These past few days, I have started on a new novel which I intend to be the start of a new series. So far, the folder is titled: Victorian Series, and I have in it chapters one, two and three, plus a file called ‘New story ideas,’ and one called ‘The cabmen from James Greenwood.’ Let me explain…
Who was James Greenwood?
James Greenwood (1832–1927) was an English social explorer, journalist and writer, who published a series of articles which drew attention to the plight of London’s working poor. He was one of the first journalists to cover stories incognito, and is regarded as one of the pioneers of investigative journalism.
[Wikipeadia.]
What’s he got to do with anything?
When I was writing ‘Banyak & Fecks’ and investigating what it was like to spend a night in a casual ward of a London workhouse, I came across an article Greenwood had written following his experiences of spending a night in such a place. I returned to him for background reading for this new series, and in particular, the book, ‘Tales from Victorian London’ by James Greenwood and Henry Mayhew. There is a chapter in it where Greenwood recounts an interview with a hansom cab driver who tells him a tale of catching burglars, and that was the inspiration for my ‘New Victorian Series.’
Since reading the article and others, I have ordered a book about the history of the hansom cab, and have read other articles and stories from the time (mid-1800s, though my story is set slightly later). I have also been trying to find a street map of London from 1887 with street names, though that’s proving a little more difficult. What I need is an original A to Z, although that invaluable street atlas was not printed until the 1930s, so I am left with online maps, many of which don’t name the streets.
Why the need for street names and maps?
The simple answer is because, my main character is a cabman, a driver of a hansom cab, or a cabbie, as they were and are also known. So far in the story, the MC has decided he needs to earn more money, and so, steps in to take his grandfather’s old job driving a hansom cab.
Not an easy task. It takes the average London cabbie two years to learn ‘the knowledge’, the layout of every street, the names, places, locations, short cuts etc., of the city. There are, and were in 1887, thousands of streets, and new ones being built all the time. Having a map will make it easier for me to be accurate, because unlike the Greychurch and Limedock of ‘The Clearwater Mysteries’, the new series is to be set in Whitechapel, Limehouse and other places where I will use the real place names, events and possibly, people.
Who is our new main character?
There are to be two.
Meet Jack Merrit…
a 24-year-old carter and labourer at the East India Docks who has an estranged father working in the music hall, an absent mother, a younger brother who has ‘an undiagnosed problem’, and who lives with his grandparents, Reggie and Ida Merritt in a two-roomed dwelling in Limehouse.
My visual inspiration for Jack came from a photo of a prisoner taken sometimes during the late 1800s. This chap had such a bewildered look of ‘I’m innocent’ about him, it stirred my heart and made me think, ‘Poor young man, his only crime was to fall in love—with another man.’
My second main character, the one who, after a first-person introduction tells the story in the third person, is
Larkin Chase,
a well-to-do ‘journalist’, investigative reporter as we’d call him now, a solver of mysteries and a champion for the rights of the put-upon. Larkin is 30, and meets Jack in August 1888 much in the way James Greenwood met his cabbie, late at night in South London.
And there I shall leave this update so I can get on with chapter three. Before I do, I will let you see a snippet of chapter two, which only gives away two plot points, that Samson Merrit, Jack’s father has died, and his grandfather, Reggie, has suffered a stroke.
The only way his parents or children heard of [Samson Merrit] was from the variety newspapers and bill posters, and, when Jack was twenty-four, via a messenger from Shoreditch who brought news of a tragedy. Samson Merrit suffered an untimely but entertaining death on the stage of the Shoreditch Music Hall early in eighty-seven. He left behind his two sons, a shocked audience, and an even more shocked Marie Lloyd, with whom he had been performing a duet version of ‘The Boy I Love is up in the Gallery.’ The coroner said it was heart failure and had nothing to do with his fellow performer. Ida Merrit said he’d had it coming and good riddance, but on hearing the news, Reggie suffered apoplexy that brought an end to his cabbing career the moment he staggered backwards into his chair and collapsed.
More updates to come next week, and on my Saturday blog.
This morning, I received the final layout files from Other Worlds Ink, so The Larkspur Legacy is ready to go. Only three more days and I will upload it to Amazon, and the Kindle version should then go live on Saturday night/Sunday morning (GMT + 2).
Before that, you can find out more about OtherWorldsInk and their services, because we’re arranging a chat with them for Saturday’s blog. They arrange blog tours and publicity, do book formatting and cover design and are a great help to me. I’ve used them since ‘Negative Exposure’, and now no longer have to spend hours setting out my pages and doing the best I can, because they do it for me. More about that on Saturday.
As for the next work in progress,
I have already begun on The Clearwater Companion by gathering my notes, cuts, excerpts, images, and other ideas. Right now, I am typing up the notes from my bible (series notebook). We may not use all of them, but as long as I have them all in one digital place, I’ll be able to work with them much more easily. It’s a pretty thankless task, but a couple of hours a day and I should have both large notebooks transcribed in a month, and I can then set about seeing what’s what.
Meanwhile, look out for The Larkspur Legacy, the series finale to the Larkspur and Clearwater books. You should be able to get it from Kindle on Sunday (the print version may take a day or two longer to appear).
Proofing a book and making it ready for publication.
The Larkspur Legacy, the last in the Larkspur Mystery series, is now being layed out and when that’s done, it will be ready for publication next weekend. Meanwhile, I thought I’d have a look at the blurb and talk a little about the proofreading stage. As you can see from the title, I’m never sure whether I should write proofreader or proof-reader, or even proof reader. And that’s why I have one. More about that in a moment, first the blurb.
The Larkspur Legacy full blurb reads like this:
The Larkspur Legacy
The Larkspur Mysteries
Book Seven
Jackson Marsh
‘Lord Clearwater, the Larkspur Academy has forged a bond among its men that will last long after they have left us and made their own way in the world. You are to be commended for the enterprise, but you should not be surprised by it.’
Barbary Fleet, December 1891
Henry Hope lies in a coma, and Lord Clearwater’s hunt for his mother’s secret treasure is on hold. But when a new clue comes to light, Clearwater and the academy men resume their greatest adventure. It is also to be their most dangerous.
With murderous enemies behind, the unknown ahead, and a warrant out for Clearwater’s arrest, no-one is safe. Loyalties and friendships are tested as the men face harrowing confrontations, a war of attrition in the national newspapers, storms, gunfights and death.
Will love and friendship be enough to secure the lives and futures of Lord Clearwater and his crew? Can they solve the riddles in time, and will anyone ever know the meaning of the seemingly unlockable riddle? Behind four points ’neath gifted crook, the light awaits for those who look…
The Larkspur Legacy follows on directly from ‘Starting with Secrets’ and is the culmination of both the Clearwater and Larkspur mystery series. It is not necessary to have read the Clearwater Mysteries, but to get the best from this ‘end of season finale,’ you’re advised to read both, the Larkspur Mysteries in particular, and to read them in order.
With themes of friendship, bromance, male love and revenge, the story combines historical fact with fiction. As with all of Jackson Marsh’s mysteries, the novel contains humour, love and action, while offering the reader the chance to solve the clues with the cast of disparate, well-drawn characters.
“This is a book that could have been written by Sir Arthur Conan Doyle and Dan Brown.”
That is what you will see on Amazon when the book is published.
For me, the important things to remember when writing a blurb are:
It is not a synopsis
It is selling the book
Use power words
Keep it brief
Entice the reader
Other authors and advisors have other advice, but those are my rules to myself.
I start by writing what I want the browsing reader to know, and I don’t care how I write that draft. Then, I go through it knocking out as much as I can that’s not necessary to convey the backbone of the story, and then I go through it again using power words.
I try to keep blurbs down to 150 words or less, and only three paragraphs.
1) The premise of the story: Henry Hope lies in a coma, and Lord Clearwater’s hunt for his mother’s secret treasure is on hold, when…
2) The ‘thing to draw the reader in’: But when a new clue comes to light….
3) The great question or hook: Will love and friendship be enough…?
As for power words, I mean words and phrases like:
Greatest adventure, most dangerous, murderous enemies, the unknown, harrowing confrontations, war of attrition, storms, gunfights, death…
I also prepare the blurb before I send my MS to my proof-reader, because it makes sense for a third party to check it as much as they check the MS.
I’m lucky to have found Ann Attwood, and she has been my proof reader on every Jackson Marsh book and a couple of my later James Collins titles. It’s important to have a good working relationship with your proofer (who is not necessarily also your editor, in fact, I believe they should be two different people, but that’s up to you).
I invited Ann over to tell us a little bit more about herself and how she got into proofreading.
I started proofreading in my twenties (a long time ago!), mainly doing technical documents, but I have always read a lot.
I read Margaret Mitchell’s Gone with the Wind when I was around 16. My mum had the hardback edition, which was really heavy to carry around, and, of course, I read all Jane Austen’s books, and Georgette Heyer’s. As you can see, I am a big romantic fiction fan.
I worked in banking (sorry) until I had my family, but reading kept me sane. After they all started at school I was working in a preschool, but had to give up when I damaged my back. I needed something to do.
It wasn’t a big leap to get into reading ARC editions, but many had so many mistakes from lack of editing, I think, so I began sending corrections to the authors.
It wasn’t long before I was asked if I would proofread or edit professionally, so I set up a Facebook page (now Meta), and it snowballed from there.
To be honest, it’s so long since I started working with James and his Jackson persona, I can’t remember how we met. Probably a recommendation, which is how I’ve gained most of my authors (there are about 40 or 50 on my books. Some send regularly a book a month, others may send one or two a year)
James is easy to work with, and his books are extremely good. I enjoy following the plots and untangling the mysteries to see if I reach the same conclusion. The stories are extremely well thought out, and he has obviously done a lot of research. All that is left for me to do is fix his typos and enjoy myself immersed in a brilliant adventure, ensuring there are no continuity issues (which there usually aren’t).
This last book, the finale in the series, is his longest and best yet (IMHO). All the loose ends are tied up, but no spoilers here.
As well as editing and proofreading for my indie authors (genres include romantic, historical, paranormal, sci-fi, crime, and murder mysteries), I proofread for the online edition of a financial magazine, and edit for the marketing arm of a PSP software provider.
Ann Attwood
Thank you Ann, you sound like a very busy person and I very much appreciate being one of your clients.
So back to checking through the manuscript, your proofer should be able to identify everything from obvious typos to the subtle differences between words, and that’s what Ann does. Although I use a spell check, and a couple of plug-in grammar and spelling checkers in Word, there’s nothing to beat a 3rd party pair of eyes, and an experienced grammarian proof reader. We’re not just talking spelling and typos, but punctuation and consistency of story.There are so many words in the English language that are important to get right, and some of the ones I need a third eye on are these:
Discrete Discreet
Blonde Blond
Practise Practice
And some of my most common typos are character’s names, believe it or not. Often your eye and brain see what they expect to see, not what’s actually written, so I am always missing mix-ups like:
Dalson Dalston
Joseph Joshep
Marshall Marhsall
I’ve also put in some accidental typos that have been quite funny (as long as they get taken out). Mind you, nothing is as funny as some of the typos you see left in published classics.
In the Larkspur Legacy, there is one section where one of the characters is reading from an actual copy of Baedeker’s travel guide from 1890, and I couldn’t help quoting it verbatim. Reading from the book, the character says:
‘The façade, towards the boulevard… They must mean this road… Roman circular style… Three stories…” Spelt wrong. “Cottage of the pensioner who keeps the key…”’
The Baedeker travel companions, were very popular in the later 19th century and well respected, but not always so well proofed, it seems. Mind you, I can’t say anything, I am always coming up with new and creative typos: ‘Joe’s not stupid, Sir, he’s dead.’ Instead of deaf, for example. Mostly, I’m able to take them out before they go to Ann, but I also have a checklist of my most common. Form/From, Filed/filled, griped/gripped etc. I have trouble with double-letter words, as you can see, and that’s why you should always hire a professional proofreader, or a proof reader, or, assuming he/she is a compound adjective, a proof-reader.
Proof-reader might not be a compound adjective, actually. I don’t know. Which is why I call in the professionals.
The Larkspur Legacy is due for release next Saturday, 26th March. In the meantime, to celebrate the completion of The Clearwater and Larkspur Mysteries, I am offering Deviant Desire as a FREE download on Amazon until 22nd March. Maybe you had it on KindleUnlimited before but now you can download for keeps, or maybe send to a friend to get them hooked too!
I am also part of a BookFunnel promo running for the week, over 50 fellow MM author are showcasing their first in series, so if you are looking for a new binge read have a browse. I need clicks on this link to build my BookFunnel reputation so please CLICK HERE
The work in progress news this week. I have the proofed MS back, and am reading through it for the last time; still a few days to go with that.
Meanwhile, I have sent the back cover text to Andjela so she can make up the full cover, and I have estimated the page count to be around 500, including the author’s notes, front and back matter, map and an illustration. I expect to have the covers finalised in a week or so, and we are still on track for release on March 26th.
My next job, after my final read, is to set up the Amazon page and get the ISBN number, so I can add that to the front matter before sending everything off to be formatted.
Meanwhile, Neil read the full draft and had a comment to make. I’ll put it here to whet your appetite.
As with all the Larkspur books, The Larkspur Legacy catches the reader in a tale of mystery and mayhem, and twists and turns that will not disappoint. This last story is a book that Sir Arthur Conan Doyle and Dan Brown could have written together.
Jackson Marsh is a gifted author who keeps his readers on the edge of their seats. There will be tears, and your blood will be thumping in your chest as the excitement unfolds.
My proof-reader wrote,
This one’s going to be a hard one to surpass!
What you make of it will be revealed in time, but there’s not long to go now. If you’ve not started on the Larkspur Series, then now’s a good time to begin the adventure with ‘Guardians of the Poor.’
As I’ve mentioned before, things that happen in this novel have their roots in previous books, and in ‘Legacy’, the skies are darkening with the wings of chickens coming home to roost, as an old friend of mine used to say. (If only chickens could fly; I think he was being ironic.)
Upwards and onwards, and less than three weeks to wait.
Now that the last in the Larkspur series is almost ready to be published, and I have sent it away to be proofed, what next?
I’ve still to complete the blurb and author’s notes which will also need to be proofread, and I will be working on them later today. As for the next book, I have a few ideas, and I’d like to ask you for more.
The Clearwater Companion
My next job is to put together a companion to go with the Clearwater and Larkspur series. For now, I am calling it ‘The Clearwater Companion’, but I also have an idea I might call it:
Barbary Fleet & Other Matters A Guide to the Clearwater and Larkspur Series
When I set about writing the Larkspur series, the first book was to be titled ‘Barbary Fleet,’ and I wrote the first couple of chapters to see how it would go. It didn’t go very far. Not because I didn’t have a good idea, but because I was keen to get the Larkspur Academy up and running, and this book was to be about Fleet, his past, and how he came to be in charge of the academy. It was to be a prequel, I suppose, and like ‘Banyak & Fecks’, would lead to the first of the new series. However, I soon realised I didn’t know enough of what was to happen in the Larkspur world, to give it a prequel, and the time wasn’t right for Barbary Fleet’s past. As Fleet would have said, ‘My past must remain in the future.’
I even had an idea for the cover:
That’s actually my husband photoshoped into a picture and created by Andjela, my cover designer. It was a Birthday present for Neil.
Instead, as I wrote the Larkspur series, I kept trying to find a place where I could put Fleet’s past, how he came to Larkspur and what his story was, but I never found the chance. There’s a large twist in his story, but it never fitted comfortably into any of the others.
I’m saving it for the Companion, and it is one of the unpublished sections and stories from the Clearwater and Larkspur worlds that will appear in the finished book.
The book, by the way, will contain a spoiler alert and I will suggest that people only treat themselves to it once they have finished reading both series.
As for ideas, so far I have:
Cut sections from some of the books.
Anecdotes and backstories, such as the one mentioned above.
Drawings of some of the characters like I have in the Larkspur series, but didn’t put in the Clearwater ones.
Maps.
Some of the author’s notes / information that, again, I didn’t put in the Clearwater books.
Quotes from some of the characters.
An explanation of titles.
Threads through the books that readers may not have noticed.
That list is the result of a quick brainstorm, and there may be more ideas to come. I started a folder for this project over two years ago, but there is little in it. I started writing character biographies, but frankly, that became dull. So, I don’t think we’ll have ‘fact pages’ about each of the main characters. It’s a companion, a bit of fun and an extra, not a Haynes manual.
So, my shout out to you is this:
If you have any ideas, or if you want to suggest what you would like to see in the book, please send them to me either via email or through my Facebook page. Perhaps you have unanswered questions, or want to know something about one/some of the characters that’s not been explained, let me know and I will see what I can do.
This week I have a brief work in progress update for you.
Yesterday, I sent the first half of the MS off to be proofread. I am having a final read through, and when that’s done, the rest will be ready for proofing.
I’m still on track for publication on March 26th (or as soon after that date as Amazon releases the book), so there is not long to wait now.
Currently, my days are taken up with writing, re-reading, editing, and re-reading again.
The cover is ready but I must work on the back text and blurb, and the author’s notes which have proved popular in the Larkspur Series.
Once all this is done, and the book is out, I can turn my mind to The Clearwater Companion, the collection of series-related information and short stories I intend to put together for anyone who has read the entire two series. But that’s for the future. For the moment, it’s back to re-reading.
Currently, my first-in-series novel, Deviant Desire, is enjoying a book funnel promotion in their M/M Series Starters listing. There are many series-starters on the list, which you can explore from here. This gives me an excellent opportunity to talk about the first story in the Clearwater Mysteries, and to address the title of today’s blog: How To Start an M/M Romance Series.
First, have a deviant desire to write.
I’ve often been asked,
‘How did you start writing the Clearwater series?’
My answer?
By accident.
Back in 2018, I’d written a novel called ‘The Stoker Connection,’ and by doing so, unleashed within myself the deviant desire to write more mysteries based on fact, but ones that also included romance and adventure.
I’ve been a fan of ‘Dracula’ since I was 11 and begged for a copy for Christmas. (I was mad on the Hammer Horror films of the 70s and had a thing for creepy castles and what I now know as Gothic.) Dracula is written in the form of diaries and articles, journals and messages, and that makes it all the more real. So, when I set about ‘The Stoker Connection’, I wrote it in diary form, and based the story on a great big What If?
“What if you could prove that the greatest Gothic horror novel of all time was a true story?”
That was my starting point, and if you want to read how it all turned out, you can find The Stoker Connection here.
The Clearwater Mysteries
What ‘Stoker’ did was open up another What If? In this case,
‘What if Jack the Ripper had killed rent boys?’
That led to a
‘Why not?’
and then came the,
‘I can, and I will.’
Why not write a story where the villain is the famous Ripper of history? It’s an unsolved crime(s) that continues to grab the imagination of everyone, from conspiracy theorists to famous novelists, filmmakers to composers, so why not have a go? I’d read just about every book on the subject, seen the documentaries and films, and had gathered an amount of knowledge of the times and places. I’d even lived not far from Whitechapel and often walked its streets.
But… Yes, it had been done before, so I needed a different approach.
Make it a gay love story?
I’d written some classic MM Romance with ‘The Mentor of Lonemarsh House’ and other ‘Mentor’ books, and I’d dabbled with gay-to-straight mystery/romance/lore in my James Collins series, ‘The Saddling Series.’ What, then, would happen if I wrote a gay romance set in October 1888, the time the Ripper was stalking the streets of Whitechapel? The only way to answer a question like that is to set about writing one, so I did.
But…?How to make it faction?
Faction being a word for a novel where fact and fiction mix. How to make it realistic without descending into blood and gore, and how to make it dramatic? As if the original events weren’t dramatic enough. First, I thought, because it’s not going to be fact-fact, I will change Whitechapel to Greychurch, so I can create my own world. Greychurch is simply my name of the area of London, and now, eighteen books later, I rather wish I’d just called it Whitechapel, because the series has gone on to be accurate in historic detail apart from the names of a few places. Once they had appeared in ‘Deviant Desire’, it was too late to change them, so I still have Limedock for Limehouse, Westerpool for the Wirral, and St Matthew’s Park instead of Hyde Park. Hey ho! You write and learn.
But… Eighteen books by accident?
Well, yes and no. ‘Deviant Desire’ was meant to be a standalone novel, one that went into detail of the living conditions in the East End in 1888, and one that used facts as well as fiction, told a love story, and that was it. While writing it, I made references and gave nods to some of the facts from the original horrors. Astute Ripperologists may note that I have a double murder on one night, that some of the murder sites bear similarities to the originals (Mitre Square became Bishop’s Square, for example), and there are other hidden references which the avid reader might notice.
Yes, but… Eighteen books?
I’m getting there. The background to ‘Deviant Desire’ was London 1888, but what was the love story? Let’s call on another popular trend, I thought, one that some critics call cliché, and it is, a bit. Rich and poor, across-the-divide, Prince and Pauper, except, not a Prince but a viscount. In the British nobility, a viscount is less than an earl, more than a baron, but still an ancient title that often comes with much responsibility, and as much inherited wealth as debt. Of course, the other character had to be a rent boy, a ‘renter’ as he calls himself, and that’s how we ended up with the two main character’s you see on the cover. Archer Riddington, aka, the Viscount Clearwater, and Silas Hawkins, aka Billy O’Hara, the renter.
Their story starts with the line,
‘Silas Hawkins was searching for coins in an East End gutter when a man four miles distant and ten years older sealed his fate.‘
We don’t know who this man is yet, but within that line, we know Silas is poor, where we are, and that there’s going to be an age-gap element. The story continues… Silas has a best friend, a straight man with a big, er, talent, who works as a rent boy out of necessity, and who is an immigrant from Ukraine. Clearwater, meanwhile, sets his crotchety butler and his gorgeous, sexy footman the task of acquiring a renter for an interview. There are already enough ‘standards’ in the story, and I didn’t want another, i.e. the one where a rich man hires a poor man for a shag. Archer is more noble than that, and is using his new-found wealth to finance a shelter for homeless young men in the East End; rent boys, mainly. Thus, he wants to know what life is like for them and what they would want in such a shelter, and sends his staff to find someone who looks a little like a picture he drew. (There is an element of Archer wanting a fantasy to come true, and boy, does he get it.)
Yes, but…? I’m still getting there.
The story unfolds. Silas and his mate, Andrej, meet Archer. Silas immediately falls for him, and vice versa, at which point, the over-arching theme of the book begins: being gay in Victorian Britain was illegal, so everything that follows must happen away from the public eye.
So, now we have: rich and poor, nobility and renters, the East End and Knightsbridge, gay and straight, friendship and love, a 19 year old and a 29 year old, and our main cast can only love illegally. Oh, and there’s a series of murders taking place too, let’s not forget the villain of the piece. Let’s also not forget that the footman is in love with the viscount, the viscount is in love with the footman, but nothing has ever happened because, even within a nobleman’s house, relationships must not cross the threshold of the green baize door. (Upstairs and downstairs mustn’t mix.)
All these elements continue as the mystery unfolds, reaches a climax, and ends with an ending I was not entirely happy with. I was happy with it as a writer, but it left me feeling that there was something more. A longer story to tell. Characters have arced and changed, but where do they go next? What happens to the footman? Did the Ripper escape? Will he be back? Is he dead? And what am I going to do with this main cast of characters.
They’d already become so real, I knew Deviant Desire had to lead to something else.
It did, it led to 17 more novels.
At last! Yes, you see, I got there in the end.
What started as a one-off became a series, by accident, as I said. I hadn’t planned the series, so my ‘How To’ tip remains:
just get on and write it and see what happens.
It’s easy to base future stories on elements of those in the already-published earlier books, you don’t need to plan ahead. Having said that, as I worked through the series, I made notes of what I might like to see happen when the time was right, what other characters I could bring in, and what historical events I could use as fact in my fiction. Had I done all that before writing, Silas Hawkins was searching for coins… I would have found the prospect too daunting, so I am glad I just said, What if? and got on with it.
How Many Novels make up the Clearwater Series?
I mentioned 18, but that includes the follow-on series, the Larkspur Mysteries. The Larkspur novels include characters from right back in book one of Clearwater, Deviant Desire, and they even include threads that began in the prequel (which I wrote after Clearwater eight, ‘One of a Pair’, but which happens before Deviant Desire and leads into it). The two series are connected, and the five main characters, the ‘canonical five’ (you will note the Jack the Ripper reference) can be found playing parts in just about all eleven Clearwater and seven Larkspur books.
So, to answer the question, How To Start an M/M Romance Series, I’d have to answer:
Plan it, write book two before you publish book one, be passionate from the start, keep notes and a ‘bible’ for details, and keep going.
Or
Do what I did, and start one by accident.
Either way, I now have my own best seller, ‘Deviant Desire.’ Two actually, because the first in the Larkspur Series, ‘Guardians of the Poor’ is also doing well. People like a good ongoing series with characters who develop, and, I am pleased to say, that’s what you get with both the Clearwater and Larkspur mysteries.
Note: The last book of both series, ‘The Larkspur Legacy’ is due to be released around March 26th. You don’t have to have read all of the Clearwater books to enjoy the Larkspur series, it can be read separately, but you’ll get more from Larkspur if you’ve read Clearwater. You’re advised to read both series from the start and in order. You can find them all here:
This week I am delighted to have fellow MM author, Ellie Thomas, over as a guest blogger. She is here to celebrate her new book, A Touch of Spice and to talk a little about the research behind her writing. I wish you a great release Ellie, the blog is all yours…..
A Touch of Spice
By Ellie Thomas
Thank you so much, Jackson, for having me as a guest on your blog today. I’m Ellie, and I write MM Historical Romance novellas. This week I have a release day for my new story, A Touch of Spice, set in Elizabethan London. It’s great to celebrate that here!
As I write historical stories, research takes up a big part of my writing preparation. Of course, websites are invaluable for fact and date checking and an online map for a sense of place, but there’s nothing like picking up a book to get solidly into a historical period. Or maybe that’s just my excuse for buying yet more reference books!
A Touch of Spice is the follow-up story to my last year’s Valentine’s story, The Spice of Life. In my new tale, I continue Gregory and Jehan’s ongoing love story and their everyday lives. Gregory is emerging from being trained as a servant in his relatives’ household, and Jehan has transitioned from a spice merchant’s apprentice to a shopkeeper. My intention in this new story was to give an impression of the colour, vibrancy and occasional danger of the crowded streets of Elizabethan London while depicting Gregory and Jehan’s loving relationship. So I had to grab my reference books.
I have two go-to authors for all things Tudor. The first is the fabulous method historian Ruth Goodman whose knowledge of day-to-day life in the 1500s is encyclopaedic. I find her books as lively and entertaining as they are informative (and I have most of them!)
For A Touch of Spice, I consulted How To Be A Tudor: A Dawn-to-Dusk Guide to Everyday Life. This is a brilliant resource for daily customs (clothes, food, mealtimes and so on) and also gives a fascinating insight into the Tudor mindset, which is pure gold for any author writing historical stories. For a little extra colour, I also had to browse How to Behave Badly in Renaissance Britain (worth buying for the title alone) giving further insight into what offended Tudor folk, including some choice insults. I mean who could resist calling someone a ‘prating fool,’ or a ‘ninnyhammer’?
The second author I turn to for Elizabethan mores is Judith Cook, the author of one of my favourite books, Roaring Boys: Shakespeare’s Rat Pack. This wonderful volume firmly puts Shakespeare and his contemporaries within the context of the bustling streets of overcrowded London. The introduction gives a wonderfully vivid description of the playwright and man about town Robert Greene, wearing a “wine stained doublet is in his favourite colour, ‘goose turd’ a virulent yellowy-green.” Irresistible!
In writing about Gregory and Jehan’s continuing love, I wanted to give a historically rich backdrop to their sweet love story to place the reader as firmly as possible in my chosen place and time. The fact I relished revisiting my invaluable sourcebooks was a bonus!
In the spring of 1573, twenty-one-year-old Gregory Fletcher is a happy man, set to move into the spice shop on London’s Ludgate Hill with his true love Jehan Zanini, who he spared from being condemned as a thief the year before.
But Gregory’s kind inclinations to help others in need tend to thwart the couple from fulfilling their dreams as Gregory delays living with Jehan to assist his adoptive family in a crisis.
Then William Anstell, their friend and the cause and saviour of Jehan’s previous problems, gets amorously involved with an unscrupulous tavern server and relies on Gregory and Jehan to resolve his embarrassing mess.
Can the lovers finally put aside distractions and other people’s problems to find lasting happiness?
Excerpt:
Mistress Cecily looked up from her stitching with a smile as Gregory entered her sewing room. Gregory felt a sting of nostalgia, that increasing sensation of being caught between two worlds. The safe patterns of boyhood grated against the exciting challenges of impending adult independence as he passed the age of a serving lad, only tied to this place by family loyalty.
As a courtesy, Gregory reported the purchase of the nutmeg and delivered his lady’s remaining money. Mistress Cecily nodded her head absently without bothering to count the change.
“And how is young Master Zanini today?” Mistress Cecily inquired.
“Both he and his trade are doing well, and he sends his compliments,” Gregory replied, the courtesy causing Mistress Cecily to smile more widely.
The Master and Mistress, Gregory’s de facto parents, had been delighted when he broached the notion of entering into merchandising. Jehan’s skill and knowledge of the goods he sold were never in question but Master Crossley had previously dealt with the business side of running the shop where Jehan was apprenticed. So the newly established merchant had scant experience of running a business and little certainty in his ability to notate letters and numbers.
Here, Gregory held the advantage. Growing up in a considerable household and being involved in its daily management proved invaluable, and Master Robert had guided him through the rest, poring for hours over the business ledgers and discussing how best to invest Jehan’s store of sovereigns.
If Master Robert had gladly imparted his knowledge of bookkeeping, Mistress Cecily had immediately bestowed her patronage on the Ludgate shop. Gregory reckoned that Master Crossley would not be dismayed at losing such a prestigious customer since he owned both premises, but Mistress Cecily’s friendly support to Jehan was a boon, as well as her recommendation of his services.
A few months after Jehan started trading from the narrow shop, Gregory was set to join him, openly as a partner in the business and privately, to conduct their burgeoning love affair. In overcrowded London, it was usual for men to share a room or even a bed without inciting gossip or moral outrage. Additionally, there was a small upstairs front room in direct proportion to the shop below, ideal for keeping the shop’s records. This chamber had a decent-sized window overlooking the street, garnering enough natural daylight for scribing.
Gregory had been preparing to decamp to Ludgate permanently in the depths of winter, when Master Robert’s elderly father had fallen down from the icy front steps of the Bishopsgate house. The doctor declared that Master Edward was lucky to get away with shock and bruising and a clean break of the bone in one arm. Gregory was a particular favourite of the old gentleman and had attended him in recent years more from fondness than duty. After the accident, not only did Master Edward require more practical assistance until his limb was mended, but the shock of the injury suddenly aged and confused him. For some months, it seemed that only Gregory’s presence could restore his good humour.
Neither Master Robert nor Mistress Cecily expected Gregory to remain to tend to their kinsman, but he could not bear to leave under the circumstances. After all, he reasoned, they had unhesitatingly opened their home and hearts to an orphaned boy. It would be unthinkable to repay those long years of kindness with desertion, especially when the old master needed him.
When he tried to explain his decision to Jehan, he feared outright rejection, even the end of their dreams of forging a life together, but although Jehan’s expressive face was sombre at the disappointing tidings, his dark eyes were full of compassion. “Family comes first,” He said. “You can’t desert Master Edward now. I sympathise, and I would expect no less of you. After all, if you hadn’t stuck by me when I was in trouble, where would I be now? You’re not the kind of man to abandon loved ones to follow your own desires, and I cherish you all the more for that quality. Never fear, I can wait a while longer.”
Ellie Thomas lives by the sea. She comes from a teaching background and goes for long seaside walks where she daydreams about history. She is a voracious reader especially about anything historical. She mainly writes historical gay romance.
Ellie also writes historical erotic romance as L. E. Thomas.
This week’s update on The Larkspur Legacy is encouraging. I am now about to start trawling through each chapter to check for better ways of writing things, obvious errors, grammar, characters’ speech patterns, and inconsistencies.
Because the story takes place over a period of ten weeks or so, and because there are various threads, with characters reporting back to a central place, I need to make sure I have all the dates and locations correct and feasible.
I have two weeks before I must send at least the first half to be proofread if I am to make the March 26th deadline for release, so any free time I now have has to be spent on the book.
Meanwhile, other elements are coming together:
The cover is 80% ready for approval.
I have had a map created.
I have an illustration I may/may not use.
Proofreader’s time is booked.
I’m also working on the blurb and author’s notes, though they come last on my list.
And so, to work…
If you are new to The Clearwater World then now is a good time to start binge reading the series. You have a month until the two interconnecting series are completely finished. Download Deviant Desire today, happy reading!
This week, I have been researching all manner of facts for ‘The Larkspur Legacy’, while writing a few draft chapters. We’ve also had a major storm and a mild earthquake, neither of which are uncommon in Greece at this time of year. However, nothing stops Jackson Marsh when he is in full flow, and apart from the occasional internet outage, nothing stops the research. Actually, when the internet is out, I turn to my books and read, if necessary, by torchlight.
‘The Larkspur Legacy’ is turning into something of an epic; an end of season double episode, if you like, as it will bring the Clearwater and Larkspur mysteries together and to an end. It’s also a book with diverse points of view, because the main characters get flung far and wide as they struggle to solve the clues and treasure hunt begun in ‘Starting with Secrets.’ So, for that reason, my research has been wide-ranging, and while researching, I came across a few sites that might be of interest to other writers and readers.
Here are some of the subjects I found online while delving into the past this past week. Where I found a decent site, I’ve added the link in case you are interested.
Ships’ bells explained. Did you know eight bells happens six times per day? Once during each of the eight watches, save the first dog watch.
Sea routes and port distances. Ever wondered how long it would take to sail from Alexandria in Egypt to Falmouth in Cornwall? Assuming good weather and a constant speed of 10 knots, this online calculator puts it at 13.7 days.
A (free) dictionary of Cornish dialect. Me’ansome, me-lover, me-duck, and other colloquialisms to give your character’s authenticity.
Cook’s tourists’ handbook for Egypt, the Nile, and the Desert. [Electronic Edition] Just what I was looking for as it gives routes, timetables, details of sites to visit and much more.
View of the Temple at Luxor, 1880s. Antonio Beato (English, born Italy, about 1835, 1906). Albumen silver print.
Those are but a few of the places I have been this week online. I’ve also looked up the causes of death during pregnancy (1890), names of various piece of Egyptian costume, the distance between Mounts Bay and Bodmin, and Greece and Calais, steamships operating across the English Channel in 1891, how to distil oil from garlic and fish, extinct titles of the nobility, and how to sail a barquentine.
Because ‘Legacy’ sees the culmination of both series, I’ve also had to do a lot of back-checking, because the Clearwater cast are in the book along with the Larkspur Academy Men. In particular, one character’s story begun in 1884, comes to a conclusion in 1891. That character has been in every book through the series, if not on stage then off stage and mentioned, and I thought it high time we rounded him off – as it were.
You will see what I mean in due course.
Catch up with my Work In Progress blog next Wednesday and I’ll let you know how close I am to finishing the first draft.
