WIP: A Night of Opposites

That’s a working title, but it’s better than ‘Thirteen’, which was the working title of Delamere 11 until yesterday. As I search back through my notebooks, I see other options written at the top of pages as ideas occurred: ‘Attempting Fate’ was another – a nice play on words, perhaps, but only slightly to do with the intricate plot of this one, where some characters are tempting fate by breaking superstitions. ‘A Baker’s Dozen’ was another, but that’s weak, except it gave me an idea for book 12, which may be the last in this series – and the title won’t be ‘A Baker’s Dozen.’

I keep handwritten notes as I go, and for this first draft, there are 16 pages of them. If I look back through the book to previous novels and their notes, I find A Depraved Indifference has 14, whereas Snake Hill only has 7.5, because some books are easier to keep track of than others.

A Night of Opposites, or whatever it is called, has a detailed backstory to it, but this is only known by the villain and by the reader- there’s a challenge for you. How do the characters find out what we and the baddie know without making it too easy? It’s a case of connections, and some are thin, but vital. Details are also vital, which is why I keep the notes. Often, when I am on a new page of notes, and something important is further back, I repeat that word as a reminder at the top of the page I am noting on. Therefore, I look back and find oddments at the top of the pages, and for the current WIP, some read like this:

11. Orlando Active 1887 onwards. | 61/married at 25/son born 1859/ died 1882. | Jinks | Blanch | Ormolu clock | “Opposite” | 6 is next door | Exploding cocoanuts |

That last one is real but not what you might think!

I shall ask you what you might think once the book is out there, and that should be out in April, depending on how the second draft goes.

That’s all for later. Here, for now, if you are looking for something spicy to read and you missed the last newsletter, here’s a list of titles that might spice up your life this spring.

M/M Erotica – March

Romance / Active/Erotica and Romance / LGBT

The title says it all – Anything goes in these 71 erotic novels.

Including ‘The Mentor of Wildhill Farm.’ (NSFW)

https://books.bookfunnel.com/mmeroticamarch/15pp94n8xc

WIP Update: Delamere 11

Still with no definite title, Delamere 11 is progressing well. I have to admit, this is the first one where I have kept so much detail in my notebooks as I go. Not that the mystery is particularly complicated (no more than usual), but because there are backstories of minor characters which have to be accurate, believable and interesting, and yet, which have to be consistent.

Some books write themselves.

Snake Hill’ was one of these, where I started with an ending, and then started with the start, and the two seemed to meet logically along the way. This time, I have started in the same way and know where I am heading, but I have approached the first draft with a more critical eye than usual.

Because there are many tiny details to be sure of, and because some characters have altered the story for me along the way (mildly), I have had to go back, read again, change or update, and then carry on. Yesterday, for example, I reread five chapters of draft one, in effect turning them into a draft two, while also continuing draft one further along in the story. All the time jotting notes such as 24 years in an asylum, or, Remember the Spiritualist Magazine, and Mr Phinigan Slack, secretary and illusion maker, Drury Lane. They mean something to me!

As for word count, I am at 66,000 words, and am starting to build towards a climax of the main mystery, the backstory subplot (highly connected to the main mystery), and a subplot for Baxter, while hopefully continuing to keep the reader guessing while ramping up the tension. This appeared today in a review/summary of one of the series seen on a popular Facebook page: As always in these books, the fairly placid opening chapters begin to speed up, until the heart-stopping denouement brings everything to a climax.

I have been receiving several of these excellent write-ups of late, and on Saturday, I intend to share with you some pages on Facebook that have been more than generous in their praise and support of the Delamere Series (and Clearwater), so you might also join the groups and find more indie authors to read.

On which note, the end of the month approaches, and that means a last few departing book fares to advertise, and soon, some new ones to tell you about.

Promo

To end this month’s promotions, I will leave you to browse one of my favourites, and in this case, you have two options. Clicking one gives kudos to Jackson’s list, and the second, to James’ list, and you’re welcome to click and explore both, one, or neither. See you on Saturday.

Click to view

https://books.bookfunnel.com/mysthrillsus-feb/cciprg404k

Click to view

https://books.bookfunnel.com/mysthrillsus-feb/xvfkh39erq

Work In Progress: ‘1893’

To be honest, I am now working on only one thing, and when that is done, I won’t be working on anything else until the New Year. I believe I have said before, I aim to have ‘1893’ ready for you before Christmas.

A quick summary:

Five characters meet in a fog-bound railway station the night before Christmas Eve, 1893, and there, they are catered for by the stationmaster, Harry Carnforth. Their onward train is delayed, so they spend the night telling each other stories. There is also a plot surrounding these shorts, so the book, like ‘1892’, is a set of short stories set within a novella, I suppose. It, like its counterpart, should run to about 60,000 words.

I am currently up to 51,000 words, but I still have a way to go, so there will be editing involved later.

I have given myself until the end of this month to produce a decent second draft, so I need to get on with it, as there are still two stories to complete, plus the rest of the outer story which wraps them.

To, hopefully, keep you interested, here is another quick snippet, this time from (the unedited) ‘The Barrister’s Tale, Part One.’


Chapter VI
THE BARRISTER’S TALE, PART ONE

Hard leather soles clacked on the marble tiles as the defence barrister (to be) hurried to the robing room. With his morning’s brief under one arm, and his beloved copy of Blackstone’s under the other, he shouldered his way backwards through a pair of double doors, and clacked his way into another, longer and more hallowed marble corridor. There, a murder of hooded crows flitted this way and that, stopped to peck over some titbit of a case, or hung around the alcoves smoking pipes, but mainly, they were in the process of finding a place to settle for the morning; a courtroom where they could caw and crow and jabber and feel very important because they knew the law.

Creswell, head down, knew exactly what room he was making for, and also knew that the slightest delay would cause him to be late. All the same, there were rituals to follow, and they began with the ancient Rite of the Unnecessary Greeting, where each exchange was accompanied by a brief nod.

‘Creswell.’

‘Blinkinthop.’

‘Creswell.’

‘Smitherston-Minor.’

‘It’s Smitherson-Major, actually.’

‘That’s a matter of opinion. Mackay.’

‘Creswell.’

‘Creswell… Blithering idiot, that’s a mirror.’

The robing room was just as hectic, but also a place where the Rite of the Unnecessary Greeting became expanded.

‘Creswell.’

‘Jones.’

‘Are you well?’

‘Well enough. What you got?’

‘Theft. It’s all theft this morning.’

‘Morning, Creswell.’

‘Larrow.’

‘I think you’re up against me.’

Creswell was, because he was reaching over the man to collect a book.

‘Who do we have to entertain this morning, Mr Larrow? Any idea?’

In Creswell’s opinion, Larrow had very little idea about anything, certainly not the law. How he ever became a barrister was beyond Creswell’s ken, and he had hoped for a more worthy opposition in the, hopefully, last case of his pupillage.

‘No, I have no idea,’ the prosecution replied, donning his wig to become more like a white-headed woodpecker than a hooded crow. He certainly had the nose for it. ‘Clerk told me a name, but it’s not one I know. He’s coming in from out of town, they say. The Honourable…’ he examined a docket, ‘Sir Barkley Sproot, but no-one seems to have heard of him.

‘Then I, alas, am also no-one,’ Creswell said, fixing the last of his plumage. ‘Let’s hope Sproot’s a hoot, eh?’

‘Hoot is the word,’ Larrow quipped as he headed for the door.

‘Oh? Why?’

‘Read your brief, Creswell,’ the opposition replied and was lost to the flock.


PROMO

MAYHEM & MOTIVES: Mystery, Thriller, & Suspense Reads

Genres: Mystery & Suspense, Mystery & Suspense / Cozy Mystery, and Mystery & Suspense / Thriller

Here’s my monthly return to a favourite place, and this time, there are 77 titles in the list. Not necessarily gay, these thrillers and action novels are all promoted by the mighty Book-Mojo. I have two pen names on the go in this one, so if you can check both, that would be ideal.

A Depraved Indifference

While we eagerly await the publication of ‘Snake Hill’ (any day now), I have come up with a working title for the next instalment of the Delamere Files, ‘A Depraved Indifference.’

I was doing some legal research the other day, as you do, when I came across something I’d not seen before. There was no reason why I should have done because a) I am not a lawyer, and b) it’s to do with American law, but I liked the term and what it implies. The paragraph was this: If the risk of death or bodily harm is great enough, ignoring it demonstrates a “depraved indifference” to human life and the resulting death is considered to have been committed with malice aforethought.

A depraved indifference to human life… I wondered if there was an English law equivalent in 1893, and I am still researching that, but the story I am now embarking on may not have anything to do with law or that phrase in the way it is meant. What I might do is use that expression/term/whatever to inspire the rest of the story. In Delamere 10, Will has already cited it (and I’m only on chapter two) while settling a case for the CID. Anyway, the point was to let you know I have started on some ideas for the next book, which has had me locked into this view for a while…

And this is the first draft text for chapter one of the next book, in case you want to zoom in and read.

I will be interrupted soon by the arrival of the files for number nine, which I will check through and upload as soon as we’re all happy that Snake Hill is good to go.

Meanwhile, you may have noticed I put three new links at the top right of the page, just beneath the newsletter sign up. My Facebook page, my BluSky profile, and now, my BookBub link, so if you use that service, you can follow me there. I ought to add my Goodreads link too, I suppose. (Note for later.) Meanwhile-meanwhile, a new promo has just arrived, so if you want to be among the first to see these new spy, mystery and suspense titles, just click the banner.

Here’s Where I’m At

I am currently at 82,000 Holywell Street… Well, 82k words written for ‘Holywell Street’, the Delamere book number eight. Funnily enough, the plot revolves around number eight Holywell Street, mainly so I can say here’s book number eight Holywell Street as though it’s an address as well as part of the sequence. Also, according to the 1891 census, that address was vacant, as were others around it, so I can be more creative with its description. I suspect the buildings were left empty for a good reason, like they were falling down, because the street was demolished in 1901. It was quite picturesque by all accounts and some buildings there were from pre-1700 or very early 1700s.

Anyway, I am having fun and working through the climax, which isn’t really a climax in the usual sense. There’s no death-defying leaps of faith, zip lines onto music hall stages, or people falling off burning towers. What there is, though, is a bit of fun (I hope) as part of the ‘towards the end’ section is seen from Ronny’s point of view, and we know what a little oik he can be. As that’s going on, I am waiting for the first draft of a new reel to come back from the guy who is working one up for me, and I am about to send off for a new pencil sketch to go in the front of the next book. I am also considering the cover, though the final draft won’t be ready for some weeks yet. Meanwhile, I believe Holywell Street will be my 48th book, including my ‘living on a Greek island’ books and those written under my real name. I know it sounds like a lot, but it’s what I do! This is one of my shelves and contains all the Jackson Marsh titles, except for ‘Bobby’ which is on the shelf above.

Tracking Scenes

In the world of film, a tracking shot is “A camera movement that follows the action, typically moving alongside or with the subject to create a dynamic, immersive view of the scene.” [Adobe.com]

You know the kind of thing: When the shot opens on someone walking left to right and we follow them, then the camera stops at the two people talking at a table, as if the crossing person brought us there.

This is a technique I use in my books, and I mention it today because I’ve just written one into Holywell Street, and while doing so, I wondered when I first started using them…

I think it was during The Clearwater Inheritance, because that involved a great journey, and it inspired the scene on the front cover. It may have been before, but this is the one I remember most because it takes us from the Orient Express across Europe, across the English Channel and to Cornwall.

Clearwater Inheritance cover

If Archer’s insane brother dies, their distant cousin, the evil Count Movileşti, will inherit everything, and with the influenza pandemic threatening the brother’s asylum, the outlook is grave. The only thing that can ensure Archer’s future is a legal document left behind by his grandfather, but the clue to its location is hidden within two pieces of music. Archer has one; the other is in Movileşti’s collection at Castle Rasnov.

Rather than describe it, I thought I would put it here, so you’ve got something to read or reread over your morning coffee. (I’ll be back with more news on Wednesday. Watch out for a newsletter that should be out today with a heap of new ideas for your TBR pile.)


The Clearwater Inheritance
Chapter Thirty (part)

Between Szeged, Hungary and Vienna, Austria
Saturday 18th January – Night

The locomotive steamed west from Budapest, its steel plough slicing snow and hurling it aside in swathes. Its pistons pumped an incessant pulse, while the chimney belched a constant stream of smoke that billowed from tunnels and trailed behind to hover above the sleeping countryside.

Cities fell away to become dense forests topped with silvery-blue moonlight that bathed the land from the hedgerows to the star-showered horizon. The Danube glinted beneath the cloudless sky until the train left the river to its meandering and sped away on its own path. The warm throw of yellow light from the dining car brushed banks and fields, the silhouettes of the wealthy rising and falling over cuttings in distorted shapes and vanishing as the carriages pounded across bridges. Firemen shovelled, stewards served, and passengers dreamt of elegance in gently rocking bunks, unaware of the rise and fall of the hills, and the urgent night-cry of the whistle.

The Orient Express kept its times, crossed the borders, and made its destinations. It saw its passengers on and off through a night that held the continent from Constantinople to Calais in an icy grip as brittle as the thinnest crystal. Night ferries crossed the channel miles from the locomotive and its precious passengers, and the same moon glowed as full over them as it did over Larkspur Hall. The same light bathed the moor, its rises and valleys a patchwork of grey and silver shadows, the countryside blanketed in a fine covering of pristine snow.

An owl swooped from an ancient, weathered oak to glide across a frozen stream. Alert for movement but finding none, it rose on silent wings to watch over the estate where Larkspur waited in the pensive darkness, shuttered and blind. The owl circled the tower and followed the parapet, passing rooms where footmen slept, and dormers under which maids turned in dreams of sweethearts and summer days. Attracted by a solitary light, the bird landed on a cornice washed by the throw from an oil lamp and twitched its head, intrigued by and concerned for what took place inside.

Beneath the sloping roof, a young man sat on the edge of an older woman’s bed, holding her hand and mopping her brow. Her lips moved weakly, and her pale flesh was uncoloured by the lamp-throw which lit the man’s hair in shades of russet and bronze. Light caught the tears that dropped from his cheeks as, leaning closer to listen, he gripped the frail hand tightly, made promises, spoke comforting words and said thanks, until the life in her dulling eyes faded.

His head hung, and his shoulders heaved as he placed her hands across her chest. Wiping his cheeks, he closed her eyes before lifting the sheet to cover her head and said a final goodbye.

When the man approached the window and placed a candle there to flicker in remembrance, the owl dropped from the parapet and continued its flight. It passed the tower where a younger man slept beside a dying fire with a letter in one hand. Building plans, fallen from the other, lay on the floor abandoned to sleep.

The owl passed into the depths of night, while in the corridor beyond the tower, a butler turned down the gas until the passage was a monochrome path of dimly glowing glass and careful footsteps. Pausing at a door, he listened for sounds from within, but his master was sleeping, and he continued to where the two wings of the house met. There, with the grand hall in darkness, he slipped through the baize and followed the winding, stone steps to the ground floor, dimming lamps and securing locks.

The servants’ hall was deserted, but in a few hours, would begin another day as the hall boys laid the fire and stoked the ovens, swept the floors, and washed the tables long before the day considered dawning. The butler met his steward there and learnt his news. The men consoled each other, reminded themselves of their positions and responsibilities, and went their separate ways.

The steward took the path the butler had recently taken, along concealed passages, up the winding stairs, and emerged in the grand hall, there to pause for a moment to relive a memory before climbing to the first floor. Like his colleague, he stopped outside the master bedroom but didn’t disturb its occupant. Instead, let himself into his own room, there to mourn alone.

Throughout the Hall, bristles of moonlight investigated curtain edges and stole around them to play on rugs and furniture. Clocks ticked, and springs wound towards release. The considered chime of a tall clock struck regretfully from the library and echoed through the stillness, while the drawing-room carriage clock tinkled, polite and distant. In the smoking room, the Willard lighthouse clock tolled beneath its dome, and the brass spheres of the anniversary timepiece swung relentlessly back and forth.

In the study, soft ticking on the mantlepiece counted away the seconds, as the last of the embers shuffled through the grate to their rest. Gently, the hour passed, the echoes died, and Larkspur slept in darkness.

But not in silence.

At some time during the night, when clouds had put the moon to bed, and the owl had retaken its perch on the faraway oak, the wood and brass telegraph shocked itself into life. In the alcove beside the moon-forgotten desk, the steel pins snapped their delicate jaws in urgent rhythm, and the wheel turned.

Holywell Street

That’s the working title of the next Delamere Files mystery. Actually, it’s Eight, Holywell Street, because the file I have started is titled 08 Holywell Street, but I am not sure if there was a number eight in that street in 1893. There was a number 10, and it was inhabited by a bicycle shop, but I’ve not been able to find number eight on the 1891 census. I have the rest of the street and will be using some of the occupier’s names when I start to write the first draft, and that will be in about 30 minutes from now.

What’s it to be about? Well, that’s an interesting question. I know the subject, the background, if you like, but not yet the detailed story, except that I want it to present my team of mainly gay detectives with a moral dilemma. They are already solving cases and fighting crime while being inherently criminal themselves (as it was illegal for men to have sex with men), but now, I want them to pick up on another side of that subject. I can’t say more than that or else I will either give the story away or let you down by changing my mind later.

So far in my research, I have been trawling newspapers and publications of the time, looking through the census to get an idea of what businesses were in the street and the kind of people who lived there, and I have been reading some history sites about the area, the churches of St Clement Danes and St Mary le Strand which stood at either end of Holywell Street, and (here’s a hint) I have been reading some papers on male prostitution and the early days of pornography in London.

If you are interested in the former subject, I can recommend this well-written and easy-to-understand thesis on the subject:

Rent: Same-Sex Prostitution in Modern Britain, 1885-1957 Jonathan Coleman.

So, that’s where I am with ‘Holywell Street’, and I shall shortly be typing the first words of chapter one. While that’s going on, I have seven different promos to tell you about this month, so bear with me. They will all be in Saturday’s newsletter, but let’s get the ball rolling by telling you about this one:

April Kindle Unlimited Mystery, Thriller, Suspense, & Crime Reads

April 1st through to April 30th.

Genres: Mystery & Suspense / Crime, Mystery & Suspense / Psychological Thriller, and Mystery & Suspense / Thriller

I have four titles in this one, and every click through to the page of covers and info is greatly appreciated (and free).

Back to Acts of Faith

Hello everyone, I am back from my travels and I have started back to work on ‘Acts of Faith’, the Delamere Files book seven.

We had a great time away, despite Neil going down with the flu and me having a dodgy allergic reaction to something I ate in London. We caught up with my old cabaret partner, had lunch in Garrick Street, went to see ‘The Book of Mormon,’ surprised my nephew on his 30th birthday, Neil’s sister too, and my brother, I called in on my mother and stepfamily, and we stayed overnight in a pod in Gatwick airport. Now, we’re back, and both have colds, but we’re battling on.

I have some photos of Clearwater-related places in London that I took while I was there, and I will share them with you in time.

Today though, as my Wednesday work-in-progress blog, I wanted to run by you the first draft of the blurb for the next book. This, like the 1st draft, is still a work in progress, but this should be enough to give you the gist of the story and whet your appetite to know more. As for the writing, I am at 75% and am coming up to the smoking gun realisation, crisis and climax. It’s all in my head. It’s just a case of getting it down. So, here’s the blurb – and I’ll be back on Saturday.


Acts of Faith

The Delamere Files Book Seven

Jackson Marsh

When the Commissioner of the Metropolitan Police assigns a personal case, failure is not an option. However, what starts out as a simple mystery soon turns into something far more complicated. An opera singer dead in her bath, a Smithfield butcher skinned alive, an unknown man found locked inside a steam locomotive… What is the connection?

With Benny Baxter’s help, the Clearwater detectives begin investigating the gruesome and seemingly unrelated murders, fully aware that failure could spell disaster for the agency.

Bringing in a handsome young constable seems to do little to aid the investigation, but Baxter recognizes in PC Inning a man trapped in a loveless marriage, with desires that lie elsewhere. As Baxter strives to prove his worth both in the case and in winning Inning’s affection, his search for a better life and love takes a chilling turn. He makes a horrifying discovery: the killer may be far closer than he ever imagined.


Benjamin Baxter, 1893

Smithfield Market, London, 1838

It was market morning. The ground was covered nearly ankle deep with filth and mire; and a thick steam perpetually rising from the reeking bodies of the cattle, and mingling with the fog, which seemed to rest upon the chimney tops, hung heavily above…

Not my writing, I’m afraid, but Dickens (Oliver Twist, 1838). I am currently researching Smithfield Market because two of my investigators will be going there later today, and I want to give an accurate picture of what one of London’s most famous markets was like in 1893. However, so far, I have only found accounts from earlier in the century and passages from authors such as Dickens. Having said that, I have not yet read everything on my go-to website, the Dictionary of Victorian London.

One of my challenges is to describe the same thing again and use accurate facts without sounding like a lecture. This is where Will Merrit comes in. I have fallen on this handy tool of using him to provide Jack and Baxter with background information about destinations they visit. It’s happened in previous novels, and there’s a little bit of it happening in the next one, ‘Acts of Faith,’ which is ticking along nicely in first draft form (see Wednesday’s blog for updates). So, to let readers know the facts of a place, I might slip in a snippet like this:

In form, the Meat Market is a parallelogram. It is 631 feet long, and 246 feet wide. It covers 3½ acres of ground. The architectural style of the building is Italian. The external walls of the market are 32 feet high, and for the purposes for which it was erected it is both in appearance and arrangements a model market.

That’s actually from John Fletcher Porter, London Pictorially Described, [1890], and thanks again to the Dictionary and its compiler, Dr Lee Jackson. Click that link and you will find all his books about Victorian London. I have a few of them and have read others. They are fascinating, though not necessarily my period of late 19th century.

So, my workload today includes writing chapter 18 and making sure there is a PoC (Point of Chapter) so that the story moves or the characters develop and we don’t end up with a shoe leather chapter where you get fab description but no story movement.

I also have to put out the month’s newsletter which will contain this month’s promotions for new books from many authors. (Sign up for the monthly newsletter from the link at the top of this page.)

I’d also like to get to the bottom of why, in my new PC, my autocorrect options sometimes use ‘straight quotes’ and other times use ‘curly quotes,’ there seems to be no rhyme or reason for it. The problem is the straight ones in words like don’t, come out as reversed curly quotes in the final printing of the book and look odd. (A minor niggle, but a niggle all the same.)

I also have some other bits and pieces to take care of so this Saturday looks to be already filled up with work and typing, just as I like it.

Acts of Faith

At least, Delamare seven has a title, ‘Acts of Faith.’ There are many other books out there with that title or a variation of it, but none of them that I can see are gay historical fiction set in March 1893, so hopefully, I won’t cause confusion when this one is released. When will that be? I can’t yet say. I am up to 51,000 words, so halfway through, and someone’s about to make a link which will start the ball rolling downhill towards the crisis.

I am having a mild crisis of my own as I bought a new laptop last week, and I am still in the process of transferring things over. Setting Outlook for emails was a nightmare but it’s done now, and most of my most-used programs are installed. What I am now finding are the niggly little things that I added and changed over time are suddenly not there. For example, my file explorer used to save the four most recently used folders in the side menu and that was very handy. Now it doesn’t and even though I have set the box to do so, the programme doesn’t. I also have a thing where the autocorrect options I created (and there are many) are no longer there so I have to start that process again and add them one at a time when I see them. Strangely, though, when I do this, the resultant changes use ‘straight’ quotes and not the curly ones I want. Again, I have changed the auto-correct boxes so this shouldn’t happen and yet it still does. It’s not a great issue but I notice that when there’s a – for example – I don’t know, printed in the bokos the comes out the wrong way around.

Anyway… The good news is, I am typing away and creating another complicated mystery throughline set against a growing friendship/love story, and it’s all going rather well. Oh – and I might have the face of a new character whose first name I want to change, but otherwise… Meet PC Charles Inning:

You can also meet a heap of novels and authors on the last promo push of this month, simply by clicking the banner below. I will be involved in more of these next month, and there will be a newsletter soon to give you more details.