What Next?

I now have the cover for Holywell Street, book eight in the Delamere series, and I am waiting for the proofed copy to come back so I can do a final check and send it off to be formatted. Not long now, which leaves the question, what next? Before I answer that rhetorical question, here’s the cover title:

1893

A while ago, I started on something called ‘1893, The Clearwater Tales Volume Two’ to accompany ‘1892’, which is volume one. I’ve written the first two chapters of what may one day be another anthology connected by a situation, and I have gathered some characters together. I have an observer and his backstory, the setting – a foggy night in a Wiltshire railway station where the Penzance special is delayed. The characters tell stories while they wait out the night. I have the station master, Harry Carnforth, a character who made a brief appearance in ‘Grave Developments’ and was then cut, his name is Martin Dewhurst, and he wants to attend the Larkspur Academy. Also waiting for the train are Silas Hawkins, Sir Easterby Creswell, Chester Cadman, and Benjamin Baxter.

The trouble is, I don’t know what the short stories are that they will tell each other to keep themselves amused as Harry Carnforth caters for them through the night.

That’s one idea.

1892 the Clearwater Tales Volume One

Another Delamere?

For sure, but what’s the hook, the gimmick, the subject…? I was talking about this recently, how a subject comes to me and I explore it from there. So far, we’ve had: being a cabman, the old school network, music halls, family feuds, magicians, a serial killer, and coming soon, Victorian erotica. Included in those eight books so far are also sewers, saints, singers and sinners, and a little sex, though I must admit, I am writing less of that these days.

So, I think my next task will be to return to the Police Illustrated News and other publications of summer 1893 and see what was going on in the world. I had thought of a kind of Oscar Wilde type trial, which is coming up in 1895, and the cover of Hollywell Street gives us someone foppish who could well be a Dorian Gray, but I don’t want to get into all that as it’s been done.

Therefore, I guess the current answer is, ‘I’m not sure’, but I’ll be along with something as soon as inspiration strikes. Meanwhile, I have some more promos coming up, so look out for a newsletter next Saturday, I need to do more publicity somehow, so I can sell a few more copies, and I continue to play with animating the covers, as you will see from this next one pulled at random from my growing collection. Have a good week, I’ll pop back on Wednesday with an update on ‘Holywell Street.’

The Delamere Files

Act For All of Us.

Delamere Book Eight

As the song says, ‘I’ve gone about as fur as I can go,’ with this one. For now, at least. So, I sent the MS off to be proofread, and Andjela is working on a cover. I have an illustration, and all will be revealed in due course. I also have a draft blurb which I will post for you, and I have my usual collection of author’s notes at the end.

For this book, those notes cover such things as Holywell Street itself, a man called William Lazenby who may or may not have penned the book, The Sins of the City of the Plain, the Cleveland Street Scandal, and there’s a brief mention of Fanny and Stella, cross-dressers arrested 23 years earlier.

The couple are only mentioned in passing, but you might be interested to know more about their story, and there’s a great article titled Fanny and Stella: Piecing together LGBTQ+ histories and telling the stories. [Click Here]

Oh, and I have also started a thing called Baxter’s Glossary, which I will put in either at the front or back of the book. There’s a fair amount of slang in use in this one, and I can’t always explain it in the text.

Anyway, here’s the blurb for Delamere Eight:

Act for all of us.

Respected dentist Harold Eskell writes a list of cryptic references for Jack Merrit to find and then takes his own life.

Now leading the Delamere Agency, Jack is determined to uncover the truth behind Eskell’s final act. Enlisting the help of Baxter and his loyal team, he embarks on an investigation that uncovers shattered lives, unexplained suicides, illicit photography, underground erotica, and blackmail.

It’s all leading him somewhere, but where?

All things are unrelated yet connected, and the only way to do the right thing is for Jack to risk his liberty and fight crime with crime.

London in 1888 Video

If you have read the Clearwater Mysteries, the Larkspur Mysteries and the Delamere Files, you will know that they are set mainly in London and Cornwall. If you have been following the progress of the Delamere series, you will know that book eight will be out in June and it is called Holywell Street. If you have read Deviant Desire, Banyak & Fecks and others, you will know that many of the characters come from or have lived in London’s East End, mainly Whitechapel (Greychurch in the Clearwater books).

So what?

Well, yesterday, I was searching YouTube for something informative to watch and I found a video by the Jack the Ripper Tour, and I want to share it with you.

Why?

Because it takes us from Trafalgar Square to the Mile End Road and stops at or passes various locations used in the Clearwater, Larkspur and Delamere series. It also includes photographs of those places from around the time the books are set, 1888 to 1893. It also incorporates maps of the time to show you the route some of my characters have taken on many occasions. It lasts for 48 minutes, and is well worth watching if you want to learn about, see and imagine my Clearwater London.

Some of the locations you will hear about and see that have been used in my books including:

Trafalgar Square where Silas gets caught up in the Bloody Sunday riots in Banyak and Fecks, Charing Cross station where so many journeys have begun and ended. Strand, including the Savoy Hotel (the climax of Speaking in Silence), The Lyceum Theatre (Bitter Bloodline), The Gaiety Theatre (Follow the Van), Holywell Street (there’s a stop off here to talk about ‘Bookseller’s Row’ and the pornography industry), the Old Bailey and Newgate Prison (Guardians of the Poor), Saint Paul’s Cathedral (Starting with Secrets), and Whitechapel (several of the books).

My suggestion is, you get yourself a cup of tea, put your feet up and slip back in time to watch this wonderful documentary and see how many Clearwater-world locations you can spot.

Enjoy!

The Final Chapter

I’m on it – the final chapter of Holywell Street. I’ve reached 95,000 words of the first draft and for the last couple of days, have been struggling with the last chapter, only because I wasn’t sure of the best order in which to do things, and which point of view to do it from. Still, within the next few days, I can commission a cover and an illustration, set about the blurb and rewrite/edit, and book in my proofreader. I aim to get this draft to Neil to start beta reading later today. Yay!

Meanwhile, you may have seen from my Facebook page that I have been experimenting with technology that brings the characters on the covers to life. Basically, it makes them move, and some of these have been more successful than others. I’ll be dropping more on the FB pages in due course, but I wanted to share one here with you as a Wednesday treat. I love the way the water moves here, but something very strange happens with the hands, and the wrong man goes under the water, lol. It was fun spending half an hour experimenting with the thing though, but I am a long way from taming it completely. I’ll leave you with this moving cover and get back to the final chapter.

The First Five Clearwater Books

You might have been following this story on my Facebook page or on BlueSky, but in case you don’t use social media…

Recently, I spent ages making up a short reel to put on my social media, and it showed the first few Delamere books with static images, covers, text, etc, over some mysterious music. Having done that, I realised I wasn’t very good at it and it was time-consuming, so I thought I’d find an artist via People Per Hour and pay someone to put together one for the Clearwater mysteries. I chose a guy who lives and works in Sri Lanka, we had a chat about it, and he set to work on the first five books because all 10 or 11 would have meant a whole film. I was expecting a similar thing to the reel I’d made, but what came back was nearly two minutes of adventure, as you will see in a minute.

There are only a couple of things that are a little awkward about this. The first is that I think Facebook cuts off the reel at 90 seconds, so we miss the last of the video unless you find it under my videos, rather than reels. The second is the voice. We tried a British narrator voice but, tbh, the best he could find sounded like someone who’d been in a punch up and was still pissed from a week last Saturday. Most of my readership (70% approx.) is in the USA in any case, so we went back to the gravy American VO voice. I will post the English voice version on my social media soon so you can hear it. Obviously, the artist used AI to help him create the images, but the AI debate is for another day. I’m just putting this here so those who don’t follow me on social media can take a look. Enjoy!

Here’s Where I’m At

I am currently at 82,000 Holywell Street… Well, 82k words written for ‘Holywell Street’, the Delamere book number eight. Funnily enough, the plot revolves around number eight Holywell Street, mainly so I can say here’s book number eight Holywell Street as though it’s an address as well as part of the sequence. Also, according to the 1891 census, that address was vacant, as were others around it, so I can be more creative with its description. I suspect the buildings were left empty for a good reason, like they were falling down, because the street was demolished in 1901. It was quite picturesque by all accounts and some buildings there were from pre-1700 or very early 1700s.

Anyway, I am having fun and working through the climax, which isn’t really a climax in the usual sense. There’s no death-defying leaps of faith, zip lines onto music hall stages, or people falling off burning towers. What there is, though, is a bit of fun (I hope) as part of the ‘towards the end’ section is seen from Ronny’s point of view, and we know what a little oik he can be. As that’s going on, I am waiting for the first draft of a new reel to come back from the guy who is working one up for me, and I am about to send off for a new pencil sketch to go in the front of the next book. I am also considering the cover, though the final draft won’t be ready for some weeks yet. Meanwhile, I believe Holywell Street will be my 48th book, including my ‘living on a Greek island’ books and those written under my real name. I know it sounds like a lot, but it’s what I do! This is one of my shelves and contains all the Jackson Marsh titles, except for ‘Bobby’ which is on the shelf above.

This Month’s Promotions

In case you missed the newsletter with the latest ideas and promos, here’s the list of what’s on offer for you to click and browse.

May Kindle Unlimited Mystery, Thriller, Suspense, & Crime Reads

Genres: Mystery & Suspense / Crime, Mystery & Suspense / Psychological Thriller, and Mystery & Suspense / Thriller

I have my three series starters on this one, otherwise known as: Deviant Guardians Finding a Way. (lol)

https://books.bookfunnel.com/May-KU-mystery-thriller-suspense-crime/7oxdjxd06c

Love In Bloom: M/M Romance in Kindle Unlimited

Genres: Romance / LGBT

Lonemarsh House features in this one, one of my Mentor series of older/younger romance novels.

https://books.bookfunnel.com/love_in_bloom_mm_romance/zdtdtk7tqh

May Historical Romance in Kindle Unlimited Copy

Genres: Romance and Romance / Historical

Finding a Way is probably the only romance in the Delamere series.

https://books.bookfunnel.com/mayhistromku/7zn4eqwz1j

MAYHEM & MOTIVES: Mystery, Thriller, & Suspense Reads – May Edition

Genres: Mystery & Suspense, Mystery & Suspense / Cozy Mystery, and Mystery & Suspense / Thriller

I have gone all out with Book Mojo this month. Not only am I in their fantastic mayhem & motives monthly promo as Jackson Marsh, but also as James Collins. Added to that, they are doing a cover of me in their newsletter at some point during the month.

Finding a Way, A Fall from Grace, Follow the Van, Where There’s a Will, A Case of Make Believe

The Saddling, The Witchling, The Eastling

https://books.bookfunnel.com/mysthrillsus-may/2258rjb4jp

May is for Memoirs! Plus Biographies, Self Help books & more!

Genres: Non-Fiction, Non-Fiction / Biography & Memoir, and Non-Fiction / Self-Help

Again, I have gone into this one under both names, so you can find Bobby, and also, a memoir of my own titled: Symi, Stuff & Nonsense

https://books.bookfunnel.com/mayisformemoirs/mwrcqy68ar

Kindle Unlimited First In Series: May

Genres: Mystery & Suspense / Mystery, Mystery & Suspense / Suspense, and Mystery & Suspense / Thriller

Finding a Way finds its way into this one (as I could only add one title).

https://books.bookfunnel.com/KUFIRSTINSERIES/q7aqou0x5u

Holywell Street Update

Here’s an update on how Holywell Street is coming along.

I am up to around 65,000 words of the first draft, and it’s going along quite well, thank you. I was a little worried that I was about to peak too early, but I have sorted that. It’s a case of me wanting to write the exciting part asap, but not wanting to write it out of sequence. When that happens, I tend to rush the middle, so I have to either a) force myself to slow down, or b) write the exciting part out of sequence, which is what I wanted to avoid. By ‘exciting’ I mean the revelation, the part where I can let go of all the surprises I have kept in my head, and all those traps I have laid through the early part of the story, which I can now spring.

(Wych Street ran behind Holywell Street, and in yesterday’s writing, Jack and Ronny were parked here waiting for someone…)

Holywell Street doesn’t have so many surprises, and it’s not going to have an action ending as we have in A Case of Make Believe and Acts of Faith; it’s going to have more of the kind of ending we had in Gave Developments. What it does have, though, is a string of seemingly unrelated and random ‘clues’ for Jack and co. to solve, some information based on fact about a certain Victorian pornographer, a nod to the story of Jack Saul, and plenty of factual details about a few other matters you will read about before too long. Hopefully, you will find the book on the shelves and ready for reading before the end of June.

Meanwhile, can I tempt you to a click and a browse of some mysteries and thrillers that are all available on Kindle Unlimited? Have a browse here, and I’ll be back on Saturday with more news.

Tracking Scenes

In the world of film, a tracking shot is “A camera movement that follows the action, typically moving alongside or with the subject to create a dynamic, immersive view of the scene.” [Adobe.com]

You know the kind of thing: When the shot opens on someone walking left to right and we follow them, then the camera stops at the two people talking at a table, as if the crossing person brought us there.

This is a technique I use in my books, and I mention it today because I’ve just written one into Holywell Street, and while doing so, I wondered when I first started using them…

I think it was during The Clearwater Inheritance, because that involved a great journey, and it inspired the scene on the front cover. It may have been before, but this is the one I remember most because it takes us from the Orient Express across Europe, across the English Channel and to Cornwall.

Clearwater Inheritance cover

If Archer’s insane brother dies, their distant cousin, the evil Count Movileşti, will inherit everything, and with the influenza pandemic threatening the brother’s asylum, the outlook is grave. The only thing that can ensure Archer’s future is a legal document left behind by his grandfather, but the clue to its location is hidden within two pieces of music. Archer has one; the other is in Movileşti’s collection at Castle Rasnov.

Rather than describe it, I thought I would put it here, so you’ve got something to read or reread over your morning coffee. (I’ll be back with more news on Wednesday. Watch out for a newsletter that should be out today with a heap of new ideas for your TBR pile.)


The Clearwater Inheritance
Chapter Thirty (part)

Between Szeged, Hungary and Vienna, Austria
Saturday 18th January – Night

The locomotive steamed west from Budapest, its steel plough slicing snow and hurling it aside in swathes. Its pistons pumped an incessant pulse, while the chimney belched a constant stream of smoke that billowed from tunnels and trailed behind to hover above the sleeping countryside.

Cities fell away to become dense forests topped with silvery-blue moonlight that bathed the land from the hedgerows to the star-showered horizon. The Danube glinted beneath the cloudless sky until the train left the river to its meandering and sped away on its own path. The warm throw of yellow light from the dining car brushed banks and fields, the silhouettes of the wealthy rising and falling over cuttings in distorted shapes and vanishing as the carriages pounded across bridges. Firemen shovelled, stewards served, and passengers dreamt of elegance in gently rocking bunks, unaware of the rise and fall of the hills, and the urgent night-cry of the whistle.

The Orient Express kept its times, crossed the borders, and made its destinations. It saw its passengers on and off through a night that held the continent from Constantinople to Calais in an icy grip as brittle as the thinnest crystal. Night ferries crossed the channel miles from the locomotive and its precious passengers, and the same moon glowed as full over them as it did over Larkspur Hall. The same light bathed the moor, its rises and valleys a patchwork of grey and silver shadows, the countryside blanketed in a fine covering of pristine snow.

An owl swooped from an ancient, weathered oak to glide across a frozen stream. Alert for movement but finding none, it rose on silent wings to watch over the estate where Larkspur waited in the pensive darkness, shuttered and blind. The owl circled the tower and followed the parapet, passing rooms where footmen slept, and dormers under which maids turned in dreams of sweethearts and summer days. Attracted by a solitary light, the bird landed on a cornice washed by the throw from an oil lamp and twitched its head, intrigued by and concerned for what took place inside.

Beneath the sloping roof, a young man sat on the edge of an older woman’s bed, holding her hand and mopping her brow. Her lips moved weakly, and her pale flesh was uncoloured by the lamp-throw which lit the man’s hair in shades of russet and bronze. Light caught the tears that dropped from his cheeks as, leaning closer to listen, he gripped the frail hand tightly, made promises, spoke comforting words and said thanks, until the life in her dulling eyes faded.

His head hung, and his shoulders heaved as he placed her hands across her chest. Wiping his cheeks, he closed her eyes before lifting the sheet to cover her head and said a final goodbye.

When the man approached the window and placed a candle there to flicker in remembrance, the owl dropped from the parapet and continued its flight. It passed the tower where a younger man slept beside a dying fire with a letter in one hand. Building plans, fallen from the other, lay on the floor abandoned to sleep.

The owl passed into the depths of night, while in the corridor beyond the tower, a butler turned down the gas until the passage was a monochrome path of dimly glowing glass and careful footsteps. Pausing at a door, he listened for sounds from within, but his master was sleeping, and he continued to where the two wings of the house met. There, with the grand hall in darkness, he slipped through the baize and followed the winding, stone steps to the ground floor, dimming lamps and securing locks.

The servants’ hall was deserted, but in a few hours, would begin another day as the hall boys laid the fire and stoked the ovens, swept the floors, and washed the tables long before the day considered dawning. The butler met his steward there and learnt his news. The men consoled each other, reminded themselves of their positions and responsibilities, and went their separate ways.

The steward took the path the butler had recently taken, along concealed passages, up the winding stairs, and emerged in the grand hall, there to pause for a moment to relive a memory before climbing to the first floor. Like his colleague, he stopped outside the master bedroom but didn’t disturb its occupant. Instead, let himself into his own room, there to mourn alone.

Throughout the Hall, bristles of moonlight investigated curtain edges and stole around them to play on rugs and furniture. Clocks ticked, and springs wound towards release. The considered chime of a tall clock struck regretfully from the library and echoed through the stillness, while the drawing-room carriage clock tinkled, polite and distant. In the smoking room, the Willard lighthouse clock tolled beneath its dome, and the brass spheres of the anniversary timepiece swung relentlessly back and forth.

In the study, soft ticking on the mantlepiece counted away the seconds, as the last of the embers shuffled through the grate to their rest. Gently, the hour passed, the echoes died, and Larkspur slept in darkness.

But not in silence.

At some time during the night, when clouds had put the moon to bed, and the owl had retaken its perch on the faraway oak, the wood and brass telegraph shocked itself into life. In the alcove beside the moon-forgotten desk, the steel pins snapped their delicate jaws in urgent rhythm, and the wheel turned.