Welcome to The Clearwater Family

Welcome to The Clearwater Family

Over time, this page will be updated with interviews, images, and all things relevant to The Clearwater Family. They aren’t really a family, but you know what I mean; the group of men and women who make up the close friends of The Clearwater Mysteries.

Scroll down the page to read the interviews that we have had so far, there will be more of these character interviews in time. I am also commissioning drawings of each character, and these are what illustrate this page.

The pencil drawings are done for me by an artist known as DazlingDezigns in India. Other images, such as Silas and Andrej on the cover of ‘Banyak & Fecks’, are created by Anjela K in Belgrade, Serbia.

To learn more about the Clearwater Family (with no story spoilers), click on their names.


Messenger, footman, valet, detective.
Born January 10th, 1863, Riverside, London

Coachman & Master of the Larkspur Horse
Born around 1867 in Serbka, Ukraine

Assistant Housekeeper and virtuoso pianist
Born 1871, Paris and bought up in the Lambeth workhouse

Footman, Valet, Steward, Butler
Born May 5th, 1861, Romney Marsh, Kent

Recent Posts

Closing in on the Last Chapters

Just a quick update. I am now at 85,000 words of the first draft of ‘Where There’s a Will,’ and it’s all starting to kick off. We’ve had a long trail of seemingly random clues, and now, they’ve all got to tie up and tie in, so I can tie up the draft and get to the really fun stuff, the editing and rewriting.

The other day, someone said something which warmed me old cockles. It was either in a review or in a group, but they were saying how much they like my transformation scenes, as I call them. I also rather like them because they are good for the passing of time and place, and they are relatively easy to write. I just picture it in my head and out it comes. What am I talking about?

https://www.amazon.com/dp/B07RPCKF4L

One of the times that stands out for me happens in ‘The Clearwater Inheritance’, and it’s more or less the beginning of the climax. Jasper and Fecker are on the Orient Express, and Jasper has something of a crisis, but we leave his scene in their compartment and see them through the window. Then the ‘camera’ takes us along the train, through the steam and smoke, over the snowy fields lit by moonlight, across France, over the Channel, across London and down to Larkspur in one take, as it were. I’ve used the technique in other novels. In ‘The Larkspur Legacy’ I do it on the back of a storm in one place, and another train in another case, and there is often an owl at Larkspur that sees things while moving us around the Hall and grounds.

As Jack Merrit would say, ‘Anyways…’ I’ve just done a similar transition scene in ‘Where There’s a Will.’ Just thought I’d let you know.

Don’t forget to click over and have a browse through the historical novels and academia-based romances in the KU promotions.

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