On this train journey from London to Cornwall, which is how I am measuring my progress on Speaking In Silence, we have now reached Reading. That, in my writing world, represents chapter six, and about 20,000 words. The journey was running smoothly until we had engine trouble early last week at Slough.
For the previous few days, I’d been having trouble with my left eye; seeing things floating around in it that I couldn’t wash out. Thinking I should do something about this, I popped down to see our local doctor, who, after an examination, recommended I saw an ophthalmologist. We don’t have one of them here on the island, so, I called my health insurance people, and they agreed to arrange a consultation with one on Rhodes. The agent rang back me late on Tuesday evening to say I had an appointment for 10.15 the next day. Luckily, at this time of year, there is a daily boat leaving at 7.45, so I caught that on Wednesday and was in the ophthalmologist’s chair at the appointed time. After nearly two hours of all kinds of tests, and with my pupils fully dilated for the next six hours, she rang the optical centre down the road, and they told me to come straight on over.
During the time the drops were expanding my pupils to the size of a bushbaby’s eyes, I’d popped out to buy sunglasses to wear over my usual specs, and boy, did I need them as I fumbled my way up the road, across the crossing and down another road, blundering into the medical centre a few minutes later. Another quick consultation with a second specialist and I was in his operating chair within ten minutes of arriving. (You have to love Greece for its abundance of specialists who charge very reasonable rates.) The diagnosis was a tear on my retina, and that’s a tear as in rip, not a tear as in drip. Ten minutes and 150 laser shots later, I was done. Yes, it was painful; like someone sticking a needle in your eye followed by a punch inside your head, though not on every shot, so when you thought it was over and the shots weren’t hurting, you’d get another stab. Afterwards, the doc told me, ‘You can’t jog,’ to which I replied, ‘You’re right, I can’t,’ and I am not to lift weights or bend over or violently shake my head for a month, but I am, at least, repaired.
Anyhow, that kept me from working and caused another hiatus in my journey, but I re-joined the train last Thursday, and have been chugging along ever since.
If you’re wondering why the train references, it’s because the pivotal story point of Speaking In Silence happened on a train journey from Brighton to Croydon in 1891. I am basing my character’s story on a true event from that year, though setting the backstory in 1887 for convenience. The story isn’t all about trains, though they will come into it, it’s about friendship. For those readers hankering for another love story, you might have to hanker a little longer, as this next book will be about friend-love, rather than erotic love.
And on that note, I should sway my way up-carriage and find Edward, the character who is currently telling his friends what happened to him when he was 16, and why a visit to the Larkspur Academy by a group of prominent MPs should have given him cause to run away. I’ll check in with you at the next stop next Wednesday, when, eyes, lasers and bushbabies willing, I will have progressed the story further.
I started back on Larkspur Five, Speaking in Silence, on Monday. I’d done some work on it previously, but I wasn’t that happy with what I’d written.
The first chapter is fine (for now), and it’s rather Dickensian as we follow a mystery character into the depths of Greychurch (Whitechapel) for a clandestine meeting which sets up the rest of the story. Then, however, I’d cut to a couple of men at the Larkspur Academy and had written a very prosaic ‘waking up’ scene. This was followed by breakfast where Fleet asked all the characters what they were doing, and filled us in on what’s happened at the academy since we finished reading Seeing Through Shadows.
What I’d actually done, I realised, was tell myself what had been happening and where everyone was. Cadman was mapping the estate, Clem was about to start his business, Frank had been doing XYZ and Hyde and Hope were blah-di-blah. The reader didn’t need to know all that in the second chapter, and it was a bit ‘in yer face.’ So, I scrapped it. Rather, I put it in the ‘cuts’ folder because there are parts of it I will need later. I just didn’t need to bung it all in right at the start in the manner of a ‘Previously on Larkspur…’ announcement at the start of a TV show.
So, with chapter two out of the window, I moved chapter three, which I’d started, to second place, and carried on, and now things are flowing much more smoothly.
The story proper starts in chapter two (one being something of a prologue), and it starts with a dinner party at the Hall. Bigwigs and important MPs have come to inspect the academy, and among them are the men who will decide if Archer should be raised to the rank of Earl.
I need to do some research there, because things might have been different in 1891 to how they are now, and I know it’s not as simple as the monarch awarding the title like the good old medieval days. At least, I don’t think it was like that… I’ll let you know.
Anyway, the news is that the train has left the station and I am driving it, albeit slowly to start with. If you’ll excuse the analogy, I reckon I’ve just left Paddington and am still building up a head of steam. I’ve only reached the western suburbs so far, and my destination, Larkspur Hall in Cornwall, is still a long, long way away.
Week two of the creation of ‘Speaking in Silence’ and I’m afraid I will have to be rather silent on the subject. I said in my last WIP blog that I intended ‘beginning on the book proper in a couple of weeks.’ I still do, and the couple of weeks has now become one week. I intend to start on it on Sunday. Meanwhile, I have been reading about railways, investigating a few other matters I need to know, and inventing scenes in my head.
So, the WIP news this week is that there isn’t any WIP news this week, but I’m looking forward to knuckling down again in a few days. Summer is fast approaching, and that means I’ll be up at my usual summer morning time of 4.30-ish, at the desk by five if not sooner, and will have all morning and, when it’s not too hot, all afternoon to dedicate to the next Larkspur adventure. I’ll be keeping you informed as I progress through it.
Or, in my case, two bibles, and we’re not talking religious texts. We’re talking about notebooks. Today, I thought I’d take you through my author’s bible. In other words, how I keep track of characters, places, descriptions and facts when writing a long and ongoing series. The photos show my two main notebooks, with brief explanations as to what you are looking at.
In the Beginning…
I have a chest in which I keep my original notes. I started this collection about two years BC (that’s Before Clearwater), and the papers are now yellowing, and the writing is fading. I used to make notes about the stories I was writing on pieces of scrap A4 paper, usually the backs of drafts I’d had printed, and among them is a list of most commonly mistyped words. I use that to check the full manuscript when I reach the end of a draft; words like form and from, for example. But these notes are not my author’s bible, that is a leather-bound, blank page notebook Neil bought me for Christmas 2018, and just after I’d written ‘Curious Moonlight’, I decided to start keeping my story thoughts in it. The first few pages concern a Gormenghast type story I was thinking of writing, and the only thing not now crossed out is a list of names: Anthem, the choirmaster, Pook, a serving boy, Tripp, a footman, and Archie with no job, but whose name means ‘genuine and bold.’
The beginning. As you can see, the Clearwater Series started in January 2019, and the first book was originally titled Deviant Lamplight, then Deviant Devotion and finally, Deviant Desire because the other two ideas were, frankly, terrible.
And therein lies the beginning of the Clearwater Mysteries. ‘A brethren of seven…’ was among my first notes, and I carried that idea over to the Clearwater crew: Archer, Silas, Fecker, James, Thomas… Well, a brethren of five that later becomes seven with Jasper and Billy, and then eight with Mrs Norwood, and so on until I now have a cast of thousands.
So, with 11 Clearwater books and, now, four Larkspur novels, how do I keep track of the details, and why?
Why is Easy
If you read a book and the character has blue eyes in chapter one, but brown eyes in chapter ten… If Larkspur Hall was in Bodmin one moment, and near Bodmin the next, or if Silas’ mother came from Dublin in one book and somewhere else in another… You see where I am going with this? It’s easy, as an author, to think I’ll remember that, and not write things down. Later, say two or three full novels later, you think, Ah yes, I remember I had to remember that, but what was it…? And then, you spend half a day searching your copy of the novel you thought the fact was in, only not to find it, and end up rewriting your section to avoid having to mention the important fact.
Keeping concise but accurate notes about the world you are inventing is safer all-round, even though you think, It’s my world, I won’t forget that.
How is Another Matter
Every author has their own way of keeping a record, notes, the author’s bible, as it’s commonly known. Some hire people to do it for them, to read the entire series and make notes on everything. Some people do this because they are fans, others, to earn money. I do it as I go, but I don’t do it in any structured way, by which I mean, my bible doesn’t have an index. I do, though, know roughly where to find things, and failing that, I flick through the pages.
Once I knew Deviant Desire was going to lead to a second book, I decided to use my new leather notebook to keep my facts, and started with Archer.
Archer’s notes updated over time.
These two pages contain the basics about my main character. His full name, titles, date of birth and other unchangeable facts like where and when he went to school and his physical description. Over the page, we have a double-page spread about Silas, including the date he and Archer met, and how old he is. Then comes Andrej (Fecker), Thomas, ‘East End and other characters’, minor characters not seen, other locations, a glossary, the list of murders, places and dates (from Deviant Desire), and a page of random notes.
After a blank page comes the name Sam Wright… Crossed out and replaced by Jim… Crossed out and finally replaced by James Joseph Wright, messenger, 25 years old (born Jan 10th 1863), started at post office aged 14, not 100% attractive (sorry, Jimmy), Fecker’s nickname for him Tato (daddy), and ‘James writes with a pen (book 9).’
Moving through the book, I find lists of dates as to when things happened, who works at the house next door, a page listing servants’ wages in 1888, and a rough plan of the ground floor of Clearwater House.
Clearwater House. My first attempt at a layout to help me picture how to get from one room to another, to improve consistency.
As you might have gathered by now, I keep the notes according to the book I am writing at the time. I stop now and then, usually after completing a book, to add to the previous pages and make other notes and lists about the world, not about the stories; that’s a separate matter. For the Clearwater series, I kept story notes in a separate notebook, jotting down ideas and points to answer, clues to solve and how, and story details, then later, I put the pertinent ones in the bible. If I filled the pages of the leather book with story notes, there would be so many things crossed out, it would make the book messy and even harder to read than it is.
Moving on, we next find a page outlining the characters’ skills, because, at that time, I was comparing them to superheroes – not in the stories, but in my head. So Archer was Iron Man and skilled in combat, money, and status. James (Captain America), communications, fitness, strength. Fecker (Thor), strength, loyalty, transport. Thomas (J.A.R.V.I.S.), Logic, cool head, planning… And so on.
For ‘Twisted Tracks’, I drew a map of the railway route I’d invented. Book three’s notes include a page of villains, and who was dead by then, and book four outlines who was on the board of the Clearwater Foundation. Also in the Fallen Splendour section are notes such as ‘Silas wears Curzon cologne’, and ‘Fanny… crossed out, Sarah… crossed out… Mrs Norwood, 40s, James’ old schoolteacher.’
Book five is set at Larkspur Hall, and as that was the first time we’d been there in detail, there’s a list of servants, places on the estate, ‘A patchwork of a property,’ ‘Ruined church from Dissolution’, and ‘abbey given in 1538,’ which is a worry as I am sure I’ve said it was another date in another book.
You see, even though you keep notes, you don’t always use them. I know I once messed up on the address of Clearwater House saying, in one book, it was in Bucks Avenue and then in another that it was in Bucks Row. (Bucks Row was a site of a Jack the Ripper murder.) I was able to go back and change that later, but I am sure there are other minor inconsistencies caused by ‘I remember that, no need to look it up.’
Occasionally, I paste things into the bible, such as this note, written on the back of receipt.
Romanian. Gabriel’s translation and some of my notes about pronunciation.
I was sitting at our local café one day and was joined by a Romanian friend. That was handy because I was writing ‘Bitter Bloodline’, which features a Romanian villain, and although I’d used Google translate, I wanted to be sure the most important sentence in the book was correct. Gabriel, my Romanian mate, wrote it down for me, and then I told him we were talking about Transylvania in 1889. He rewrote it, because the language would have been slightly different, and that’s what that note is all about.
What Else Should Be in the Bible?
I don’t want to bore you with details of every page of my book, but apart from those things mentioned above, it also contains pages titled:
Height, Hair & Build (brief character references)
Skills (again, but with more characters)
Archers’ family tree by three generations
Notes about Larkspur Hall
A calendar of character’s birthdays (Harvey, a minor character, June 2nd, Jasper Blackwood, 1st August, Silas, 21st October, etc.) These minor facts are useful to know and use because they add depth to stories, even if it’s only a mention.
A calendar of years of birth. Archer 1859, Thomas 1861, Fecker, probably 1865 but no-one really knows.
A rough map of the area around Clearwater House
Extended family tree for The Clearwater Inheritance
Who’s Who at Larkspur Hall, March 1890
The guest list for Archer’s 31st birthday party
Ages. Character’s ages through the years and some other major events. This makes it so much easier to remember how old people are. If you look closely, you’ll see that Fecker started renting in 1883 when he was 16, though he may have been older, and James started at the post office (PO) in 1877. You never know when such trivia will come in useful.
And so on and so on until we hit a page on which I have (badly) drawn three standing stones and the title The Larkspur Mysteries, June 2021, and underlined it in red as if it were school homework.
I’m now a two-bible household. I keep the leather notebook going, and still add to previous pages, while using up more to give the same basic details of the new characters from the Larkspur Mysteries. However, when I started this second series, I decided to use a large, lined book that a friend had made for me. The cover is decorated with the titles of the books from the Clearwater Mysteries, but I am using the book as a bible/notebook for the Larkspur Series.
Big book. Notes on the viscountcy of Larkspur from 1541 to the present day (1891), for ‘Seeing Through Shadows.’
That’s one example of how I am creating the Larkspur bible alongside the Clearwater bible. I’m not repeating facts from the first to the second, but I am adding facts from the second to relevant places in the first. I’m also using it to outline the stories, track the timeline, create character arcs, and make story notes. The Clearwater bible remains my go-to place for the basics, but now, using the larger Larkspur book, I can keep all my story notes in one, lovely to write on, set of pages and not the old trunk.
I hope you found the above interesting. If I have a final point to make about why authors should keep a bible, it’s this:
When you create a fictional world, you are the Creator. You are omnipotent and expected to know all, see all, and care for all you have created. Unless you really are the Creator, it’s unlikely you will store every fabulous fact in your memory, so if in doubt, write it down.
Notebooks yet to be used, except for the green one which I used when writing the Saddling series as James Collins.
As for me, I have plenty more notebooks waiting to be filled…
I’m pleased to tell you that the Larkspur Mysteries book four, Seeing Through Shadows, is now uploaded on Amazon. It should be available for you in Kindle, KU and in paperback in the next couple of days. (edit, it is now live!)
As you can see from the title of this brief post, this is week 14 in this book’s life. (The 2 refers to the fact this is my second book since starting the WIP blog, the 14 refers to the week.) Some books, they say, write themselves, and Seeing Through Shadows was one of them. I started with an idea, made some notes and did some research, as I always do, and drew a simple outline. After that, the characters took over, I kept them in line with the structure I wanted, and I was strict with myself when first-drafting, which meant less time had to be taken on the following drafts and edits. I think I’m finally getting this process down now, and once an idea has formed, it’s taking me less time to write a novel.
What’s interesting about ‘Shadows’ is that the idea came about back in 2018, before I’d even thought about the Clearwater Mysteries, let alone the Larkspur mysteries. I’d just finished writing ‘Curious Moonlight’, a kind of ghost story and first love mashup, and considered writing a sequel.
Curious Moonlight is about two guys meeting, and having their relationship hampered by a troubled and troublesome ghost called Billy. I thought it might be fun to have the three team up as spectral investigators, with Billy being ever present and always naughty. I invented a location (Blackwood Abbey), and a history of a ghostly sighting, drew a plan of the estate and mapped out the story, but never sat down to write it.
In a way, I am glad I didn’t, because Blackwood Abbey eventually became Larkspur Hall, and what I was doing back then was only planting the seed of an idea. When you read Shadows and learn the history of the Larkspur ghost, it is actually the same history of that created for the Curious Moonlight sequel that never was. The twist at the end of Shadows was to be the explanation for the Curious ghost (kind of), and the Larkspur estate is more of less what I’d made up for Curious. Confused? Never mind, it’ll become clear when you read Seeing Through Shadows.
There’s not much to tell you this week. Seeing Through Shadows is currently with the proof-reader. I should be able to send it to be formatted next week, which means we may have a release date around 22nd April.
While this is happening, I have been thinking about the next in the series and the one after, possibly the last in the series. I am toying with the idea of having a big finish to the Larkspur Mysteries and moving onto something else. That might be a series of mysteries set back in London but in the Clearwater world. James, Silas, Dalston, Joe and the London team might get into all kinds of scrapes… But first, I must continue with Larkspur.
Seeing Through Shadows introduces another new character, and I feel when it comes, book five should continue his story a little before we reach the finale. That, by the way, promises to be on par with the Clearwater Inheritance and may be a two-parter. I have an idea that brings everything together from Deviant Desire to whatever Larkspur Five will be, and makes sense of everything Lord Clearwater has been doing since we met him in 1888. But that’s all for the future. Right now, I am catching up on some other work, making notes for Larkspur six/seven, and thinking of what I can have my crew get up to in Larkspur five. So, as usual, it’s back to the desk…
Last weekend I finished my running draft of ‘Seeing Through Shadows’, the Larkspur Mysteries book four. The manuscript will go to the proofreader at the end of this week, and I should have it ready for publication by the end of the week after. So, not long to wait now.
Meanwhile, we have finalised the front cover, and I now need to work on the text for the back and its Amazon page, and I need to write the author’s notes. That’s the section I add at the end of the Larkspur Books, where I talk about some facts behind the story.
The fact that this is WIP 2.11 means I have been working on ‘Seeing Through Shadows’ for 11 weeks. That means, by the time it is published, it would have taken me roughly three months from start to finish. The manuscript is 108,000 words long, and the story delves into the history of the Clearwater title, the line of previous viscounts, and some historical events that happened on the estate.
Neil has read the story and called it, ‘A love story within a love story,’ which I thought was a nice way to put it. There’s also a ghost story, some humour, new characters, established ones developing further, and a little eroticism.
And, with that, I shall leave you and get back to redecorating the house (I’ve taken the week off to get the job done). There will be a blog on Saturday as usual, and then I’ll be sending ‘Seeing Through Shadows’ off to the proofer, and will probably start on the next story.
I thought it was time I told you a little more about ‘Seeing Through Shadows’, the fourth book in The Larkspur Mysteries series, the series that continues from the highly popular ‘Clearwater Mysteries.’
The previous Larkspur story, ‘Agents of the Truth’ concluded on 31st October, 1890, and ‘Seeing Through Shadows’ is set in January 1891.
However, October 31st was an important date for its main character, an erudite young man of twenty-two called Chester Cadman. As Lord Clearwater was hosting his annual charity ball at Larkspur, and as Dalston Blaze was chasing a potential assassin, Chester Cadman was in London, working for a mapmaker and indulging in one of his favourite pastimes: debunking the spiritual entertainments offered by Mr Maskelyen and Mr Cooke.
These stage productions were popular in Victorian times, and you can find advertisements for such things in the newspaper archives, and elsewhere. Chester was attending one at the Egyptian Hall in Piccadilly, and while there, met another, equally handsome, young man called William Barnes. The following day, Chester’s life changed—but I’m not going to tell you how because I don’t want to give away any spoilers.
The Egyptian Hall in Piccadilly, London, was an exhibition hall built in the ancient Egyptian style in 1812, to the designs of Peter Frederick Robinson.
Long demolished, this West End venue was home to a museum, art exhibitions, Victorian ‘freak shows’ and magic shows. Victorian magic duo John Nevil Maskelyne (1839-1917) and George Alfred Cooke (1825-1905) hosted a show at the venue for 31 years. It’s been claimed Maskelyne invented the illusion of levitation, as well as the coin-operated toilet lock. [Memoirs of a Metro Girl, a London culture and history blog.] January 1891
When I began ‘Seeing through Shadows’, I had no idea how it was going to unfold. Then, after writing the first chapter, I knew where I was heading, and spent a couple of days at the writing desk, plotting, planning, and inventing a fair amount of history. Along with factual history, I invented 18 Viscounts Clearwater, their birth and death dates, and the year they came to the title. I also had to refine and define the history of Larkspur Abbey, how it was affected by the Dissolution, when it was extended, altered and re-landscaped, and several other historical points. Why? Well, because the novel’s action plot focuses on a recurrence of a historical haunting, and that’s all I can say about that, for now.
Back to that first chapter. When I started it, I didn’t know who my main character was to be. I often do that; I think of a name, age, big event from the past and set that character against a plot device on which to hang a mystery, and decide who is to be his impact character. (An impact character’s role is very simple: they are there to inspire, enable, or somehow make another character change. Usually the other character is the main character or protagonist.) The first paragraph I wrote for ‘Seeing Through Shadows’ came from nowhere, but I knew it was a good place to start, because all good stories start with a railway journey. ‘Shadows’ opens with:
The Cornish Riviera Express en route to Cornwall January 1891
Chester Cadman turned his attention away from the passing scenery and wondered if he hadn’t made another terrible mistake. His travelling companion was a quiet stranger to whom he had handed his wellbeing and future, and he had put his life in the hands of men he knew nothing about. Again.
A Classic Mashup
I guess ‘Shadows’ is one of my classic mashups. Along with a mystery that needs solving, we have a story of developing love, and there are a couple of sexually charged scenes in this novel. Not full-on descriptive scenes as there are in ‘Deviant Desire’ or my Mentor series, but something more subtle and, I hope, imagination fuelling. There is also some humour from our regular cast, Frank Andino ( read his recent interview here) and Fleet, and we meet two new academy men, Henry and Edward, who, I imagine, will come to the fore in a future novel. Dalston and Joe are in the story now and then, too, but they are about to head to London for their new lives, which may well lead into the third series, ‘The Delamere Mysteries’ next year.
Meanwhile, at Larkspur Hall, Thomas Payne becomes our protagonist because Clearwater is away in London dealing with something which will become a Delamere Mystery in the future. Barnaby Nancarrow, the country’s youngest butler, makes an appearance, and some other Hall characters are developed a little more. While all that’s going on, Chester is adjusting to his new life, conflicted about his feelings for someone, desperate to please Clearwater and repay his kindness, and generally turning heads among the academy men.
‘Seeing Through Shadows’ is one of those stories where, along with the main character, the reader is invited to work out what the hell is going on. Unlike ‘Agents of the Truth’, there is no villain as such, and no-one’s life is in danger. ‘Shadows’ progresses through several twists, and chapters tend to conclude with a ‘What if?’ or an emotional or mysterious cliff hanger. There are also inserts where the mystery is seen from an unusual perspective. Only short sections, but ones which are intended to lend atmosphere and, of course, mystery. These were interesting to write as events are seen from the perspective of an owl, a fox and a cat. I’ll leave you with just such an excerpt. I’ve not yet fully edited this, but here is what I have at the moment. It’s from the end of a chapter later in the story, the night before the ‘great reveal’ when the mystery is explained, and it’s one of the inserts as seen from an owl’s point of view.
Not all was harmonious with the night, however, and the owl ruffled its feathers in a shiver of disquiet. Off to the west, something unrequited was advancing through the fragile air. It was still at a distance, but it was coming from across the moor, beneath the ground, making its steady path towards the hall as it had done before. Unstoppable, it would appear and disappear; it was real, and it was ethereal; it was alive where it lived, and yet it would die if it stayed there. Something that couldn’t be laid to rest until it was understood, its appearance was inevitable. Nervous, the owl screeched its disapproval, and fell from the battlements, wings spread. The uplift took her high above the sloping tiles and the last of the drifting woodsmoke, the treetops and moorland, and she circled wide and slowly to the Academy House where her interest lay. Passing the sleeping outbuildings, the yards, and windows dark with the hour, she came to one aglow, and landed on the sill. Within, flames swayed on the last of their wicks, languid as they burned away time. Their faint light withdrew from corners to candles as they died, and drew their cast across carpet, over chairs, through a field of jumbled clothing, to the cliff edge of the bed. Ascending as it faded, the light lasted just long enough for the owl to see the shape of two men, naked, entwined, fulfilled and dreaming. The ground was laid for the inevitable, and knowing there was nothing she could do but watch, the owl dropped from the window and once again became one with the night.
‘Seeing Through Shadows’ is due for release later this month.
I had a great birthday weekend, everyone. Thank you to all of you who sent best wishes and nice messages, and to those who downloaded a copy of Banyak & Fecks and/or Deviant Desire. They’re back from free-land now, but still there for sale along with all my others if you haven’t read the Clearwater Series yet. The excellent news is that Deviant Desire went to #2 in the charts over the weekend, which means Lord Clearwater and his crew might gather a few new supporters.
Meanwhile, at the desk… This week I’m pleased to tell you that the second draft of ‘Seeing Through Shadows’, the next Larkspur novel, is progressing well. Neil is beta reading the MS for story, plot etc., and I am working my way through a grammar & style check, editing, cutting and improving as I go. The aim is to release the book in April, so there’s not long to wait now. Anjela has come up with a cover, which I will let you see nearer the time, and I am working on the blurb which should also be ready shortly. So, next week, you may well see a short blurb/synopsis of ‘Seeing Through Shadows’, and I should have the MS ready to send off to be proofread.
To celebrate what would have been Lord Clearwater’s 163rd birthday, I have made two books free for two days. ‘Banyak & Fecks’, the Clearwater Mysteries’ prequel, and the first book in the series, ‘Deviant Desire’, are free on Kindle for this weekend only. Click here to check out the series.
Saturday, March 26th, 1859. The Illustrated Times, on its front page, began thus:
The coming congress.
So it seems that the great questions which for months have threatened Europe with war, are to be brought to the test of arbitration, and settled on the principles of common sense.
(The illustration shows ‘The Prince of Wales’s balcony on the Corso, Rome, during the carnival.’)
One hundred and sixty-three years later, the headlines aren’t that dissimilar, which is a shame, although there is less common sense in some areas of the world. Since Archer, Lord Clearwater, was born, there have been other historical events on his birthday, one of which is the birth of author James Collins (aka Jackson Marsh), in 1963. Also of note might be, the birth of Tennessee Williams in 1911, Richard Dawkins in 1941, Diana Ross in 1944, Bangladesh became an independent state in 1971, and (I hate to say it) Vladimir Putin was elected Head of State in 2000. On a happier note, Doctor Who returned to UK television on this day in 2005.
As it is Archer’s 163rd birthday, I thought I might take a look at what he has been through since he came to literary life on March 7th, 2019. Archer is only three years old in book terms, but he has been on, or played a part in, 13 adventures so far, appearing in 10 of the Clearwater Mysteries, and, so far, three of the Larkspur Mysteries. He doesn’t appear in the Clearwater prequel, Banyak & Fecks, other than as a vague reference in a dream Silas has, where he dreams of meeting such a man in a carriage full of money. He will appear in the fourth Larkspur mystery, ‘Seeing Through Shadows’ due out next month, although only briefly, because he is mainly away in London, dealing with events which are taking place in ‘The Delamere Mysteries.’ This is an idea I have for a second spin-off from the Clearwater Mysteries, and which I hope to write next year.
Adventures Archer has been involved in during his literary life so far.
As I was saying… His first claim to fame was unmasking the East End Ripper, the villain, based on Jack the Ripper, who started the series off in Deviant Desire. Since then, he has faced many perils, including: Fighting on a dockside gantry and falling into the Thames. Battling a villain on the roof of a speeding steam train heading for disaster. Racing across the country in a blizzard to rescue two kidnap victims. Appearing in court in full regalia to defend his innocent friends. Confronting other villains, falling into a mineshaft, and sword fighting his way out of an assassination.
Archer is quite an active chap, both in and out of the bedroom. In 1877, he became a lieutenant on The Britannia, where he served under his brother, Crispin, during conflicts on the Black Sea.
Archer was honourably discharged from the navy in 1886 following a near-fatal injury inflicted by his own brother. When Crispin was declared incurably insane, the 18th viscount reluctantly gave into Lady Emily’s wishes and arranged for Archer to succeed the title on his death. His naval training and upbringing have served him well, but he has natural talents too. These have seen him through love, laughter and a lot of laughs, while leaving him loyal, lordly and loving. I couldn’t think of anymore ‘L’ words to alliterate his character, only to add that he’s also rather lush.
He is handsome, debonair, and extremely well endowed, both financially and… elsewhere. In my writer’s imagination, Archer started off as a classic young, good-looking, wealthy aristocrat who was, in a way, a reluctant hero. His brother, Crispin, should have taken the title and all that goes with it, but Crispin was a psychopath and is already locked up when the stories start. Archer suffered much in his childhood because of Crispin, but also because of his father, who thought he was soft and unmanly, treated him appallingly both physically and emotionally, and made his early life as difficult as hell. However, Archer managed to live through all that, and when he was elevated to the title in 1888 (two months before the stories start), he did so with resolve.
Archer is, as we would say, gay, and has known it since an early age. His first sexual awakenings happened with Tommy Payne, then a hall boy at both Larkspur Hall and Clearwater House. Later, Tommy became Thomas, the footman, and when Archer took the title, he elevated him to the role of butler, where he became Mr Payne.
Through the series, Archer and Thomas’ love for each other bubbles beneath the surface, and rolls in waves between physical desire and platonic love. Because of their stations in life, there is no chance of a physical relationship, however, not even when Archer makes Thomas his steward, and Thomas becomes Tom. A steward is the highest rank Archer can give him to make him a gentleman, without Thomas leaving to become a man of business, and that’s something Thomas would never do. Tom and Archer will be together in an endless bromance until they die. Meanwhile, when Archer is away from Larkspur, Tom more or less takes his role, and some of the staff have commented privately that Tom is the new Lady Clearwater.
Archer has had lovers, though, and it was being discovered with one while in the navy that led to Crispin’s attempt to murder him. But, Simon Harrington died, leaving Archer to face civilian life and the viscountcy alone. Thus, he put his energies into his philanthropic endeavours, and because he understood what it was like to crave a life with ‘men of a similar heart’, and not be allowed one, he set about creating the Clearwater Foundation. In other words, Archer was gay, being gay was illegal in those days, and he wanted to help other gay men to exist as themselves. He began this with the Cheap Street Mission for rent boys, and while setting that up, wanted to interview one or two renters to get their thoughts and understand their needs. Enter Silas Hawkins. The two meet, and the earth moves. It’s love at first sight, and although the river of true love hasn’t run smoothly, Archer and Silas are still together to this day in 1891, which is where we are currently at in the Clearwater world.
Archer has a knack for knowing when another man is ‘of a similar heart.’ In other words, he’s got good gaydar, and that’s why his house is gradually filling up with gay staff. It’s not because he lusts after them, because he doesn’t (although I think he harbours a secret desire to experience what gave the straight Ukrainian, Andrej, his nickname ‘Fecker’, but then, don’t we all?). Archer simply likes to help people, particularly, but not exclusively, young gay men. Hence, he opened the Larkspur Academy for young, gifted, and, probably, gay men from underprivileged backgrounds.
By the time he did this, early in 1890, he had gathered around him a team of loyal and good friends, elevating each one of them to a better position in life, as he himself was elevated to viscount. Thomas we know about (hall boy to steward). From the slums of the Wiral to the back alleys of Greychurch, Silas goes on to become his own man of business. James Wright enters the series as a messenger, becomes household staff, a valet and later has his own private company. Andrej, a Ukrainian refugee, goes from war to circus, renting, groom to horse master. Lucy, from maid to head cook. Sally, from chambermaid to the youngest housekeeper of a grand house in the country. Barnaby Nancarrow from footman to butler, other stable lads at Larkspur become household staff or are promoted, and gradually, the young take the places of older staff, as Archer rids his life of his father’s legacy, and makes his land, estates, properties and business his own.
Currently, as I mentioned, he is in London working on some cases that I’ve not even thought of yet, and while he is there, the Larkspur Academy is about to welcome its next man, Chester Cadman. You will be able to read ‘Seeing through Shadows’ soon. If you will excuse me, I shall return to working on the new novel while wishing Archer a happy birthday, and looking forward to whatever he is going to be doing next.
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