Helena Schrader’s Historical Fiction Blogpost

Today, I am having a quick chat on Helena Schrader’s Historical Fiction Blogpost about why I write Historical fiction. My piece there explains my thinking behind the creation of the Clearwater Mysteries, and how I set out to write characters in a world where being gay was illegal, as, sadly, it still is in many countries around the world.

Understanding ourselves by understanding the past

Dr. Helena P. Schrader is the author of 24 historical fiction and non-fiction works and the winner of more than 53 literary accolades. Click Here.

Current Work in Progress

At long last I am able to read through the first draft of Follow the Van. This has been a work in progress for some time now, thanks to various interruptions, such as putting together ‘1892’, Christmas, a trip to Athens, Covid, trying to find some work, but it’s here at last, draft one. Almost.

I have to write two more chapters to finish things off, but before I can do that, I need to go right back to the start to make sure the story works, everything ties up, the clues are there but not too obvious, and I know what I have to explain at the end. I have already started weeding out stray threads that I put in thinking they would be a good idea, only to find out they didn’t work, or they led nowhere. Once that’s done, I’ll have a clear second draft on which to work, will know exactly what the main story and emotional threads are, and I can start polishing the thing.

The best thing about writing every day is that I get better at first drafts. I often reach the end of one thinking the thing is terrible, then go back and read again, only to think it’s not too bad. I don’t just mean the writing style improves every time, but the storytelling too. I know instinctively when something will work, when to leave out unnecessary observations or details, and how to make every sentence about character development or plot. (Well, not every sentence, as I also like description and atmosphere, but seen/described from the character’s perspective.)

So, that’s where I am today, but I am also on Helena Schrader’s Historical Fiction Blogpost, so please click over and take a look.

Banyak, Fecks and Some Other Notes

I was digging around my files this morning and came across my folder for ‘Banyak & Fecks.’ This is one of my favourite novels, and the one I am most proud of. This is partly because it’s not like the others in terms of plot. It’s about two people from vastly different backgrounds meeting, needing each other, surviving, and becoming platonically entwined forever. The fact they are both in their late teens/early twenties adds a level of emotional and sexual confusion. What I’m also pleased with is the research, and while writing it, I made some notes about various historical facts and figures that come into play in the story. Even if they are only background, they still have to be correct.

So, after today’s news, which follows in a moment, I’ll show you the notes I made. First though, a couple of other matters:

Helen P. Schrader is the author of 24 historical fiction books. She is currently running a series of short interviews with other historical fiction writers with the theme, ‘Why I write historical fiction.’

On 20th February (i.e. Tuesday) she will have a short piece about me on her blog, which you can find by clicking this link: Helen Schrader.

Mardi Gras Promotion. This promo is still running if you want to see what’s o offer. Head to the link and find a raft of new titles in various genres/niches, all LGBTQI+ and all there to celebrate Valentine’s Day, Mardi Gras and queer fiction. Click this link: Mardi Gras Promo.

And now, to my background notes for Banyak & Fecks. Bear in mind, these are only notes, and they might be a bit all over the place and/or incomplete. While posting, I’ll see if I have any images hanging around the folder that I can also put up.


Banyak & Fecks General Notes and Words

Some are taken directly from newspapers and documents of the time.

Cabs 1879

Altogether there are 4,142 Hansom cabs, and 4,120 Clarence, or four-wheel cabs, in London.

Light-carts

Dock work 1883

The pay is fivepence an hour, and the day’s work lasts for eight hours. It is miscellaneous, and a man is expected to put his hand to anything in the shape of loading or unloading that the occasion may require.

Destitution

Arranged for a plain burial which is to cost 6 guineas.

Let me describe this room. It was the first floor back; so small that the bed left little room to move. She took it unfurnished, for 2/9 a week; the furniture she brought was: the bed, one chair, a chest of drawers, and a broken deal table. On some shelves were a few plates, cups, etc. Over the mantelpiece hung several pictures, which she had preserved from old days. There were three engravings: a landscape, a piece by Landseer, and a Madonna of Raphael. There was a portrait of Byron, and one of Tennyson. There was a photograph of myself, taken 12 years ago, — to which, the landlady tells me, she attached special value, strangely enough. Then there were several cards with Biblical texts. and three cards such as are signed by those who “take the pledge,” — all bearing date during the last six months.

Andrej (Fecks) came from the northeast of Odesa in Ukraine. He walked from there to Genoa in Italy aged 14/15/16 before finding passage on a ship to London.

Clothing

An Ulster: a man’s long, loose overcoat of rough cloth, typically with a belt at the back. The Ulster is a Victorian working daytime overcoat, with a cape and sleeves. The Ulster is distinguished from the Inverness by the length of the cape; in the Ulster, this cape only reaches the elbows, allowing free movement of the forearms.

Pennylicks – ice cream bowls

Graphophone – the name and trademark of an improved version of the phonograph.

Slums (1880)

The yard pump takes two, one to pump while one washes.

Washtop (the copper) over the fire, with tin lid and ‘chumney’, hot and sweaty, used also for washing clothes.

A room: double bed, trunk, table, 2 chairs, fire, candles.

Cheap foreign labour after depression.

40k population expansion.

Jewish immigrants from pogroms in Russia and the east.

Largest immigrant population = Irish, 2nd largest  = Russians

Work

Unskilled = lucky to get two week’s work out of a month

Pillars at the docks either side of gates

Thousands at the gates every day

10k people in East End after 6k jobs

Police at gates

Wait hours to rush through, some got trampled

‘The cage’ where foremen stood to choose, safe, while thousands crushed to be chosen

Unloading barrels, bales and sacks that rubbed skin from back

5d an hour

Fecks, young, tall, strong, some English so can better fight for work

Banyak & Fecks leads into Deviant Desire which concerns the East End Ripper murders of 1888 – these, I based on the Jack the Ripper murders of that year. Here’s the front of the Illustrated Police News following the killing of Catherine Eddowes.

Sweatshops – Sweated Workshops (tailor factories)

Refugees met off the boat by ‘sweater sharks’

Wheelbarrows to cart supplies

No pay until an order is done

‘Greeners’ = lowliest tasks, new to the biz

18 hours a day, six days a week, 34p per hour in today’s money

One 22-year-old greener worked 22 hours per day until he hanged himself

Pawn brokers

Trade in clothes to pay for bed or rope house

No tick (credit) for transients

Buying bread and fat in slices from shop

Weekly rents in today’s money £30.00, £13.00, £8.00

Costermongers

12,000 in the 1880s

Eels, five per penny for sheep’s trotters (80k per week sold)

Silas

Telling jokes for pennies – Silas, the difference between a hollow tube and a daft Dutchman? One’s a hollow cylinder, the other’s a silly Hollander – etc.

Showing the rich around the slums, slumming it, slum tourism, won’t make him popular

Slum fiction

Human novelty exhibits

And that’s where my notes run out. If you haven’t read it, and want to know how all those various subjects add up and tie in, head to the Amazon page, add it to your TBR list, read it in Kindle Unlimited, or order yourself a paperback.

Mardi Gras LGBTQI+ Romance Promo

Yup, I have another promo to tell you about, and this one is the Mardi Gras LGBTQI+ Romance Promo.

https://books.bookfunnel.com/lgbtromancemdp/mxgjqlwf49

There are 75 titles in this promo, with all books being available on Amazon, Kindle, and some on other platforms too. Each has an info page that you find by clicking the book cover, and those pages come with a summary or blurb.

I have two series starters in there, Deviant Desire, and Guardians of the Poor. I expect most of you have read them already because you are lovely, loyal readers, but there must be plenty of titles and new authors in the list waiting for you to discover. Looking at those covers, you can see there is an eclectic mix of niches, including friends to lovers, enemies to lovers, contemporary, fantasy, MM romance, FF romance, and, of course, historical fiction. Among the authors, you will find Addison Albright, Anne Barwell, and Ann Lister.

There is even one that features a model I used on one of my covers. T.L. Travis has ‘A Little Christmas, Orion’s Secret’ in the promo, and the guy on the cover is the same one who appears on my Dracula-related mystery, ‘The Stoker Connection.’ We share the same taste in tasty main characters!

Check out the list, click a few covers to explore further, and recommend your favourite authors on my Facebook Page.

There’s another massive promo coming next month, and I’ll be sending out a newsletter about that at the start of March.

Follow The Van

As Wednesdays are my work-in-progress update day, here’s a quick update on Follow the Van (The Delamere Files book three).

This novel has probably given me more hassle than any other I have written. Why? I am not sure. One reason is because of interruptions, but another is having too many ideas. There are so many threads, I am worried they have led to a lot of repetition. That will all be fixed, and the repetition is me reminding myself of what happened when I last picked up the pen two weeks ago, or even yesterday.

Fear not! It will be fine in the end, and the end is what is in sight. I have started on the climax/finale, though I have left the build-up to it until I have finished the climax, so I know how to start it… You see? It’s one of those that needs a good, long re-look once I’ve stumbled to the end. I’ll keep at it and am aiming to finish the first draft (in whatever form) by this time next week.

Click to find the promo with 75 titles.

Guardians of the Promo

Today’s news is that Guardians of the Poor is one of my books in a promo at Book Funnel. If you like historical adventure, action, mystery and/or military novels, then there is a select number of titles being promoted by a small group of authors, me being one of them. All the titles are available on Kindle Unlimited.

https://books.bookfunnel.com/kuhistoricalfictonfebruary2024/fgz0x9yhbo

As you’ll see, I have ‘Deviant Desire’ in there as well as ‘Guardians of the Poor.’

Guardians is set around workhouse life in 1890s London. It starts with a newspaper article from July 1890 which was inspired by a real article from March of that year which concerned a workhouse master (the superintendent) and one of his younger charges. Also feeding my inspiration was an article from around the same time concerning fraudulent activity at the Chelsea workhouse. I combined several real-life incidents to create my story, which is set in the Hackney workhouse. That’s a place I visited in the 1980s and 90s when some of its buildings were being used as parts of Homerton Hospital.

Anyway… I started the Larkspur series there, and in case you’ve not read it, I’ve reproduced the opening couple of pages here to get you started. Dalston Blaze and Joe Tanner go on to become students at the Larkspur Academy where they meet a cast of other young men all of whom have special talents, but all of whom have fallen foul of prejudice or the law. Joe Tanner more so because he is completely deaf, and can only communicate with Dalston through their invented and partially taught sign language. (That was fun to write!)

The series runs for seven books and climaxes with ‘The Larkspur Legacy’ which draws together both this series and the Clearwater Mysteries, before leading into The Delamere Files.

Here is the opening of Guardians of the Poor, and the link to the Kindle Unlimited promotion for 25 exclusive historical action, adventure, military and mystery novels.

Lloyd’s Weekly London Newspaper
July 20, 1890

The Shocking Charge Against Two Men. On Friday last, Dalston Blaze and Joseph Tanner, both 18, were indicted for inciting each other to the commission of unnatural offences. The prisoner, Blaze, had been for his life an inmate of the Union Workhouse, Hackney, and Tanner much the same time, but were working as porter-inmates in accordance with the New Poor Law of 1834.

Sometime in July of this year, another officer of this workhouse, a man named Skaggot, reported to the police an offence alleged to have been committed in the workhouse. Inquiries were immediately made, with the result that proceedings were begun against Tanner and Blaze.

Evidence against the accused was presented in the form of pictographs, making this case unique, and somewhat open to interpretation. According to the prosecution, these symbols, when interpreted, prove the men were inciting each other to perform an unnatural act.

Edward Capps, the workhouse master, was called, and said he knew of no such unnatural conduct between Blaze and Tanner, and gave evidence of good character. He said, ‘I am keen the men are returned to the Workhouse to continue their good work there.’

However, there is another complication to this case. The prisoner, Tanner, was not in court and is missing.

Mr Willis, defending, was addressing the jury on the character of the Master, when the jury foreman interposed. He said the jury did not desire to hear counsel for the defence, because the conduct of the workhouse official had nothing to do with the case. Thus, the defence was told to stand down.

The Common Sergeant then pronounced Blaze guilty of the commission of unnatural offences, and pronounced the same verdict against the missing defendant, Tanner, and called the proceedings to a halt. He remanded Blaze back into custody until sentencing. The magistrate imposed on Scotland Yard to find and bring to court the accomplice, Tanner, before the sentencing, the date being set for two weeks hence.

Reynold’s Newspaper
Sunday, July 27, 1890

The Hackney Workhouse Scandal. The case for sentencing will be heard this Thursday in the Central Criminal Court before the Common Sergeant, Sir William Charley. Dalston Blaze and Joseph Tanner, both 18 of the Hackney Workhouse, have been indicted for inciting each other to the commission of unnatural offences. Mr Avery will represent the prosecution; Sir Easterby Creswell has replaced Willis as the defence; Sir Malcolm Ashton will be watching the case on behalf of the workhouse officials. Reynolds Newspaper will be reporting.

The case has attracted attention due to the unusual evidence of the pictograms used in the planning of the crime, and because of the absence of the second criminal, Joseph Tanner who has not yet been recovered after effecting his escape from custody following the initial arraignment. We are also interested to learn why Sir Easterby Creswell has taken the case as it appears to be a mundane matter, and sentencing a foregone conclusion. Sentencing for this crime is usually five years imprisonment, and there is no reason to suspect this case will be any different.


Click the banner to see the books on offer:

https://books.bookfunnel.com/kuhistoricalfictonfebruary2024/fgz0x9yhbo

Historical Fiction Promo: Kindle Unlimited

While I am following the van (80,000 words, roughly five chapters left to go for draft one), I am also taking part in a promo. Follow the link, and you will find a range of historical novels, all of which are available in Kindel Unlimited. These are not necessarily gay novels or romance novels, but they are all set in a historical context.

There are only 25 books in this collection, so it’s exclusive, and I’m pleased to say that two of mine were accepted into the promo, Deviant Desire and Guardians of the Poor.

If you have time, click the link, check out the promo covers, and click one or two. (It doesn’t cost you anything but it makes me look good, wink, wink.)

Click to find the 25 books

Meanwhile… Follow the Van continues to trundle on. It’s taking me longer than usual to reach the end of the first draft because of a few factors. I broke off to put together ‘1892’, then there was Christmas, then a trip to Athens with the family, then Covid, but now I am back to it, and aiming for 3,000 words per day. There will be a lot of work to do on the second draft with this one, because I have put down and picked up the various threads so often since I started it, that I might have got some tangled up.

We will see, and hopefully, you will see it in print by the end of March.

Here’s a reminder to click to the promo and have a look around:

Click to see all 25 books

Historical Fiction Promotion on KU

February is the month to check out new historical fiction in a Book Funnel promotion that is highlighting historical action and adventure fiction available on Kindle Unlimited. This promo runs from 1st to 29th of February.

The fiction isn’t restricted to LGBT, but covers all historical novels. Of course, I have Deviant Desire and Guardians of the Poor in the promo, as these are my two series starters. Recent promos have done well for sales, so even if this promo doesn’t appeal to you, send the link around, share it, and see if you can help get the Clearwater word out there!

You can also pick up some great new books along the way. I see I am in the company of K.C. Sivilis, and Milo James Fowler, in what is a very select promo.

Click this link to see the full collection of books being promoted, and remember, you can find them all in Kindle Unlimited.

CLICK HERE


Mardi Gras LGBT Promotion

Later in the month, there’s also a promo for LGBT + fiction to celebrate Mardi Gras. This will be from the 14th February, and my novel, ‘Guardians of the Poor’ is taking part in that. I will post more on my blog nearer the time, but here is the link for you to bookmark:

CLICK HERE

Make sure you at least click those links and see the books on offer; that gives me better standing in other promos, so you will be doing me a favour, and who knows what new reading you might find.

Research. Victorian BMD Records

You may have noticed that the researchers who work for the Clearwater Detective Agency, Duncan Fairbairn, and now, Will Merrit, often say they have to go to Somerset House. Why?

After it had been a royal palace and duke’s residence, Somerset House, as we now see it as a Georgian-era structure, was built to be a grand public building housing various government and public-benefit society offices. In 1837, following the establishment of civil registration in the United Kingdom, the Registrar General of Births, Marriages and Deaths set up his office in the North Wing of Somerset House, establishing a connection that lasted for over 130 years. This office held all birth, marriage and death certificates in England and Wales until 1970.

Somerset House in 1828 (Wiki)

That’s why my fictional researchers have to go there. However, I was writing a chapter last week in which Will Merrit says he has to visit Somerset House to find a record, and this made me think: how easy was it to find records of Births, Marriages, and Deaths (BMD records) in 1892. So, I asked a genealogist friend of mine, and this is what he said.


Brief History of British Birth, Marriage and Death Record Keeping

Funnily enough, I have had some experience of this, while I was in London with you. (We used to share a flat in Hackney, years ago.) I took the opportunity of being in London to make a personal visit to the Government Records Office (GRO) which in those days was opposite where the BBC World Service was based, near Fleet Street, after it had been moved from Somerset House. So I had to do what our Victorian ancestors would have done.

But you must remember that the BMD records were kept in two different places and there are always two copies, one in each place.

When a registration was created for a birth or a death, you went to your nearest local registration or sub-registration office, which was usually your local town or large village. Let’s say you registered a birth at a sub-registration office. 

Baptism record (my great-grandfather)

Your registrar had two identical books. He made an identical handwritten entry in each book. At the end of each quarter year, he sent both books to his main area registration office, probably the main town or city. The main registration office kept one book in its records and sent the other book to the GRO in London (in England and Wales). Scotland and Ireland had their own GROs.

In the London GRO they then made a quarterly alphabetical index. It was handwritten in a massive volume. Every Jan-Mar, Apr-Jun, etc., the indices gave the full name of the person and some other details which varied over the years.

Modern copy of a Marriage certificate from 1838

When you wanted a certificate for a birth, death, or marriage, you had two choices.
You could either visit the local office where it was originally registered and ask them there to look it up. You would need a good idea of the date because they didn’t have indices there. They would get out the original volumes and leaf through until they found the correct entry. They probably wouldn’t search a decade, but they might search a year in the smaller offices. They wouldn’t let you do it. You would not be allowed to handle the books.

And then, once found, you could pay a fee, on two levels, and have either a short copy (cheaper) or a full certified copy which was just a handwritten exact copy of the entry in the book. The certified copy could be used in law cases, passports, and so on. The short copy was for your personal information but could not be used legally.

And that’s what many people did for passports. They went to their local office, told them their date of birth and got a certified copy. In the old days, poor families often hadn’t paid to have a birth certificate copy. You registered but went away without a copy. And even today you still aren’t required to pay. Registration is free, you only pay if you want a copy.

The other alternative was to go to the GRO at Somerset House or wherever. But there, you couldn’t ask them to go leafing through the books. You had to provide them with the full indexing details. So that is why the index volumes existed. The public were able to go to the shelves and get out the index volumes. These were big heavy leather-bound books, all handwritten. You got the volume for the quarter you thought was the right one, you went through and identified the likely entry and noted the GRO index references, then you took the details to the clerks’ desks and handed them in. You paid your fee for a certified copy.

What I’m not sure is what happened next in 1892. In 1995 I had to do all that, but I had to give my address and they would post it to me within a few days. Maybe in 1892 you were able to wait while someone did it.

Entry from a parish register 1604, possibly the earliest written record of one of my ancestors.

Basically, a clerk would go into the archives, look up the exact entry you had given in, and make a handwritten certified copy of the entry. Again, you yourself never got to see or handle the books. All you got was that clerk’s certified handwritten copy. He might easily make mistakes and misread them. 

In the 1990s things improved because they began photocopying the originals onto the certified copies, so you got to see a photocopy of the original and could interpret the handwriting yourself. Also, when they put the indices online, you were able to send off postal applications.

But basically, in 1892, you either went to your local office (which was much simpler), and got a cooperative clerk to leaf through. But offices might vary, and you might get officious ones that were less cooperative and demanded more precise details. Some might even show you the original entry if there was some question of interpretation. 

But if you went to the GRO it was all down to you finding the correct entry yourself using only the public shelves indices. Then handing in the reference to the clerk and applying for the copy. They would not go searching for you, or let you do it. And you certainly couldn’t take any indices home with you.

Birth record of Marie Lloyd (not a relation of mine) from 1870. Marie Lloyd appears in the next Delemaree Files book, ‘Follow the Van.’

The indices gradually got replaced by typewritten copies over the years and the original handwritten indices were retired. But of course, the typewritten copies introduced their own copying errors.

I’m sure that even in 1892 you could pay professional researchers to do this for you. Lawyers did it all the time for clients who needed certificates for legal purposes. Detective agencies too. But they would only have the same access as the public. They would not get to leaf through the originals, except maybe as a favour in a local office where they had good relationships.

Churches did the same with marriages. Churches sent their books each quarter to the local registration office.


Fascinating stuff, and if you remember Fairbairn from the Clearwater and Larkspur Mysteries, you’ll recall he had a way of getting what he wanted from the clerks. I.e. he gave out sexual favours in return for being allowed access to the actual books and records. Will Merrit’s approach is different, but even he doesn’t find it easy to discover what he needs.

What’s pleasing for me though is to see that what I imagined to be the process was accurate. It was even possible that Will would wait for a copy of a record to arrive in the post, as I wrote only two days ago!

The images, btw, are from my family history collection and are real documents. These were all found online in the past 15 years. How the internet has changed things!

Work In Progress: Marie Lloyd.

I have something slightly different for you today. Yes, this is a work-in-progress update, but I also want to share a piece of research with you: Marie Lloyd’s baptism record.

If you’re not sure who I am talking about, the music hall artiste and actress known as Marie Lloyd was probably one of the most famous such entertainers of the late 19th and early 20th century, in Britain, at least. She did tours of other countries, including America, and was known as the people’s favourite. She came from Hoxton in East London and started on the stage when she was about 14. Click to Wiki to find a biography of Marie Lloyd.

She was also known for singing the popular song, ‘My Old Man (Said Follow the Van)’ from which I took the title of my current work in progress, ‘Follow the Van.’ The song came after the time the book is set, but as the story is also about Jack Merrit discovering things about his late father, it all seemed very appropriate.

The draft is now at 70,000 words, and I guess I am looking at the first couple of weeks of March for a release. That is if I can pull my finger out and figure out the ending, write it, rewrite everything and do the usual checks and proofs before all that, while thinking up a cover and having it designed. So much to do! So, I’ll leave you with this image of Miss Marie Lloyd’s baptism. She was born Matilda Alice Victoria Wood (second row down) in 1870, and her father was an artificial florist. There will be more about her on a future blog, possibly on Saturday, with some more images from the past.

Follow the Van Research

In the absence of any bright ideas for today’s blog, I decided to check out my current work-in-progress folder and see what was lurking there. As you know, the current WIP is called ‘Follow the Van’ and the story has something to do with the music halls of Victorian London. Therefore, what’s in my folder, apart from the text files, are research images that I’ve pulled from here and there.

Here’s what I have and a short explanation of why. This might give you an insight into how I put research together, although these images are the tip of a larger iceberg of reading, books, maps and online pages. Apologies if I’ve already shown you some in other posts.

First of all, this shot of the Gaiety Theatre in Strand, London. Clearly, the photo was taken later than 1892, because of the engine of the omnibus, but the building is how my characters would have seen it. The theatre lasted from 1864 (as the Strand Musick Hall) until it closed in 1938.

The Gaiety Theatre, Strand, London

A map of the Boundary Estate in Shoreditch from 1892. The estate was also known as The Old Nichol and was considered the worst slum area of London. At the time my novel is set, the estate was being changed, people were being moved out and a new estate was being built. My story concerns a theft from a dwelling in Mount Street on the eastern edge of the estate.

A cutting from a newspaper (I think it was The Times) from 1892. Yesterday, I was writing about the Charing Cross Music Hall, which is still operating today as a theatre beneath Charing Cross Station. As you can see, Marie Lloyd was on the bill at the time my story was set, and after I’ve posted this. I am heading into chapter 19, where Jack Merrit will come face to face with the woman who was on stage with his father when he died.

Cutting from The Times, September 1892

This is a shot of the inside of the Roman Road music hall, another venue that is still in use today. I’m not using this particular one in the story, but the image gives me inspiration, as does the history of the building. Now called Wilton’s Music Hall, you can find out more at its website.

Wilton’s Music Hall

This is the London Music Hall in Shoreditch. This one has had a few names, thanks to having several owners over the years. The theatre was at 95-99, Shoreditch High Street, formerly Holywell Street. Originally built in the year 1856, and called the Griffin Music Hall and Pub, it was rebuilt in 1894 as the London Theatre of Varieties. In 1896 it became known as The London Music Hall. In 1924 it became the Shoreditch Empire Theatre and was demolished in 1935.

Finally, this image of Tower Bridge that I mentioned on my Facebook page the other day. I was writing a chapter where Jack sits outside a pub overlooking the building of the ‘new’ Tower Bridge. It’s 1892, and it’s September 28th, so I looked online to see if I could find out what stage the construction was at. Lo and behold, there was a photo of the bridge taken on that exact day! Here it is, with Jack just out of shot along the bank sipping a pint and waiting for his client to arrive.

That’s it. The rest of my ‘Follow the Van’ folder is filled with the various chapters, outlines and research notes which I’ll save for another day.

Work in Progress Update

Follow the Van

Good morning! This is a very quick update to let you know I’ve not forgotten about you, and the next Delamere story will be along in a few weeks. I am currently around 60,000 words into ‘Follow the Van’, and am heading towards my main character’s personal climax. Once that’s happened, he’ll be free to think clearly and head into the action climax when the mystery will finally come together and be solved.

Meanwhile, here on our Greek island, the winter has continued to be mostly reasonable, in that it’s not been freezing cold. In the past we’ve had temperatures down to freezing, but this year, only a couple of days of single figures (so far). This means, on days such as yesterday, it’s a pleasure to go for a walk in the morning and while doing so, set in my head the next piece of action or the next chapter. Today’s chapter will be the second half of yesterday’s wandering and wondering. I talk to myself as I walk, talk internally that is, and tell myself the story as if I was reading it. When I get back from the walk, I jot down the outline of what I’ve just dreamt up, and hope I remember the detail when I come to type it all up.

I need to start thinking of a cover soon, and as usual, am at a loss. I have Andjela working on some new banners for this website, so you may see some changes there, and I am looking at more Book Funnel promos to join in with because they are producing sales results, for which I am very grateful because I’ve not got much paid work in at the moment. And that’s my update, so back to the typowriter and chapter seventeen…

One of the locations in ‘Follow the Van’