I’m not here today, at least, I shouldn’t be. I have an appointment on another island, so I am writing this yesterday. Right now, it’s windy out there and if the wind gets too strong, the boat won’t reach us in time to whisk me away in the morning when the weather is set to be better. Just thought you’d like to know. More importantly, though…
At the weekend, I will be sending Follow the Van off to be proofread, all 100,000 words of it. I am currently carrying out a last read-through, and, at the same time, am in discussions with Andjela about the cover. It’s a tricky one because there’s nothing dramatic taking place (I don’t want to give away the ending). It might have to be a static image that shows atmosphere more than mystery, but we’re working on it. Jack and Will Merrit should be on the cover, so we’ll see Will for the first time, but I noticed in the cover mock-ups, Andjela has given Jack a moustache. I rather like that, but if we’re to keep it, I’ll have to mention it in the story.
That’s this week’s update. I shall be here again on Saturday with my usual, longer blog.
Today, I am having a quick chat on Helena Schrader’s Historical Fiction Blogpost about why I write Historical fiction. My piece there explains my thinking behind the creation of the Clearwater Mysteries, and how I set out to write characters in a world where being gay was illegal, as, sadly, it still is in many countries around the world.
Dr. Helena P. Schrader is the author of 24 historical fiction and non-fiction works and the winner of more than 53 literary accolades.Click Here.
Current Work in Progress
At long last I am able to read through the first draft of Follow the Van. This has been a work in progress for some time now, thanks to various interruptions, such as putting together ‘1892’, Christmas, a trip to Athens, Covid, trying to find some work, but it’s here at last, draft one. Almost.
I have to write two more chapters to finish things off, but before I can do that, I need to go right back to the start to make sure the story works, everything ties up, the clues are there but not too obvious, and I know what I have to explain at the end. I have already started weeding out stray threads that I put in thinking they would be a good idea, only to find out they didn’t work, or they led nowhere. Once that’s done, I’ll have a clear second draft on which to work, will know exactly what the main story and emotional threads are, and I can start polishing the thing.
The best thing about writing every day is that I get better at first drafts. I often reach the end of one thinking the thing is terrible, then go back and read again, only to think it’s not too bad. I don’t just mean the writing style improves every time, but the storytelling too. I know instinctively when something will work, when to leave out unnecessary observations or details, and how to make every sentence about character development or plot. (Well, not every sentence, as I also like description and atmosphere, but seen/described from the character’s perspective.)
In the absence of any bright ideas for today’s blog, I decided to check out my current work-in-progress folder and see what was lurking there. As you know, the current WIP is called ‘Follow the Van’ and the story has something to do with the music halls of Victorian London. Therefore, what’s in my folder, apart from the text files, are research images that I’ve pulled from here and there.
Here’s what I have and a short explanation of why. This might give you an insight into how I put research together, although these images are the tip of a larger iceberg of reading, books, maps and online pages. Apologies if I’ve already shown you some in other posts.
First of all, this shot of the Gaiety Theatre in Strand, London. Clearly, the photo was taken later than 1892, because of the engine of the omnibus, but the building is how my characters would have seen it. The theatre lasted from 1864 (as the Strand Musick Hall) until it closed in 1938.
A map of the Boundary Estate in Shoreditch from 1892. The estate was also known as The Old Nichol and was considered the worst slum area of London. At the time my novel is set, the estate was being changed, people were being moved out and a new estate was being built. My story concerns a theft from a dwelling in Mount Street on the eastern edge of the estate.
A cutting from a newspaper (I think it was The Times) from 1892. Yesterday, I was writing about the Charing Cross Music Hall, which is still operating today as a theatre beneath Charing Cross Station. As you can see, Marie Lloyd was on the bill at the time my story was set, and after I’ve posted this. I am heading into chapter 19, where Jack Merrit will come face to face with the woman who was on stage with his father when he died.
This is a shot of the inside of the Roman Road music hall, another venue that is still in use today. I’m not using this particular one in the story, but the image gives me inspiration, as does the history of the building. Now called Wilton’s Music Hall, you can find out more at its website.
This is the London Music Hall in Shoreditch. This one has had a few names, thanks to having several owners over the years. The theatre was at 95-99, Shoreditch High Street, formerly Holywell Street. Originally built in the year 1856, and called the Griffin Music Hall and Pub, it was rebuilt in 1894 as the London Theatre of Varieties. In 1896 it became known as The London Music Hall. In 1924 it became the Shoreditch Empire Theatre and was demolished in 1935.
Finally, this image of Tower Bridge that I mentioned on my Facebook page the other day. I was writing a chapter where Jack sits outside a pub overlooking the building of the ‘new’ Tower Bridge. It’s 1892, and it’s September 28th, so I looked online to see if I could find out what stage the construction was at. Lo and behold, there was a photo of the bridge taken on that exact day! Here it is, with Jack just out of shot along the bank sipping a pint and waiting for his client to arrive.
That’s it. The rest of my ‘Follow the Van’ folder is filled with the various chapters, outlines and research notes which I’ll save for another day.
Good morning! This is a very quick update to let you know I’ve not forgotten about you, and the next Delamere story will be along in a few weeks. I am currently around 60,000 words into ‘Follow the Van’, and am heading towards my main character’s personal climax. Once that’s happened, he’ll be free to think clearly and head into the action climax when the mystery will finally come together and be solved.
Meanwhile, here on our Greek island, the winter has continued to be mostly reasonable, in that it’s not been freezing cold. In the past we’ve had temperatures down to freezing, but this year, only a couple of days of single figures (so far). This means, on days such as yesterday, it’s a pleasure to go for a walk in the morning and while doing so, set in my head the next piece of action or the next chapter. Today’s chapter will be the second half of yesterday’s wandering and wondering. I talk to myself as I walk, talk internally that is, and tell myself the story as if I was reading it. When I get back from the walk, I jot down the outline of what I’ve just dreamt up, and hope I remember the detail when I come to type it all up.
I need to start thinking of a cover soon, and as usual, am at a loss. I have Andjela working on some new banners for this website, so you may see some changes there, and I am looking at more Book Funnel promos to join in with because they are producing sales results, for which I am very grateful because I’ve not got much paid work in at the moment. And that’s my update, so back to the typowriter and chapter seventeen…
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