Sorry I missed the blog last Saturday, I am still trying to rest my arm as much as possible, though I am still writing. It’s a little frustrating, only putting in half a chapter a day or around 2,500 words when I am used to writing 4,000 or so, but it has to be done. Anyway, I am not complaining!
Newsletter & Promos
If you want to check out loads of new titles and authors across various genres, then sign up to my newsletter. I have got into the habit of joining three or four free promos per month, and sharing the details with newsletter followers, pointing them towards a whole series of mystery, thriller, MM Romance, and LGBT stories, novels and collections. These are all free to browse, and I’ve picked up some great new reading from them. Each month, I send out a newsletter to announce that month’s promos, so if you want to be in on it, simply sign using the two boxes over there on the top right. >>
Here, for example, is a promo that covers: General Fiction / Contemporary Women, General Fiction / Historical Fiction, and Non-Fiction / Biography & Memoir.
Click the banner
A Question of a Title
While that is happening in the background, I am still working on Delamere Six. I am at around 60,000 words, and the story is coming together nicely. It’s one of these where I know the climax and outcome, and am working towards it along planned lines, when one of the characters throws me a bombshell twist and I have to get myself out of his predicament. At least, that’s how it feels. This book’s subject started off as being about photography, and although that is involved, it’s now more about graverobbing and gay cruising grounds of the late 19th century.
What’s missing still is the title, and I have a few to consider. As it’s me, I like a play on words and thus, am thinking go ‘Grave Developments’, as that brings in both photography and the other theme of the novel. Actually, having spoken to you aloud about that possibility, I think I will stick with it! I also had in mind, ‘A Grave Affair’, but that sounded like ‘The Eyre Affair’ by Jasper Fforde (which I couldn’t get through, sorry), and I also thought of ‘A Very Grave Shock’, which is a line from the story, but which sounds too twee.
So, Grave Developments it is – it kind of fits with the early Clearwater in that it’s two words summing up the novel’s theme; ‘Deviant Desire’, ‘Fallen Splendour’, etc.
And the images today are relevant in that they are parts of what I have been researching recently. The Invalid Asylum for Respectable Women in Stoke Newington, and more photographic background.
A service that might put Dalston Blaze out of work.
Here’s where I am with Delamere six, which currently has the working title of ‘Snapshot.’ I am approaching 30,000 words of draft one and, although I am enjoying the ride, I may have given myself a case that’s far too complicated for one book, or which may be all mystery and no emotion. So, yesterday afternoon, I sat down to list what should happen next in logical order and was surprised at the results.
This is me working out my action plot, the mystery, the clues, and within that, the ‘Why’ of the matter. The ‘Who’ came pretty easily – who is the villain, and who is the hero (the Delamere boys collectively for this one), then there’s the ‘What’ does the hero want? To crack the case, and the ‘How’, by proving the Who did the other What (the crime), and there we have a complicated but perfectly explainable action plot.
Next is to weave in the emotional who, why, what and how throughline, and, in this case, there isn’t one. There’s no falling in love, friendship breakup or anything like that, yet there should be, otherwise, all we have is he did this then he did that. So, I need to consider what emotional issue my main hero, Jack, should deal with. It may be the temptation for more adventurous sex with Larkin Chase, because of something Jack sees while breaking into a mausoleum in Abney Park Cemetery late at night with Jimmy Wright in order to view a…
But that’s the story so I won’t give too much away.
Usually, when I get to around 30K words, I go back to the beginning to reread from chapter one. This reminds me where I am and how I got there, brings up anything that might need changing – because I often start with one idea and then change to another and there are subtleties to bring out or get rid of. That should take me today and tomorrow, and then, I can press on with the rest of chapter eight. I have passed the quarter mark, the end of act one, where everything is set out, and I am into the friends, adversaries, twists and obstacles section heading towards a twist/change around 50K words – but with no idea yet what that will be,
This is called being a ‘panster’ and flying by the seat of your pants and it’s how the last new novels have come about, so I’m not worried. What I am, is late for work, so I’ll leave you with a reminder that the current promos are running until the end of the month, and here’s the link to September’s LGBT Romance and Fiction promo with loads of new authors and titles for you to browse.
Once again, I find myself typing ‘Nearly There’ as a title, because ‘A Case of Make Believe’ is nearly ready to be released. It’s currently with the guys at Other Worlds Ink who do the layout for me, and I hope to have it back for checking in a couple of days. Meanwhile, I’ve started the next one, and have drafted the first chapter and a half. As per usual, I have an idea for a scene and have started with that with no idea where I am going or how this one will end. Sometimes I know the whole story, other times, I know how it will end. In this case, I know it will have something to do with early photography and murder, but apart from that…
Here’s the current opening line:
Of all the things Will Merrit imagined he would do as an investigator, locking himself in a pitch-black bathroom with two other men was not one of them.
If you were wondering about the opening of ‘A Case of Maker Believe’, then here’s the opening line of that one (which follows the date, January 5th, 1893)
She stood beneath the stage petting a rat and wallowing in the gasps and groans from the audience above, while through the dust-shedding boards came the sound of her lover’s footsteps as the story neared its climax.
And, to tease you further, the final line of the story:
The box of gifts still to be distributed, he watched, smiling, and could think of nowhere else he would rather be than home.
So, all I need to do now on the Delamere Files Book Six is to find a story and write it into 100,000 words. Meanwhile, as soon as book five is published, you will be able to find it here:
Hello! Today’s work-in-progress update will be a simple one. ‘Where There’s a Will’ should be ready for you in a few days. As I write this (yesterday) the guys have it and are doing the internal layout. That usually takes me a day or two to check and approve, and I hope to have it back this week. Andjela is working on the full cover, but I can release the Kindle as soon as I approve the internals. So, watch this space for this:
Click the cover, and you will find the existing Delamere Files series page.
As for the other work in progress, ‘Bobby’, I am about to start on the proofs of that and the final checking process. I’m not able to release this one until July due to funds, but I’ll commission a cover in the next two or three weeks, and keep you informed about progress. It’s not a novel, it’s a true account of my gay godfather’s life as told by him and edited by me, spanning the years 1919 to 2007, and it makes for incredible reading.
More about that soon. Meanwhile, it’s back to editing for me and, I hope, back to reading for you.
‘Where There’s a Will’ the fourth book in the new Delamere series, is now at 75,000 words of the first draft and we’re entering the final reel. The writing is going smoothly, though will need some editing because of my ‘condition of repeatedness’, as Will might say. My habit of putting in notes to myself as I go to ensure the reader has got the point. Later, I take these out. They are tricky enough not to write in a standard mystery, but this one has so many details, I find myself doing a whole paragraph of reminding the reader of what we already know. So, I’ll have to make sure and look out for those as I go through the MS for draft two.
Still, we’re getting to see the world from Will’s point of view, starting to understand some of his ‘condition of preciseness’ a little more, and he is growing as a person, detective and character generally. It’s also interesting to see his view of his brother as we’ve not had much of that, and to learn some of their history that we may not know already.
Soon, I shall have to start thinking of the blurb and the cover design, but I will save that until I am into the second draft and sure of the story. I usually commission a drawing for the inside, but I have done the three main characters from the Delamere series (Jack, Larkin and Will) and most of the characters in Where There’s a Will are only going to appear in this book, though there is one I may reuse, he’s not a vital player in this story. There might, instead, be a map of Templar Island, where the story is set. I’ll think about it.
Meanwhile, this series, and the others are doing very well thanks to the two promos I am taking part in this month. First there’s:
Academia Romance of all genres as long as academia is involved.
Then, there’s:
Historical fiction, all periods pre-1950 and all available on Kindle Unlimited.
This week’s work-in-progress blog is about Where There’s a Will, the 4th book in the new Delamere Files series of detective novels. I’m very pleased that the series is going so well so far. The current promo…
… has given the series a boost, and the first three books are currently top of my sales chart, with Deviant Desire not far behind. It’s always good to have popular series starters because they can lead to more sales. Numbers do drop off though, so out of every 100 Deviants I sell, I probably only sell 80 Twisteds, and then 70 Unspeakables, and so on. What I also find, though, is that people will read the first one or two books and either not bother because it wasn’t what they were after, or, will carry on all the way through and buy who whole rest of the series in one go.
But, anyway, where was I… oh yes, I was meant to be telling you about Where There’s a Will. Someone wrote in a review that they hoped Will got his own book as the main character because we’ve had three of his brother Jack. Well, good news. Where There’s a Will is about Will (Merrit) being sent to attend the opening of a will (legal document), with his brother, Jack (now finally settled with his sexuality and his new job).
Lundy, in the Bristol Channel. Inspiration for my Templar Isle.
The reading takes place at a castle on a private island, in the presence of twin brothers (the heirs), the dead father’s ancient nanny and her brother, the mute boatman, a couple of the servants, and a friend of the youngest twin. Charles de Marisco (the youngest twin) fancies his friend, Barrett Newton, but Barrett takes a shine to Jack. That’s the human underscore for the investigation which is a mystery in itself. Why have private detectives to the reading of a will? The reason becomes apparent when the solicitor reads the legally binding will and presents the character with a race against time.
I’ll say no more for now, except that I am 45,000 words into the first draft, so just about halfway, and things are looking good. Will is the main character, but we also have Charles de Marisco’s point of view. More news in future blogs.
You may have had your Easter by now, but over here in Greece, ours is yet to come (May 5th). Meanwhile, the special Easter promo of queer romance novels available on Kindle Unlimited is still running. My third series starter, ‘Finding a Way’ is in there with many other hot titles, and you can find them all by clicking the image:
So far, on Amazon, Finding a Way has had 56 rates and a few reviews. I am pleased to say that it’s gained mainly four or five stars (you can never please everyone), and some people have gone to great lengths to leave very positive reviews. Here are some snippets:
Find your way to reading this first book in a new series.
I highly recommend this book for those fans of Jackson Marsh who enjoy his style and humor.
I was hooked on this story from the very first sentence. As always, great characters are introduced to the reader and some cameo appearances of characters from previous series just tied everything so perfectly together.
His brilliant use of words, particularly with the more colourful, learned characters, is almost poetic in nature, while still being incredibly funny to read.
The scene between Jack and Larkin is sublime and other MM romance authors should take note that this is how you write a romantic scene.
Thank you to everyone who takes the trouble to write a review and post it. And also, a huge thank you to anyone who shares these blog posts, the books’ links and news of the Clearwater, larkspur, Delamere series, and my other books.
Usually on a Wednesday, I give you an update about my current work in progress, and I will, but today, there is a little more news than that…
Follow the Van has just been released and the paperback version should be available in a few days. This is book three of the Delamere Files series which follows on from the Larkspur Academy Mysteries, though takes us away from Larkspur while keeping us in the Clearwater world. The first three books focus on Jack Merrit, his first love and his new job as an investigator. With him is his younger brother, Will, and book four takes Will’s point of view of the world. So…
Where There’s a Will has begun, and I am already on chapter three. I must admit, I’m not sure where the story is going, as I only have a rough idea, but I know it’s going to be fun and intriguing, though like the others in this series, not particularly steamy. Meanwhile…
The Students of Barrenmoor Ridge is in a special promo that is celebrating the best friends to lovers trope. In my contribution, two 18-year-old besties go camping, one is determined to come out to his best mate, but then, they are attacked, and in trouble, and the two characters from The Mentor of Barrenmoor Ridge have to come to their rescue, both physical and emotional. Yorkshire Dales, mountain rescue, nerdy teens, crush, best mates, and ‘fade to black’ sex, so suitable for anyone who’s around 16 and upwards.
The special Historical Fiction available in the Kindle Unlimited promo is still running, and you can find the books listed here until the end of the month.
And soon… Another promo will hit the screens and you’ll get another newsletter reminding you (if you are signed up for my newsletter). This one is called ‘Spend Easter with Queer Romance,’ and there are plenty of new titles available. Or, there will be soon as the promo doesn’t officially start until March 29th. However, Click Here and you will be able to see the covers, and after the 29th, you’ll be able to click them and find out more info. I have all three series starters in this promo.
That’s the news for now, and as you can see, there’s a lot going on!
Today, as promised, you have the second part of the first chapter of ‘Finding a Way’ that was cut and replaced with the first chapter as you have it now… Confused? Don’t be.
Last Saturday we had part one, and today part two, so you can always go back to last week’s post to start from the beginning. This chapter (and the one I will post next week), constituted the original opening for the book. I later decided they were more about me telling myself the backstory, and I ditched them, using only the salient parts in the final draft.
Just to remind you, this is 1st draft material and has not been properly proofread.
Will was more than Jack’s best friend and brother; he was also his responsibility and had been since he was born. On the outside, his younger brother was as fit and able as any twenty-year-old, as bonny as any other young man who lived on a diet of whatever Grandma Ida could find for the few shillings remaining after Reggie’s cab week, and although narrow of body, he was not underfed and never looked starved. It was inside that his problem lay, a problem no doctor had yet been able to name or treat.
Whatever the name for his strangeness, Will was not an imbecile. Jack had taught him to read and write, their grandmother had taught him to sew and wash clothes, but no employer would entertain him on account of his mannerisms; the way chairs had to be square-on to the table, the cutlery perpendicular, the plates washed twice, and the bedding turned down just so. There were never complaints or tantrums if these things were not done to Will’s satisfaction, he would merely move the furniture he thought out of place, or brush the dust from the blanket, turn the pot on the stove to the correct angle, or untie Jack’s boot laces when left by the door, and set them straight. To the family, this was just how Will was, but to anyone else, they were signs of inherent madness, and to strangers, that made him untrustworthy.
When his brother was twelve, Jack persuaded his foreman to give Will a day ticket to work. He wanted to prove to himself and the family that his brother could do more than read books, or stare at the embroidery hanging over the mantelpiece until, driven by frustration, he took it down, unpicked every strand, and sewed it back together because one stitch had been incorrect. Jack had faith in him, and Will was keen to show he could be useful.
The foreman was not impressed. Charged with stacking the sacks Jack was unloading from a clipper, Will was set to work in a warehouse where older, gruffer men swore and whistled as they hauled and handled. Having delivered his first load, and shown Will what to do, Jack returned to the ship to take on a second wagon-full and drove the cart back to the stores. There, to his dismay, he found Will had set the sacks in a line, opened them, and was transferring grain from one to the other so that each was exactly the same level. They were discovered before Jack could put things right, and Will was dismissed on the spot. Had Jack not spent years in the docks lifting and carrying, tending horses, and making himself invaluable, he too would have been out of work, but he was strong, reliable and never complained. The foreman docked him two day’s pay, and told him to ‘Get that idiot out of my stores,’ and he never tried the experiment again.
Will was not an idiot, and neither was Jack. It was clear to see that without two incomes, the family would soon be homeless. The rooms were not big enough to take in lodgers, although apartments with ten in two rooms was not uncommon in their street, but Ida had standards, and they were to be kept no matter the pain in the stomach or the chill in the air. It was bad enough for four of them to sleep in one room, live and eat in the other, and share the privy with four families, so renting out space was not an option. Nor was increasing his hours at the docks, because the company didn’t allow that, and neither would it have been possible for him to find night work and labour twenty-four hours a day.
There was only one way Jack could think of to earn enough to support everyone, and it involved a walk, a lot of thinking and a risk. If the first stage of his barely thought-out plan was a success, several months of hard work would follow, and that would have to be done while he continued to work his docker’s ticket. At some point, there would be a test, and he would need a license, but he was a fast learner, and already knew the layout of the East End. Learning the rest would take time, but it was not an impossible task and, thanks to Reggie’s years on the rank, he had contacts.
One of them was exactly where Jack knew he would be, smoking his pipe outside Limehouse railway station, chatting to another cabman, and complaining about the weather. On seeing Jack, the old man removed his cap and waved it towards his hansom while throwing up his arms.
‘Reggie can’t work,’ Jack called ahead. ‘Had a fit.’
‘What?’
‘Had a fit,’ he repeated when he arrived, hot but not out of breath after the long walk. ‘Can’t work no more.’
‘Why, you be pulling a me leg, ain’t you, Skip?’
Mr Hart had called Jack that name since he could remember. Skip Jacks were the boys of nag dealers, employed to ride them during sales, and Jack was good with horses.
‘Ain’t, Mr Hart. Grandad got a shock and fell down. Doctor says there’s no getting him right.’
Jack told him what had happened, and Hart passed on the news to his fellow cabmen, all of whom offered their sympathies and promised to visit when they could.
‘Yeah, well, he don’t need sympathy and hellos,’ Jack said, filling his pipe as the men returned to their groups and fares. ‘He needs a favour, Mr Hart. Rather, I do, and I was hoping you’d help me out with it.’
‘I’ll do what I can, son, but I’m guessing you’re heading for the lend of money, and I can’t ask the Mission to help you with that.’
‘That’s not it. I got my six days a week at West India. It won’t keep us for long, and I ain’t got none put by, none of has, but I got a plan, and I need your help with it.’
‘Not following you, Skip,’ Mr Hart said, holding a match to the bowl of Jack’s pipe.
‘Knowledge, Mr Hart, that’s what I want. Can you help me with it?’
‘Now you’re thinking I’m some schoolteacher? You sure it ain’t you what’s had a fit?’
‘No. I need to learn the streets.’
One of the first things Jack remembered about his grandfather’s oldest friend was the way his eyebrows met in the middle when he pulled a face. He was sure he’d done it to him as a baby, because behind him in the distant vision, were Reggie and Ida, laughing, and Jack could recall stretching out a hand and touching the strange man’s side whiskers. They had been black then, but now they were as white as a new sheet, as were his eyebrows which met, not to cause laughter, but in confusion.
‘What?’
‘How long will it take me? I know most of Whitechapel and Limehouse, Millwall of course, and far up as Mile End, but…’
‘Now hang on, Skip. What you saying? You want to take over Reggie’s cab?’
‘That’s the measure of it.’
‘You can’t just do that. ’Ere!’ Hart called to another on the rank. ‘Skip thinks he can get up there and nick our job quick as you like. Wants to learn the knowledge.’
‘Let him,’ one of the others called down from his seat before snapping his whip and clattering into traffic.
‘Yer, get started now, Skip, and you might be driving come Christmas,’ another encouraged. ‘You understand the nags, you only got a learn the rest.’
‘Christmas next year at least,’ Mr Hart said. ‘You can’t just get in a cab and off you go, Son. You got a learn…’
‘The streets. I know, and you know them, and you know what’s the easiest way for me to remember them. Will you learn me?’
‘What, just like that?’ Hart flicked away the match and laughed. ‘Getting the test’ll take you two years, and you never stop learning. They keep putting in new roads, new buildings going up, even new bloody bridges, which, I admit, are easier to find. You got a know not only your patch, but anywhere from Enfield to Epsom, what theatres chuck out what time, what master’s yard offers decent rates, and none of them do, not no more. Then there’s your charges. How you going to start if you ain’t got nothing put by? No, Son, you want to step into Reggie’s shoes, then get yourself better docking. You’re built for that, so stick to it. You’ve always been good at lifting and carting, you don’t want a be sitting up there in all weathers freezing your Tommy’s off, and getting the rheumatism from the wind. You’ll turn to drink when you’re bored, and there’s never a guarantee you’re going to make any more than the East India pays you.’
Jack had expected this and, on his way, had made his calculations.
‘I see it this way, Mr Hart. I get twenty-four shillings a week from the docks. If Grandma Ida can get some poor relief on the rent for a couple of months, my pay’ll cover all else, with some put aside. Hold on…’ Pointing his pipe prevented the old man from interrupting. ‘I know what you’re going to say. Reggie was putting out over a hundred and fifty pounds a year to rent the hansom and horse, right? It’s twelve shillings a week for winter, up to nineteen ’round Derby and Ascot weeks, but at that time, I can make three quid on each ride to the races, and it’s back to eleven a week come August. To pay the hire, yard and boy, I got to make ten shillings a day, six days a week to keep even, but there’s more than five million potential fares a day out there, so I reckon there’s room for me. I got the costs in me head, and I know what I’ll need to pay for the house and Will on top. You know Will can’t work much on account of his strangeness, but he’s been taking in some sewing, and now we’re going to need medicines for Reggie, and Ida’s getting along towards seventy, though she takes in a bit of washing. I thought it through, Mr Hart. I just need to know how to learn the streets, and how to get me licence. I’ll rent from Harris on me own badge same as you and Reggie. Now then, you’ve been Reggie’s best man since before me dad was born—Oh, he died last night, by the way, but none of us is bothered. So, I reckon, if you want to help your oldest mate, right now dribbling down his chin cos one half of him’s not working, the least you can do is point me in the right direction.’
‘That was quite a speech,’ someone said after a moment’s silence. ‘The lad’s thought about it.’
Other cabbies had come to listen, because there was never much to do at that time of day in Limehouse, and the next train wasn’t due in for ten minutes.
‘Yeah. Thought about it for the half hour it took him to walk over,’ Mr Hart said, studying Jack with his yellowing eyes and sympathetic frown. ‘Your dad died?’
‘Yeah. Fell down at the feet of Marie Lloyd halfway through the gallery song. Dead as a donkey. Probably got the biggest applause of his career, but I ain’t bothered about him. Now, what d’you say?’
‘I say it’s a pretty rubbish song in any case, Skip.’
‘The knowledge?’
Mr Hart stared at him and shook his head in resignation. ‘Two year at least,’ he warned. ‘That’s what it’ll take you. You got over two hundred miles of streets, more than twenty thousand street names, the routes, cut-throughs, tolls, the way the police watch you, and how things work. That’s without trying to make ten bob a day. Think you can do it?’
‘I don’t need you to put me off, Uncle Bob, I need you to help me out, and help out Reggie and Ida, but mainly, I need you to help me help Will. What d’you say?’
Maybe it was because he’d called him Uncle Bob, and been familiar rather than polite, but the old man’s eyes narrowed as he sucked on his dead pipe, and he glanced at his colleagues gathered to the side, his white eyebrows asking the question on his behalf.
‘If he’s got the stamina and the brains,’ a cabman said.
‘He’s got them alright,’ Hart muttered as if jealous. ‘But the time?’
‘I can put in five or six hours a night, and all day Sundays,’ Jack said. ‘That’d still give me time to sleep.’
‘The nipper’s got it all planned, Bob. No changing his mind.’
‘There ain’t.’
‘But I got to sleep an’all, Skip.’
‘Ah, you’re getting old,’ another cabman laughed. ‘The way I see it, young Jack, is this. Us men what wait and drive, drive and wait, we look after our own, and Reggie’s one of us, so that makes you family an’all. I’d be happy to take you out a couple of hours one night a week.’
‘Yeah, and me on Sundays,’ said another. ‘Least, a few times.’
‘Scottie’s the best for the cut-throughs,’ another said. ‘He’ll do it, won’t you?’
‘Who’ll pay me?’
‘God.’
‘Keep your bible out of it, Stan,’ someone laughed. ‘The lad’s keen, he’s quick, and most of all, he’s Reggie’s boy. I’ll learn him the West End.’
Charlie, a younger cabbie, volunteered to teach Jack south of the river and the bridges, while others offered their time here and there, but only because he was Reggie Merrit’s grandson, and cabmen were a fraternity, and before Jack had a chance to thank them, or take in the enormity of what he’d started, even Mr Hart agreed to teach him one night each week, although they all decided Jack would have to pay part of the cab hire because they would be working longer hours.
‘Study hard, Jack, and you’ll get your badge,’ Hart said. ‘I’ll have a word with Harris, he’s slippery, but the easiest to hire from, and he’s got a lad at the stables who’ll teach you the tack and traces.’
‘I’m ahead of you there, Uncle Bob. Been carting nearly ten years, ain’t I?’
‘True enough, but it’s different.’
‘When can I start?’
‘You can start right now,’ the younger driver said. ‘You can ride with me. Me nag ain’t called Blister for nothing, she’ll pull the extra weight.’
Mr Hart gave a final sigh of defeat. ‘Alright, Skip. There’s more than seven thousand of us on the stands, another won’t make a difference.’
The two-at-once scenario persists. I am giving ‘Finding a Way’ my almost final read-through before sending it to be proofed. After that, I will do another read before setting a release date. Andjela has provided me with several cover ideas, and I have chosen one. By the look of the cover, I have invented a new TV detective series set in the late 1800s, which is (almost) what I intended. Dazzling, who does my illustrations, is working on a character drawing of one of the MCs, because I like dropping them at the front of the books these days, and I am still fussing about whether the book is any good or not, but that’s par for the course. (It is good, but because it gives us new characters, I always worry about what’s going to happen to them.)
Fall From Grace
Meanwhile, book two in the new series has a title and 45,000 words of a slowly evolving mystery, during which my main character starts to find his feet as a Clearwater detective and as a recently able-to-be-out gay man in 1892.
Where book one is more of an introduction/prequel than a mystery, book two starts off with a case. A client charges my new detective with finding a missing man. My newbie, Jack Merrit, is being tutored by old hand, Jimmy Wright, and is finding the transition… Well, I’m not saying too much right now as I’m not even halfway through, but I know where I am going – though the characters don’t yet know what’s in store (insert an evil laugh), and I know how things are going to work out in the end.
The end will, of course, lead to book three… But that’s a way down the line right now.
The Series
I was going to keep details of the new series quiet for as long as possible, but I’m getting to the stage where I have to start dropping teasers and hints. So, I can now give you the title, font and subtitle that will accompany the new books, and the first one will look like this:
The Delamere Files, eh? Uh huh. Each one (after book one) will be a case for my trainee detective. I intend to keep my three main characters and build them and their relationships as they find their way through this new world of being investigators of one sort or another, and around them, I’ll build more traditional mysteries than the sometimes-outlandish ones we have in Clearwater and Larkspur. (All of which were perfectly feasible, and some of which actually happened.) While all that is going on, favourites from Clearwater and Larkspur will give us guest appearances, and the main characters of Jack Merrit, Will Merrit, and Larkin Chase will develop, fall in and fall out, and… who knows what else.
So, that’s where I am right now. I am heading back to book two, chapter 11, somewhere in West Kent in July 1892, and a graveyard…