then go back and read again, only to think it’s not too bad. I don’t just mean the writing style improves every time, but the storytelling too. I know instinctively when something will work, when to leave out unnecessary observations or details, and how to make every sentence about character development or plot. (Well, not every sentence, as I also like description and atmosphere, but seen/described from the character’s perspective.)
I was digging around my files this morning and came across my folder for ‘Banyak & Fecks.’ This is one of my favourite novels, and the one I am most proud of. This is partly because it’s not like the others in terms of plot. It’s about two people from vastly different backgrounds meeting, needing each other, surviving, and becoming platonically entwined forever. The fact they are both in their late teens/early twenties adds a level of emotional and sexual confusion. What I’m also pleased with is the research, and while writing it, I made some notes about various historical facts and figures that come into play in the story. Even if they are only background, they still have to be correct.
So, after today’s news, which follows in a moment, I’ll show you the notes I made. First though, a couple of other matters:
Helen P. Schrader is the author of 24 historical fiction books. She is currently running a series of short interviews with other historical fiction writers with the theme, ‘Why I write historical fiction.’
On 20th February (i.e. Tuesday) she will have a short piece about me on her blog, which you can find by clicking this link: Helen Schrader.
Mardi Gras Promotion. This promo is still running if you want to see what’s o offer. Head to the link and find a raft of new titles in various genres/niches, all LGBTQI+ and all there to celebrate Valentine’s Day, Mardi Gras and queer fiction. Click this link: Mardi Gras Promo.
And now, to my background notes for Banyak & Fecks. Bear in mind, these are only notes, and they might be a bit all over the place and/or incomplete. While posting, I’ll see if I have any images hanging around the folder that I can also put up.
Banyak & Fecks General Notes and Words
Some are taken directly from newspapers and documents of the time.
Cabs 1879
Altogether there are 4,142 Hansom cabs, and 4,120 Clarence, or four-wheel cabs, in London.
Light-carts
Dock work 1883
The pay is fivepence an hour, and the day’s work lasts for eight hours. It is miscellaneous, and a man is expected to put his hand to anything in the shape of loading or unloading that the occasion may require.
Destitution
Arranged for a plain burial which is to cost 6 guineas.
Let me describe this room. It was the first floor back; so small that the bed left little room to move. She took it unfurnished, for 2/9 a week; the furniture she brought was: the bed, one chair, a chest of drawers, and a broken deal table. On some shelves were a few plates, cups, etc. Over the mantelpiece hung several pictures, which she had preserved from old days. There were three engravings: a landscape, a piece by Landseer, and a Madonna of Raphael. There was a portrait of Byron, and one of Tennyson. There was a photograph of myself, taken 12 years ago, — to which, the landlady tells me, she attached special value, strangely enough. Then there were several cards with Biblical texts. and three cards such as are signed by those who “take the pledge,” — all bearing date during the last six months.
Clothing
An Ulster: a man’s long, loose overcoat of rough cloth, typically with a belt at the back. The Ulster is a Victorian working daytime overcoat, with a cape and sleeves. The Ulster is distinguished from the Inverness by the length of the cape; in the Ulster, this cape only reaches the elbows, allowing free movement of the forearms.
Pennylicks – ice cream bowls
Graphophone – the name and trademark of an improved version of the phonograph.
Slums (1880)
The yard pump takes two, one to pump while one washes.
Washtop (the copper) over the fire, with tin lid and ‘chumney’, hot and sweaty, used also for washing clothes.
A room: double bed, trunk, table, 2 chairs, fire, candles.
Cheap foreign labour after depression.
40k population expansion.
Jewish immigrants from pogroms in Russia and the east.
Largest immigrant population = Irish, 2nd largest = Russians
Work
Unskilled = lucky to get two week’s work out of a month
Pillars at the docks either side of gates
Thousands at the gates every day
10k people in East End after 6k jobs
Police at gates
Wait hours to rush through, some got trampled
‘The cage’ where foremen stood to choose, safe, while thousands crushed to be chosen
Unloading barrels, bales and sacks that rubbed skin from back
5d an hour
Fecks, young, tall, strong, some English so can better fight for work
Sweatshops – Sweated Workshops (tailor factories)
Refugees met off the boat by ‘sweater sharks’
Wheelbarrows to cart supplies
No pay until an order is done
‘Greeners’ = lowliest tasks, new to the biz
18 hours a day, six days a week, 34p per hour in today’s money
One 22-year-old greener worked 22 hours per day until he hanged himself
Pawn brokers
Trade in clothes to pay for bed or rope house
No tick (credit) for transients
Buying bread and fat in slices from shop
Weekly rents in today’s money £30.00, £13.00, £8.00
Costermongers
12,000 in the 1880s
Eels, five per penny for sheep’s trotters (80k per week sold)
Silas
Telling jokes for pennies – Silas, the difference between a hollow tube and a daft Dutchman? One’s a hollow cylinder, the other’s a silly Hollander – etc.
Showing the rich around the slums, slumming it, slum tourism, won’t make him popular
Slum fiction
Human novelty exhibits
And that’s where my notes run out. If you haven’t read it, and want to know how all those various subjects add up and tie in, head to the Amazon page, add it to your TBR list, read it in Kindle Unlimited, or order yourself a paperback.
There are 75 titles in this promo, with all books being available on Amazon, Kindle, and some on other platforms too. Each has an info page that you find by clicking the book cover, and those pages come with a summary or blurb.
I have two series starters in there, Deviant Desire, and Guardians of the Poor. I expect most of you have read them already because you are lovely, loyal readers, but there must be plenty of titles and new authors in the list waiting for you to discover. Looking at those covers, you can see there is an eclectic mix of niches, including friends to lovers, enemies to lovers, contemporary, fantasy, MM romance, FF romance, and, of course, historical fiction. Among the authors, you will find Addison Albright, Anne Barwell, and Ann Lister.
There is even one that features a model I used on one of my covers. T.L. Travis has ‘A Little Christmas, Orion’s Secret’ in the promo, and the guy on the cover is the same one who appears on my Dracula-related mystery, ‘The Stoker Connection.’ We share the same taste in tasty main characters!
Check out the list, click a few covers to explore further, and recommend your favourite authors on my Facebook Page.
There’s another massive promo coming next month, and I’ll be sending out a newsletter about that at the start of March.
Follow The Van
As Wednesdays are my work-in-progress update day, here’s a quick update on Follow the Van (The Delamere Files book three).
This novel has probably given me more hassle than any other I have written. Why? I am not sure. One reason is because of interruptions, but another is having too many ideas. There are so many threads, I am worried they have led to a lot of repetition. That will all be fixed, and the repetition is me reminding myself of what happened when I last picked up the pen two weeks ago, or even yesterday.
Fear not! It will be fine in the end, and the end is what is in sight. I have started on the climax/finale, though I have left the build-up to it until I have finished the climax, so I know how to start it… You see? It’s one of those that needs a good, long re-look once I’ve stumbled to the end. I’ll keep at it and am aiming to finish the first draft (in whatever form) by this time next week.
Today’s news is that Guardians of the Poor is one of my books in a promo at Book Funnel. If you like historical adventure, action, mystery and/or military novels, then there is a select number of titles being promoted by a small group of authors, me being one of them. All the titles are available on Kindle Unlimited.
As you’ll see, I have ‘Deviant Desire’ in there as well as ‘Guardians of the Poor.’
Guardians is set around workhouse life in 1890s London. It starts with a newspaper article from July 1890 which was inspired by a real article from March of that year which concerned a workhouse master (the superintendent) and one of his younger charges. Also feeding my inspiration was an article from around the same time concerning fraudulent activity at the Chelsea workhouse. I combined several real-life incidents to create my story, which is set in the Hackney workhouse. That’s a place I visited in the 1980s and 90s when some of its buildings were being used as parts of Homerton Hospital.
Anyway… I started the Larkspur series there, and in case you’ve not read it, I’ve reproduced the opening couple of pages here to get you started. Dalston Blaze and Joe Tanner go on to become students at the Larkspur Academy where they meet a cast of other young men all of whom have special talents, but all of whom have fallen foul of prejudice or the law. Joe Tanner more so because he is completely deaf, and can only communicate with Dalston through their invented and partially taught sign language. (That was fun to write!)
The series runs for seven books and climaxes with ‘The Larkspur Legacy’ which draws together both this series and the Clearwater Mysteries, before leading into The Delamere Files.
Here is the opening of Guardians of the Poor, and the link to the Kindle Unlimited promotion for 25 exclusive historical action, adventure, military and mystery novels.
Lloyd’s Weekly London Newspaper July 20, 1890
The Shocking Charge Against Two Men. On Friday last, Dalston Blaze and Joseph Tanner, both 18, were indicted for inciting each other to the commission of unnatural offences. The prisoner, Blaze, had been for his life an inmate of the Union Workhouse, Hackney, and Tanner much the same time, but were working as porter-inmates in accordance with the New Poor Law of 1834.
Sometime in July of this year, another officer of this workhouse, a man named Skaggot, reported to the police an offence alleged to have been committed in the workhouse. Inquiries were immediately made, with the result that proceedings were begun against Tanner and Blaze.
Evidence against the accused was presented in the form of pictographs, making this case unique, and somewhat open to interpretation. According to the prosecution, these symbols, when interpreted, prove the men were inciting each other to perform an unnatural act.
Edward Capps, the workhouse master, was called, and said he knew of no such unnatural conduct between Blaze and Tanner, and gave evidence of good character. He said, ‘I am keen the men are returned to the Workhouse to continue their good work there.’
However, there is another complication to this case. The prisoner, Tanner, was not in court and is missing.
Mr Willis, defending, was addressing the jury on the character of the Master, when the jury foreman interposed. He said the jury did not desire to hear counsel for the defence, because the conduct of the workhouse official had nothing to do with the case. Thus, the defence was told to stand down.
The Common Sergeant then pronounced Blaze guilty of the commission of unnatural offences, and pronounced the same verdict against the missing defendant, Tanner, and called the proceedings to a halt. He remanded Blaze back into custody until sentencing. The magistrate imposed on Scotland Yard to find and bring to court the accomplice, Tanner, before the sentencing, the date being set for two weeks hence.
Reynold’s Newspaper Sunday, July 27, 1890
The Hackney Workhouse Scandal. The case for sentencing will be heard this Thursday in the Central Criminal Court before the Common Sergeant, Sir William Charley. Dalston Blaze and Joseph Tanner, both 18 of the Hackney Workhouse, have been indicted for inciting each other to the commission of unnatural offences. Mr Avery will represent the prosecution; Sir Easterby Creswell has replaced Willis as the defence; Sir Malcolm Ashton will be watching the case on behalf of the workhouse officials. Reynolds Newspaper will be reporting.
The case has attracted attention due to the unusual evidence of the pictograms used in the planning of the crime, and because of the absence of the second criminal, Joseph Tanner who has not yet been recovered after effecting his escape from custody following the initial arraignment. We are also interested to learn why Sir Easterby Creswell has taken the case as it appears to be a mundane matter, and sentencing a foregone conclusion. Sentencing for this crime is usually five years imprisonment, and there is no reason to suspect this case will be any different.
While I am following the van (80,000 words, roughly five chapters left to go for draft one), I am also taking part in a promo. Follow the link, and you will find a range of historical novels, all of which are available in Kindel Unlimited. These are not necessarily gay novels or romance novels, but they are all set in a historical context.
There are only 25 books in this collection, so it’s exclusive, and I’m pleased to say that two of mine were accepted into the promo, Deviant Desire and Guardians of the Poor.
If you have time, click the link, check out the promo covers, and click one or two. (It doesn’t cost you anything but it makes me look good, wink, wink.)
Meanwhile… Follow the Van continues to trundle on. It’s taking me longer than usual to reach the end of the first draft because of a few factors. I broke off to put together ‘1892’, then there was Christmas, then a trip to Athens with the family, then Covid, but now I am back to it, and aiming for 3,000 words per day. There will be a lot of work to do on the second draft with this one, because I have put down and picked up the various threads so often since I started it, that I might have got some tangled up.
We will see, and hopefully, you will see it in print by the end of March.
Here’s a reminder to click to the promo and have a look around:
February is the month to check out new historical fiction in a Book Funnel promotion that is highlighting historical action and adventure fiction available on Kindle Unlimited. This promo runs from 1st to 29th of February.
The fiction isn’t restricted to LGBT, but covers all historical novels. Of course, I have Deviant Desire and Guardians of the Poor in the promo, as these are my two series starters. Recent promos have done well for sales, so even if this promo doesn’t appeal to you, send the link around, share it, and see if you can help get the Clearwater word out there!
You can also pick up some great new books along the way. I see I am in the company of K.C. Sivilis, and Milo James Fowler, in what is a very select promo.
Click this link to see the full collection of books being promoted, and remember, you can find them all in Kindle Unlimited.
Later in the month, there’s also a promo for LGBT + fiction to celebrate Mardi Gras. This will be from the 14th February, and my novel, ‘Guardians of the Poor’ is taking part in that. I will post more on my blog nearer the time, but here is the link for you to bookmark:
Make sure you at least click those links and see the books on offer; that gives me better standing in other promos, so you will be doing me a favour, and who knows what new reading you might find.
You may have noticed that the researchers who work for the Clearwater Detective Agency, Duncan Fairbairn, and now, Will Merrit, often say they have to go to Somerset House. Why?
After it had been a royal palace and duke’s residence, Somerset House, as we now see it as a Georgian-era structure, was built to be a grand public building housing various government and public-benefit society offices. In 1837, following the establishment of civil registration in the United Kingdom, the Registrar General of Births, Marriages and Deaths set up his office in the North Wing of Somerset House, establishing a connection that lasted for over 130 years. This office held all birth, marriage and death certificates in England and Wales until 1970.
That’s why my fictional researchers have to go there. However, I was writing a chapter last week in which Will Merrit says he has to visit Somerset House to find a record, and this made me think: how easy was it to find records of Births, Marriages, and Deaths (BMD records) in 1892. So, I asked a genealogist friend of mine, and this is what he said.
Brief History of British Birth, Marriage and Death Record Keeping
Funnily enough, I have had some experience of this, while I was in London with you. (We used to share a flat in Hackney, years ago.) I took the opportunity of being in London to make a personal visit to the Government Records Office (GRO) which in those days was opposite where the BBC World Service was based, near Fleet Street, after it had been moved from Somerset House. So I had to do what our Victorian ancestors would have done.
But you must remember that the BMD records were kept in two different places and there are always two copies, one in each place.
When a registration was created for a birth or a death, you went to your nearest local registration or sub-registration office, which was usually your local town or large village. Let’s say you registered a birth at a sub-registration office.
Your registrar had two identical books. He made an identical handwritten entry in each book. At the end of each quarter year, he sent both books to his main area registration office, probably the main town or city. The main registration office kept one book in its records and sent the other book to the GRO in London (in England and Wales). Scotland and Ireland had their own GROs.
In the London GRO they then made a quarterly alphabetical index. It was handwritten in a massive volume. Every Jan-Mar, Apr-Jun, etc., the indices gave the full name of the person and some other details which varied over the years.
When you wanted a certificate for a birth, death, or marriage, you had two choices. You could either visit the local office where it was originally registered and ask them there to look it up. You would need a good idea of the date because they didn’t have indices there. They would get out the original volumes and leaf through until they found the correct entry. They probably wouldn’t search a decade, but they might search a year in the smaller offices. They wouldn’t let you do it. You would not be allowed to handle the books.
And then, once found, you could pay a fee, on two levels, and have either a short copy (cheaper) or a full certified copy which was just a handwritten exact copy of the entry in the book. The certified copy could be used in law cases, passports, and so on. The short copy was for your personal information but could not be used legally.
And that’s what many people did for passports. They went to their local office, told them their date of birth and got a certified copy. In the old days, poor families often hadn’t paid to have a birth certificate copy. You registered but went away without a copy. And even today you still aren’t required to pay. Registration is free, you only pay if you want a copy.
The other alternative was to go to the GRO at Somerset House or wherever. But there, you couldn’t ask them to go leafing through the books. You had to provide them with the full indexing details. So that is why the index volumes existed. The public were able to go to the shelves and get out the index volumes. These were big heavy leather-bound books, all handwritten. You got the volume for the quarter you thought was the right one, you went through and identified the likely entry and noted the GRO index references, then you took the details to the clerks’ desks and handed them in. You paid your fee for a certified copy.
What I’m not sure is what happened next in 1892. In 1995 I had to do all that, but I had to give my address and they would post it to me within a few days. Maybe in 1892 you were able to wait while someone did it.
Basically, a clerk would go into the archives, look up the exact entry you had given in, and make a handwritten certified copy of the entry. Again, you yourself never got to see or handle the books. All you got was that clerk’s certified handwritten copy. He might easily make mistakes and misread them.
In the 1990s things improved because they began photocopying the originals onto the certified copies, so you got to see a photocopy of the original and could interpret the handwriting yourself. Also, when they put the indices online, you were able to send off postal applications.
But basically, in 1892, you either went to your local office (which was much simpler), and got a cooperative clerk to leaf through. But offices might vary, and you might get officious ones that were less cooperative and demanded more precise details. Some might even show you the original entry if there was some question of interpretation.
But if you went to the GRO it was all down to you finding the correct entry yourself using only the public shelves indices. Then handing in the reference to the clerk and applying for the copy. They would not go searching for you, or let you do it. And you certainly couldn’t take any indices home with you.
The indices gradually got replaced by typewritten copies over the years and the original handwritten indices were retired. But of course, the typewritten copies introduced their own copying errors.
I’m sure that even in 1892 you could pay professional researchers to do this for you. Lawyers did it all the time for clients who needed certificates for legal purposes. Detective agencies too. But they would only have the same access as the public. They would not get to leaf through the originals, except maybe as a favour in a local office where they had good relationships.
Churches did the same with marriages. Churches sent their books each quarter to the local registration office.
Fascinating stuff, and if you remember Fairbairn from the Clearwater and Larkspur Mysteries, you’ll recall he had a way of getting what he wanted from the clerks. I.e. he gave out sexual favours in return for being allowed access to the actual books and records. Will Merrit’s approach is different, but even he doesn’t find it easy to discover what he needs.
What’s pleasing for me though is to see that what I imagined to be the process was accurate. It was even possible that Will would wait for a copy of a record to arrive in the post, as I wrote only two days ago!
The images, btw, are from my family history collection and are real documents. These were all found online in the past 15 years. How the internet has changed things!
This website uses cookies to provide you with the best browsing experience.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Strictly Necessary Cookies
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.