This Month’s Promotions

In case you missed the newsletter with the latest ideas and promos, here’s the list of what’s on offer for you to click and browse.

May Kindle Unlimited Mystery, Thriller, Suspense, & Crime Reads

Genres: Mystery & Suspense / Crime, Mystery & Suspense / Psychological Thriller, and Mystery & Suspense / Thriller

I have my three series starters on this one, otherwise known as: Deviant Guardians Finding a Way. (lol)

https://books.bookfunnel.com/May-KU-mystery-thriller-suspense-crime/7oxdjxd06c

Love In Bloom: M/M Romance in Kindle Unlimited

Genres: Romance / LGBT

Lonemarsh House features in this one, one of my Mentor series of older/younger romance novels.

https://books.bookfunnel.com/love_in_bloom_mm_romance/zdtdtk7tqh

May Historical Romance in Kindle Unlimited Copy

Genres: Romance and Romance / Historical

Finding a Way is probably the only romance in the Delamere series.

https://books.bookfunnel.com/mayhistromku/7zn4eqwz1j

MAYHEM & MOTIVES: Mystery, Thriller, & Suspense Reads – May Edition

Genres: Mystery & Suspense, Mystery & Suspense / Cozy Mystery, and Mystery & Suspense / Thriller

I have gone all out with Book Mojo this month. Not only am I in their fantastic mayhem & motives monthly promo as Jackson Marsh, but also as James Collins. Added to that, they are doing a cover of me in their newsletter at some point during the month.

Finding a Way, A Fall from Grace, Follow the Van, Where There’s a Will, A Case of Make Believe

The Saddling, The Witchling, The Eastling

https://books.bookfunnel.com/mysthrillsus-may/2258rjb4jp

May is for Memoirs! Plus Biographies, Self Help books & more!

Genres: Non-Fiction, Non-Fiction / Biography & Memoir, and Non-Fiction / Self-Help

Again, I have gone into this one under both names, so you can find Bobby, and also, a memoir of my own titled: Symi, Stuff & Nonsense

https://books.bookfunnel.com/mayisformemoirs/mwrcqy68ar

Kindle Unlimited First In Series: May

Genres: Mystery & Suspense / Mystery, Mystery & Suspense / Suspense, and Mystery & Suspense / Thriller

Finding a Way finds its way into this one (as I could only add one title).

https://books.bookfunnel.com/KUFIRSTINSERIES/q7aqou0x5u

Holywell Street Update

Here’s an update on how Holywell Street is coming along.

I am up to around 65,000 words of the first draft, and it’s going along quite well, thank you. I was a little worried that I was about to peak too early, but I have sorted that. It’s a case of me wanting to write the exciting part asap, but not wanting to write it out of sequence. When that happens, I tend to rush the middle, so I have to either a) force myself to slow down, or b) write the exciting part out of sequence, which is what I wanted to avoid. By ‘exciting’ I mean the revelation, the part where I can let go of all the surprises I have kept in my head, and all those traps I have laid through the early part of the story, which I can now spring.

(Wych Street ran behind Holywell Street, and in yesterday’s writing, Jack and Ronny were parked here waiting for someone…)

Holywell Street doesn’t have so many surprises, and it’s not going to have an action ending as we have in A Case of Make Believe and Acts of Faith; it’s going to have more of the kind of ending we had in Gave Developments. What it does have, though, is a string of seemingly unrelated and random ‘clues’ for Jack and co. to solve, some information based on fact about a certain Victorian pornographer, a nod to the story of Jack Saul, and plenty of factual details about a few other matters you will read about before too long. Hopefully, you will find the book on the shelves and ready for reading before the end of June.

Meanwhile, can I tempt you to a click and a browse of some mysteries and thrillers that are all available on Kindle Unlimited? Have a browse here, and I’ll be back on Saturday with more news.

Tracking Scenes

In the world of film, a tracking shot is “A camera movement that follows the action, typically moving alongside or with the subject to create a dynamic, immersive view of the scene.” [Adobe.com]

You know the kind of thing: When the shot opens on someone walking left to right and we follow them, then the camera stops at the two people talking at a table, as if the crossing person brought us there.

This is a technique I use in my books, and I mention it today because I’ve just written one into Holywell Street, and while doing so, I wondered when I first started using them…

I think it was during The Clearwater Inheritance, because that involved a great journey, and it inspired the scene on the front cover. It may have been before, but this is the one I remember most because it takes us from the Orient Express across Europe, across the English Channel and to Cornwall.

Clearwater Inheritance cover

If Archer’s insane brother dies, their distant cousin, the evil Count Movileşti, will inherit everything, and with the influenza pandemic threatening the brother’s asylum, the outlook is grave. The only thing that can ensure Archer’s future is a legal document left behind by his grandfather, but the clue to its location is hidden within two pieces of music. Archer has one; the other is in Movileşti’s collection at Castle Rasnov.

Rather than describe it, I thought I would put it here, so you’ve got something to read or reread over your morning coffee. (I’ll be back with more news on Wednesday. Watch out for a newsletter that should be out today with a heap of new ideas for your TBR pile.)


The Clearwater Inheritance
Chapter Thirty (part)

Between Szeged, Hungary and Vienna, Austria
Saturday 18th January – Night

The locomotive steamed west from Budapest, its steel plough slicing snow and hurling it aside in swathes. Its pistons pumped an incessant pulse, while the chimney belched a constant stream of smoke that billowed from tunnels and trailed behind to hover above the sleeping countryside.

Cities fell away to become dense forests topped with silvery-blue moonlight that bathed the land from the hedgerows to the star-showered horizon. The Danube glinted beneath the cloudless sky until the train left the river to its meandering and sped away on its own path. The warm throw of yellow light from the dining car brushed banks and fields, the silhouettes of the wealthy rising and falling over cuttings in distorted shapes and vanishing as the carriages pounded across bridges. Firemen shovelled, stewards served, and passengers dreamt of elegance in gently rocking bunks, unaware of the rise and fall of the hills, and the urgent night-cry of the whistle.

The Orient Express kept its times, crossed the borders, and made its destinations. It saw its passengers on and off through a night that held the continent from Constantinople to Calais in an icy grip as brittle as the thinnest crystal. Night ferries crossed the channel miles from the locomotive and its precious passengers, and the same moon glowed as full over them as it did over Larkspur Hall. The same light bathed the moor, its rises and valleys a patchwork of grey and silver shadows, the countryside blanketed in a fine covering of pristine snow.

An owl swooped from an ancient, weathered oak to glide across a frozen stream. Alert for movement but finding none, it rose on silent wings to watch over the estate where Larkspur waited in the pensive darkness, shuttered and blind. The owl circled the tower and followed the parapet, passing rooms where footmen slept, and dormers under which maids turned in dreams of sweethearts and summer days. Attracted by a solitary light, the bird landed on a cornice washed by the throw from an oil lamp and twitched its head, intrigued by and concerned for what took place inside.

Beneath the sloping roof, a young man sat on the edge of an older woman’s bed, holding her hand and mopping her brow. Her lips moved weakly, and her pale flesh was uncoloured by the lamp-throw which lit the man’s hair in shades of russet and bronze. Light caught the tears that dropped from his cheeks as, leaning closer to listen, he gripped the frail hand tightly, made promises, spoke comforting words and said thanks, until the life in her dulling eyes faded.

His head hung, and his shoulders heaved as he placed her hands across her chest. Wiping his cheeks, he closed her eyes before lifting the sheet to cover her head and said a final goodbye.

When the man approached the window and placed a candle there to flicker in remembrance, the owl dropped from the parapet and continued its flight. It passed the tower where a younger man slept beside a dying fire with a letter in one hand. Building plans, fallen from the other, lay on the floor abandoned to sleep.

The owl passed into the depths of night, while in the corridor beyond the tower, a butler turned down the gas until the passage was a monochrome path of dimly glowing glass and careful footsteps. Pausing at a door, he listened for sounds from within, but his master was sleeping, and he continued to where the two wings of the house met. There, with the grand hall in darkness, he slipped through the baize and followed the winding, stone steps to the ground floor, dimming lamps and securing locks.

The servants’ hall was deserted, but in a few hours, would begin another day as the hall boys laid the fire and stoked the ovens, swept the floors, and washed the tables long before the day considered dawning. The butler met his steward there and learnt his news. The men consoled each other, reminded themselves of their positions and responsibilities, and went their separate ways.

The steward took the path the butler had recently taken, along concealed passages, up the winding stairs, and emerged in the grand hall, there to pause for a moment to relive a memory before climbing to the first floor. Like his colleague, he stopped outside the master bedroom but didn’t disturb its occupant. Instead, let himself into his own room, there to mourn alone.

Throughout the Hall, bristles of moonlight investigated curtain edges and stole around them to play on rugs and furniture. Clocks ticked, and springs wound towards release. The considered chime of a tall clock struck regretfully from the library and echoed through the stillness, while the drawing-room carriage clock tinkled, polite and distant. In the smoking room, the Willard lighthouse clock tolled beneath its dome, and the brass spheres of the anniversary timepiece swung relentlessly back and forth.

In the study, soft ticking on the mantlepiece counted away the seconds, as the last of the embers shuffled through the grate to their rest. Gently, the hour passed, the echoes died, and Larkspur slept in darkness.

But not in silence.

At some time during the night, when clouds had put the moon to bed, and the owl had retaken its perch on the faraway oak, the wood and brass telegraph shocked itself into life. In the alcove beside the moon-forgotten desk, the steel pins snapped their delicate jaws in urgent rhythm, and the wheel turned.